Video Assist
'13 Reasons Why' Let the Dead Bury the Dead (2019)
Directed by: John T. Kretchmer
Cinematography by: Kevin Thompson
Edited by: Matthew Ramsey
Video Assist
'13 Reasons Why' And Then the Hurricane Hit (2019)
Directed by: Kevin Dowling
Cinematography by: Kevin Thompson
Edited by: Matthew Ramsey
Video Assist
'13 Reasons Why' There Are a Few Things I Haven't Told You (2019)
Directed by: Kevin Dowling
Cinematography by: Kevin Thompson
Edited by: Matthew Ramsey
Video Assist
'13 Reasons Why' The World Closing In (2019)
Directed by: Aurora Guerrero
Cinematography by: Kevin Thompson
Video Assist
'13 Reasons Why' In High School, Even on a Good Day, It's Hard to Tell Who's on Your Side (2019)
Directed by: Kevin Dowling
Cinematography by: Kevin Thompson
Video Assist
'13 Reasons Why' Always Waiting for the Next Bad News (2019)
Directed by: Aurora Guerrero
Cinematography by: Kevin Thompson
Video Assist
'13 Reasons Why' There Are a Number of Problems with Clay Jensen (2019)
Directed by: Kevin Dowling
Cinematography by: Kevin Thompson
Video Assist
'13 Reasons Why' You Can Tell the Heart of a Man by How He Grieves (2019)
Directed by: Bronwen Hughes
Cinematography by: Kevin Thompson
Edited by: Matthew Ramsey
Video Assist
'13 Reasons Why' The Good Person is Indistinguishable from the Bad (2019)
Directed by: Jessica Yu
Cinematography by: Kevin Thompson
Edited by: Rich Fox
Video Assist
'13 Reasons Why' Angry, Young and Man (2019)
Directed by: Jessica Yu
Cinematography by: Tommy Lohmann
Edited by: Rich Fox
Video Assist
'13 Reasons Why' Nobody's Clean (2019)
Directed by: Bronwen Hughes
Cinematography by: Kevin Thompson
Edited by: Matthew Ramsey
Video Assist
'13 Reasons Why' If You're Breathing, You're a Liar (2019)
Directed by: Michael Morris
Edited by: Philip Harrison
Video Assist
A Star Is Born (2018)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Jay Cassidy
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Video Assist
'13 Reasons Why' Bye (2018)
Directed by: Kyle Patrick Alvarez
Cinematography by: Ivan Strasburg
Video Assist
'13 Reasons Why' The Box of Polaroids (2018)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Video Assist
'13 Reasons Why' Two Girls Kissing (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
Video Assist
'13 Reasons Why' The First Polaroid (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
Video Assist
'13 Reasons Why' The Drunk Slut (2018)
Directed by: Karen Moncrieff
Cinematography by: Cameron Duncan
Edited by: Philip Harrison
Video Assist
'13 Reasons Why' The Chalk Machine (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
Video Assist
'13 Reasons Why' The Second Polaroid (2018)
Directed by: Karen Moncrieff
Cinematography by: Cameron Duncan
Edited by: Philip Harrison
Video Assist
'13 Reasons Why' The Smile at the End of the Dock (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
Video Assist
'13 Reasons Why' The Third Polaroid (2018)
Directed by: Michael Morris
Cinematography by: Ivan Strasburg
Edited by: Jacques Gravett
Video Assist
'13 Reasons Why' The Little Girl (2018)
Directed by: Michael Morris
Cinematography by: Ivan Strasburg
Edited by: Jacques Gravett
Video Assist
'13 Reasons Why' The Missing Page (2018)
Directed by: Kat Candler
Cinematography by: Ivan Strasburg
Edited by: Philip Harrison
Video Assist
'13 Reasons Why' Smile, Bitches (2018)
Directed by: Kat Candler
Cinematography by: Ivan Strasburg
Edited by: Philip Harrison
Video Assist
'13 Reasons Why' Bryce and Chloe (2018)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Video Assist - 26 Episodes, 2018-2019, Video Assist - 29 Episodes, 2018-2019
13 Reasons Why (2017)
Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer
Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams
Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox
Cameras: Panasonic VariCam 35
Editing System: Avid Editing System
Video Assist
War Dogs (2016)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Cameras: ARRI ALEXA XT Camera
Video Assist
Ted 2 (2015)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony CineAlta F65 Camera
Video Assist
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Video Assist Operator: Second Unit
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Video Assist
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Video Assist
The Hangover Part III (2013)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Video Assist
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Video Assist
Project X (2012)
Directed by: Nima Nourizadeh
Cinematography by: Ken Seng
Edited by: Jeff Groth
Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera
Lenses: Canon Lenses
Video Assist
Chasing Mavericks (2012)
Cinematography by: Bill Pope
Edited by: John Gilbert
Cameras: ARRI ALEXA Camera, Red Epic Camera
Video Assist: Additional Photography
Ted (2012)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Panavision Genesis Camera, Sony PMW-EX3 Camera
Editing System: Avid Editing System
Video Assist
Hemingway & Gellhorn (2012)
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Walter Murch
Cameras: ARRI ALEXA Camera
Editing System: Final Cut Pro Editing System
Video Assist
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Video Assist
Step Up 3D (2010)
Directed by: Jon M. Chu
Cinematography by: Ken Seng
Edited by: Andrew Marcus
Cameras: Sony CineAlta F23 Camera
Video Assist
Due Date (2010)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Video Assist
The Hangover (2009)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Video Assist
Seven Pounds (2008)
Directed by: Gabriele Muccino
Cinematography by: Philippe Le Sourd
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Video Assist
Shoot 'Em Up (2007)
Directed by: Michael Davis
Cinematography by: Peter Pau
Edited by: Peter Amundson
Video Assist Operator: San Francisco
The Kite Runner (2007)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Video Assist
The Pursuit of Happyness (2006)
Directed by: Gabriele Muccino
Cinematography by: Phedon Papamichael
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Video Assist Operator
Just Like Heaven (2005)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Editing System: Avid Editing System
Video Assist Operator
Bee Season (2005)
Cinematography by: Giles Nuttgens
Edited by: Lauren Zuckerman
Video Assist Operator
Rent (2005)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Richard Pearson
Video Assist Operator
Cellular (2004)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Video Assist Operator: San Francisco
50 First Dates (2004)
Directed by: Peter Segal
Cinematography by: Jack N. Green
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Video Assist Operator
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Video Assist Operator: San Francisco
Under the Tuscan Sun (2003)
Directed by: Audrey Wells
Cinematography by: Geoffrey Simpson
Video Assist Operator
I Spy (2002)
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
Video Assist Operator: San Francisco
The Bachelor (1999)
Directed by: Gary Sinyor
Cinematography by: Simon Archer
Video Assist
Dudley Do-Right (1999)
Directed by: Hugh Wilson
Cinematography by: Donald E. Thorin
Edited by: Don Brochu
Video Assist Operator
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Video Assist Operator: Second Unit
Sphere (1998)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Video Assistant
Patch Adams (1998)
Directed by: Tom Shadyac
Cinematography by: Phedon Papamichael
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Video Assist Operator
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Video Assist
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Video Assist Operator: Petaluma
Inventing the Abbotts (1997)
Directed by: Pat O'Connor
Cinematography by: Kenneth MacMillan
Edited by: Ray Lovejoy
Video Assist: San Francisco
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
