Supervising Sound Editor
'Hunters' Eilu v' Eilu (2020)
Directed by: Michael Uppendahl
Cinematography by: William Rexer
Edited by: John Petaja
Supervising Sound Editor - 10 Episodes, 2020
Hunters (2020)
Directed by: Phil Abraham, Nelson McCormick, Michael Uppendahl, Wayne Yip, Alfonso Gomez-Rejon, Dennie Gordon, Millicent Shelton
Cameras: Red Monstro 8K Camera
Supervising Sound Editor
'Hunters' In the Belly of the Whale (2020)
Directed by: Alfonso Gomez-Rejon
Cinematography by: Frederick Elmes
Edited by: John Petaja
Supervising Sound Editor
'Hunters' The Mourner's Kaddish (2020)
Directed by: Wayne Yip
Cinematography by: William Rexer
Edited by: Amy E. Duddleston
Supervising Sound Editor
'Hunters' While Visions of Safta Danced in His Head (2020)
Directed by: Wayne Yip
Cinematography by: William Rexer
Edited by: Matt Barber
Supervising Sound Editor
'Hunters' The Pious Thieves (2020)
Directed by: Nelson McCormick
Cinematography by: Tim Norman
Edited by: John Petaja
Supervising Sound Editor
'Hunters' At Night, All Birds Are Black (2020)
Directed by: Dennie Gordon
Cinematography by: Tim Norman
Edited by: Amy E. Duddleston
Supervising Sound Editor
'Hunters' (Ruth 1:16) (2020)
Directed by: Millicent Shelton
Cinematography by: William Rexer
Edited by: Matt Barber
Supervising Sound Editor
'Hunters' Shalom Motherf***er (2020)
Directed by: Nelson McCormick
Cinematography by: Tim Norman
Edited by: Andrew Groves
Supervising Sound Editor
'Hunters' The Jewish Question (2020)
Directed by: Michael Uppendahl
Cinematography by: William Rexer
Edited by: Matt Barber
Supervising Sound Editor
'Hunters' The Great Ole Nazi Cookout of '77 (2020)
Directed by: Nelson McCormick
Cinematography by: Tim Norman
Edited by: Amy E. Duddleston
Sound Effects Editor
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Co-supervising Sound Editor
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Re-Recording Mixer / Additional Sound Design
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Foley Editor
Birdman or (The Unexpected Virtue of Ignorance) (2014)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Re-recording Mixer / Sound Designer / Sound Supervisor
Annabelle (2014)
Directed by: John R. Leonetti
Cinematography by: James Kniest
Edited by: Tom Elkins
Foley Editor
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Re-recording Mixer / Sound Designer: And Supervisory Sound Editor
Insidious: Chapter 2 (2013)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
Sound Designer / Supervising Sound Editor
The Conjuring (2013)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Re-recording Mixer / Supervising Sound Editor
Struck by Lightning (2012)
Directed by: Brian Dannelly
Cinematography by: Bobby Bukowski
Edited by: Tia Nolan
Cameras: ARRI ALEXA Camera
Re-recording Mixer / Supervising Sound Editor
Buzkashi Boys (2012)
Directed by: Sam French
Cinematography by: Duraid Munajim
Edited by: Nels Bangerter
Supervising Sound Editor
S.W.A.T.: Firefight (2011)
Directed by: Benny Boom
Cinematography by: Don Davis
Cameras: Sony CineAlta F35 Camera
Sound Effects Editor
Secretariat (2010)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: John Wright
Re-recording Mixer
The Big Bang (2010)
Directed by: Tony Krantz
Cinematography by: Shelly Johnson
Edited by: Fred Raskin
Re-recording Mixer / Supervising Sound Editor
Operation: Endgame (2010)
Directed by: Fouad Mikati
Cinematography by: Arnaud Stefani
Edited by: Joshua Ferrazzano
Foley Editor
The Last Godfather (2010)
Directed by: Hyung-rae Shim
Cinematography by: Mark Irwin
Edited by: Jeff Freeman
Re-recording Mixer
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Re-recording Recordist
Thomas Kinkade's Christmas Cottage (2008)
Directed by: Michael Campus
Cinematography by: Robert Brinkmann
Edited by: Don Brochu
Music Mix Assistant
Rendition (2007)
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Sound Recordist
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Re-recording Sound Mixer
All the Days Before Tomorrow (2007)
Directed by: François Dompierre
Cinematography by: Gavin Kelly
Re-recording Mixer
Finishing the Game: The Search for a New Bruce Lee (2007)
Directed by: Justin Lin
Cinematography by: Tom Clancey
Edited by: Greg Louie
Sound Recordist
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Mixing Stage Recordist: Todd-AO Studios
Walkout (2006)
Directed by: Edward James Olmos
Cinematography by: Donald M. Morgan
Edited by: Michael McCusker
Re-recording Mixer
Think Tank (2006)
Directed by: Brian Petersen
Cinematography by: Michael Fimognari
Edited by: Yuka Ruell
Sound Mix Technician
Bobby (2006)
Directed by: Emilio Estevez
Cinematography by: Michael Barrett
Edited by: Richard Chew
Re-recording Mixer / Sound Designer
Fighting Tommy Riley (2004)
Directed by: Eddie O'Flaherty
Cinematography by: Michael Fimognari
Edited by: Aram Nigoghossian
