Composer - 2019
'Pandora' Chimes of Freedom (2019)
Directed by: Steve Hughes
Cinematography by: Maximilian Schmige
Edited by: Dana Gasparine
Orchestrations
Flatliners (2017)
Directed by: Niels Arden Oplev
Cinematography by: Eric Kress
Edited by: Tom Elkins
Cameras: ARRI ALEXA XT Camera
Lenses: Panavision Lenses
Lead Orchestrator
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Lead Orchestrator
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Orchestrator
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Orchestrator
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Lead Orchestrator
'Revenge' Grief (2012)
Directed by: Randy Zisk
Cinematography by: Cynthia Pusheck
Edited by: Sue Blainey
Lead Orchestrator
'Revenge' Destiny (2012)
Directed by: Kenneth Fink
Cinematography by: Cynthia Pusheck
Edited by: Sue Blainey
Composer: Additional Music
'Ancient Aliens' Aliens and Dinosaurs (2012)
Lead Orchestrator
'Revenge' Forgiveness (2012)
Directed by: Matt Earl Beesley
Cinematography by: Cynthia Pusheck
Edited by: Conrad Smart
Lead Orchestrator
'Revenge' Intuition (2012)
Directed by: Randy Zisk
Cinematography by: John Smith
Edited by: Sue Blainey
Lead Orchestrator
'Revenge' Confidence (2012)
Directed by: J. Miller Tobin
Cinematography by: Cynthia Pusheck
Edited by: John M. Valerio
Lead Orchestrator
'Revenge' Resurrection (2012)
Directed by: David Grossman
Cinematography by: John Smith
Edited by: Conrad Smart
Lead Orchestrator
'Revenge' Reckoning (2012)
Directed by: Sanford Bookstaver
Cinematography by: Cynthia Pusheck
Edited by: Conrad Smart
Lead Orchestrator
'Revenge' Legacy (2012)
Directed by: Eric Laneuville
Cinematography by: Cynthia Pusheck
Edited by: Chris Figler
Lead Orchestrator
'Revenge' Infamy (2012)
Directed by: Matt Earl Beesley
Cinematography by: Cynthia Pusheck
Edited by: Sue Blainey
Lead Orchestrator
'Revenge' Absolution (2012)
Directed by: Sanford Bookstaver
Cinematography by: Cynthia Pusheck
Edited by: Conrad Smart
Lead Orchestrator
'Revenge' Doubt (2012)
Directed by: Matt Earl Beesley
Cinematography by: Cynthia Pusheck
Edited by: Martin Nicholson
Lead Orchestrator
'Revenge' Justice (2012)
Directed by: Bobby Roth
Cinematography by: Cynthia Pusheck
Edited by: Sue Blainey
Lead Orchestrator
'Revenge' Scandal (2012)
Directed by: Kenneth Fink
Cinematography by: Cynthia Pusheck
Edited by: Conrad Smart
Lead Orchestrator
'Revenge' Chaos (2012)
Directed by: Sanford Bookstaver
Cinematography by: Cynthia Pusheck
Edited by: Sue Blainey
Lead Orchestrator
'Revenge' Perception (2012)
Directed by: Tim Hunter
Cinematography by: Cynthia Pusheck
Edited by: Martin Nicholson
Lead Orchestrator
'Revenge' Commitment (2012)
Directed by: Kenneth Fink
Cinematography by: Cynthia Pusheck
Edited by: Conrad Smart
Lead Orchestrator
'Revenge' Duress (2012)
Directed by: Jamie Babbit
Cinematography by: Cynthia Pusheck
Edited by: Martin Nicholson
Orchestrator
Act of Valor (2012)
Cinematography by: Shane Hurlbut
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Platinum Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Lead Orchestrator
'Revenge' Charade (2011)
Directed by: Sanford Bookstaver
Cinematography by: Cynthia Pusheck
Edited by: Conrad Smart
Lead Orchestrator
'Revenge' Suspicion (2011)
Directed by: Bethany Rooney
Cinematography by: Cynthia Pusheck
Edited by: Sue Blainey
Lead Orchestrator
'Revenge' Treachery (2011)
Directed by: Bobby Roth
Cinematography by: Cynthia Pusheck
Edited by: Martin Nicholson
Lead Orchestrator
'Revenge' Loyalty (2011)
Directed by: J. Miller Tobin
Cinematography by: Cynthia Pusheck
Edited by: Conrad Smart
Lead Orchestrator
'Revenge' Guilt (2011)
Directed by: Kenneth Fink
Cinematography by: Cynthia Pusheck
Edited by: Martin Nicholson
Lead Orchestrator
'Revenge' Intrigue (2011)
Directed by: Tim Hunter
Cinematography by: Cynthia Pusheck
Edited by: Sue Blainey
Lead Orchestrator
'Revenge' Betrayal (2011)
Directed by: Matt Earl Beesley
Cinematography by: Cynthia Pusheck
Edited by: Sue Blainey
Lead Orchestrator
'Revenge' Duplicity (2011)
Directed by: Matt Shakman
Cinematography by: Cynthia Pusheck
Edited by: Conrad Smart
Lead Orchestrator
'Revenge' Trust (2011)
Directed by: Phillip Noyce
Cinematography by: Cynthia Pusheck
Edited by: Martin Nicholson
Lead Orchestrator
'Revenge' Pilot (2011)
Directed by: Phillip Noyce
Cinematography by: Chris Manley
Edited by: Martin Nicholson
Orchestrator
Your Highness (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Orchestrator
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Composer: Additional Music
'Ancient Aliens' Aliens and the Founding Fathers (2011)
Lead Orchestrator - 27 Episodes, 2011-2012
Revenge (2011)
Directed by: Kenneth Fink, J. Miller Tobin, Bobby Roth, Matt Earl Beesley, John Terlesky, Sanford Bookstaver, Colin Bucksey, Matt Shakman, John Scott, Randy Zisk, Allison Liddi-Brown, Wendey Stanzler, Tim Hunter, Phillip Noyce, Christopher Misiano, Helen Hunt, Jennifer Wilkinson, Bethany Rooney, Jamie Babbit, David Grossman, Eric Laneuville, Jennifer Getzinger, Roger Kumble, Stefan Schwartz, Charlie Stratton, Hanelle M. Culpepper, Paul Holahan, Christine Moore, Romeo Tirone, Tara Nicole Weyr, Kate Woods, Rob Greenlea, Alrick Riley, Ty Trullinger
Edited by: Sue Blainey, John Axness, Conrad Smart, Martin Nicholson, John M. Valerio, Jennifer Barbot, Sunny Hodge, Lauren A. Schaffer, Lynne Willingham, Scott Gamzon, Chris Figler, Lance Luckey
Cameras: ARRI ALEXA Camera, Sony PMW-F3 Camera
Composer: Additional Music - 3 Episodes, 2011-2012
Ancient Aliens (2009)
Directed by: Susan E. Leventhal, Keith Guinto, William Martens, Kevin Burns, David Silver, Murathan Varol, David Osper
Edited by: Damon Brewster, Eric Sievering, Nicholas Siapkaris, Kaylyn Thornal, Casey Lee, Dustin Ebsen, Mike Stanley, Lara Andre, David Comtois, Shane Ross, Jeremy Parr, Margaret Moore, Charles Donohoe, Chad Inman, Niccolo Roveda, Troy Bogert, Conrad Stanley, Collin Selders, Joey Barasch, Titus Heard, Jayson Meadows, Kevin Browne, Greg Arata, Jack Farrell, Kenneth Luebbert, R.L. Shontell, Dan Wolfmeyer, Motoshi Wakabayashi, Justin Inda, Michael W. Andrews, Chris Collins, C.J. Sagle, Brandon Sonnier, Matt Miller, Jennifer A. Lehman, Damon Carroll, Andrew Corwin, Steve Pomerantz, Tom Ronca, Robert L. Goodman, Molly Shock, Michael Degl'Innocenti, Keith Shapiro, Ron Cabreros, Kevin Benson, Sue 'Spyke' Hirshon, John W. Richardson, Greg Clausen, Plowden Schumacher, Katie Smith, Sergio Palermo, Lou LaProcido, Gerard San Gemino, Timothy Millard, Robert Thatcher, David Kalish, Nena Olwage, Jonathan Schwartz
Orchestrator
The Hole (2009)
Directed by: Joe Dante
Cinematography by: Theo van de Sande
Edited by: Marshall Harvey
Orchestrator
He's Just Not That Into You (2009)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Orchestrator
Case 39 (2009)
Directed by: Christian Alvart
Cinematography by: Hagen Bogdanski
Edited by: Mark Goldblatt
Orchestrator
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Orchestrator
Hostel: Part II (2007)
Directed by: Eli Roth
Cinematography by: Milan Chadima
Edited by: George Folsey Jr.
Orchestrator
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Orchestrator
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Lead Orchestrator
The Texas Chainsaw Massacre: The Beginning (2006)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Copyist
La hora fría (2006)
Directed by: Elio Quiroga
Cinematography by: Ángel Luis Fernández
Edited by: Luis Sánchez-Gijón
Lead Orchestrator
The Sisterhood of the Traveling Pants (2005)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff
Additional Orchestrator / Score Preparation
The Last Confederate: The Story of Robert Adams (2005)
Cinematography by: Shawn Lewallen
Orchestrator
Once Upon a Time in Mexico (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Additional Orchestrator
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Orchestrator
The Lizzie McGuire Movie (2003)
Directed by: Jim Fall
Cinematography by: Jerzy Zielinski
Edited by: Margaret Goodspeed
Cameras: Panavision Cameras
Score Preparation
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Lead Orchestrator
Beat the Drum (2003)
Directed by: David Hickson
Cinematography by: Lance Gewer
Edited by: Mark Winitsky
Cameras: ARRI Cameras
