Still Photographer
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Still Photographer
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Still Photographer
Man & Beast (2012)
Directed by: Dante Ariola
Cinematography by: Jeff Cronenweth
Edited by: Andrea MacArthur
Cameras: Canon EOS-C500 Camera
Lenses: Canon EF Series Lenses
Still Photographer: Broome
Bran Nue Dae (2009)
Directed by: Rachel Perkins
Cinematography by: Andrew Lesnie
Edited by: Rochelle Oshlack
Special Still Photographer
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Still Photographer
Aquamarine (2006)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: Brian J. Breheny
Edited by: Jane Moran
Cameras: Panavision Cameras
Still Photographer
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Still Photographer
Dead Birds (2004)
Directed by: Alex Turner
Cinematography by: Steve Yedlin
Edited by: Brian Anton
Still Photographer
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Special Still Photographer
Moulin Rouge! (2001)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Editing System: Lightworks Editing System
Still Photographer
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Still Photographer
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Still Photographer
Desperado (1995)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Special Still Photographer
Foreign Student (1994)
Directed by: Eva Sereny
Cinematography by: Franco Di Giacomo
Edited by: Peter Hollywood
Still Photographer
Last Action Hero (1993)
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Still Photographer
The Lawnmower Man (1992)
Directed by: Brett Leonard
Cinematography by: Russell Carpenter
Edited by: Alan Baumgarten
Still Photographer
Guilty by Suspicion (1991)
Directed by: Irwin Winkler
Cinematography by: Michael Ballhaus
Edited by: Priscilla Nedd-Friendly
Still Photographer
Kindergarten Cop (1990)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Still Photographer
Drugstore Cowboy (1989)
Directed by: Gus Van Sant
Cinematography by: Robert D. Yeoman
Still Photographer
Driving Miss Daisy (1989)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Still Photographer
The Accidental Tourist (1988)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Still Photographer
Rain Man (1988)
Directed by: Barry Levinson
Cinematography by: John Seale
Edited by: Stu Linder
Cameras: Panavision Panaflex Camera
Still Photographer
The Name of the Rose (1986)
Directed by: Jean-Jacques Annaud
Cinematography by: Tonino Delli Colli
Edited by: Jane Seitz
Still Photographer
The Big Easy (1986)
Directed by: Jim McBride
Cinematography by: Affonso Beato
Edited by: Mia Goldman
Still Photographer
Crocodile Dundee (1986)
Directed by: Peter Faiman
Cinematography by: Russell Boyd
Edited by: David Stiven
Still Photographer
Out of Africa (1985)
Directed by: Sydney Pollack
Cinematography by: David Watkin
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Still Photographer
Blame It on Rio (1984)
Directed by: Stanley Donen
Cinematography by: Reynaldo Villalobos
Still Photographer
Two of a Kind (1983)
Directed by: John Herzfeld
Cinematography by: Fred J. Koenekamp
Edited by: Jack Hofstra
Still Photographer
Sophie's Choice (1982)
Directed by: Alan J. Pakula
Cinematography by: Néstor Almendros
Edited by: Evan A. Lottman
Still Photographer
Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982)
Directed by: Robert Altman
Cinematography by: Pierre Mignot
Edited by: Jason Rosenfield
Special Still Photographer
Last Embrace (1979)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Barry Malkin
Still Photographer
Alien (1979)
Directed by: Ridley Scott
Cinematography by: Derek Vanlint
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer
The Jerk (1979)
Directed by: Carl Reiner
Cinematography by: Victor J. Kemper
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Still Photographer
Saturday Night Fever (1977)
Directed by: John Badham
Cinematography by: Ralf D. Bode
Edited by: David Rawlins
Cameras: Panavision Cameras
Still Photographer
New York, New York (1977)
Directed by: Martin Scorsese
Cinematography by: László Kovács
Cameras: Panavision Cameras
Special Still Photographer
Bound for Glory (1976)
Directed by: Hal Ashby
Cinematography by: Haskell Wexler
Still Photographer
Smile (1975)
Directed by: Michael Ritchie
Cinematography by: Conrad L. Hall
Edited by: Richard A. Harris
Still Photographer
Fiddler on the Roof (1971)
Directed by: Norman Jewison
Cinematography by: Oswald Morris
Still Photographer
Tora! Tora! Tora! (1970)
Still Photographer
Ryan's Daughter (1970)
Directed by: David Lean
Cinematography by: Freddie Young
Edited by: Norman Savage
Cameras: Super Panavision-70 Camera
Special Still Photographer
Butch Cassidy and the Sundance Kid (1969)
Directed by: George Roy Hill
Cinematography by: Conrad L. Hall
Cameras: Panavision Silent Reflex PSR Camera
Special Still Photographer
2001: A Space Odyssey (1968)
Directed by: Stanley Kubrick
Cinematography by: Geoffrey Unsworth
Edited by: Ray Lovejoy
Cameras: Super Panavision-70 Camera
Still Photographer
How to Murder Your Wife (1965)
Directed by: Richard Quine
Cinematography by: Harry Stradling Sr.
Edited by: David Wages
Still Photographer
The Sound of Music (1965)
Directed by: Robert Wise
Cinematography by: Ted D. McCord
Edited by: William Reynolds
Still Photographer
Lord Jim (1965)
Directed by: Richard Brooks
Cinematography by: Freddie Young
Edited by: Alan Osbiston
Cameras: Super Panavision-70 Camera
