Digital Compositor
'11.22.63' The Day in Question (2016)
Directed by: James Strong
Cinematography by: Adam Suschitzky
Edited by: Michael R. Fox
Digital Compositor
'11.22.63' Soldier Boy (2016)
Directed by: James Kent
Cinematography by: Adam Suschitzky
Edited by: Sue Blainey
Digital Compositor
'11.22.63' The Rabbit Hole (2016)
Directed by: Kevin Macdonald
Cinematography by: David Katznelson
Edited by: Dorian Harris
Digital Compositor
'11.22.63' Happy Birthday, Lee Harvey Oswald (2016)
Directed by: John David Coles
Cinematography by: Adam Suschitzky
Edited by: Sue Blainey
Digital Compositor
'11.22.63' The Truth (2016)
Directed by: James Franco
Cinematography by: Adam Suschitzky
Edited by: Plummy Tucker
Digital Compositor
'11.22.63' Other Voices, Other Rooms (2016)
Directed by: James Strong
Cinematography by: Adam Suschitzky
Edited by: Plummy Tucker
Digital Compositor
'11.22.63' The Eyes of Texas (2016)
Directed by: Frederick E.O. Toye
Cinematography by: Adam Suschitzky
Edited by: Michael R. Fox
Digital Compositor - 8 Episodes, 2016
11.22.63 (2016)
Directed by: James Strong, Frederick E.O. Toye, John David Coles, James Franco, James Kent, Kevin Macdonald
Cameras: Red Epic Dragon Camera
Compositor: Pixomondo
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Compositor: Pixomondo
'Marco Polo' White Moon (2014)
Directed by: Daniel Minahan
Cinematography by: Xavier Grobet
Edited by: Barbara Tulliver
Compositor: Pixomondo
'Marco Polo' Feast (2014)
Directed by: Alik Sakharov
Cinematography by: Vanja Cernjul
Edited by: Michael Berenbaum
Compositor: Pixomondo - 10 Episodes, 2014
Marco Polo (2014)
Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue
Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras: Sony PMW-F55 Camera
Compositor: Pixomondo
'Marco Polo' Hashshashin (2014)
Directed by: Daniel Minahan
Cinematography by: Xavier Grobet
Compositor: Pixomondo
'Marco Polo' The Heavenly and Primal (2014)
Directed by: John Maybury
Cinematography by: Vanja Cernjul
Edited by: Erica Freed Marker
Compositor: Pixomondo
'Marco Polo' The Fourth Step (2014)
Directed by: Alik Sakharov
Cinematography by: Vanja Cernjul
Edited by: Allyson C. Johnson
Compositor: Pixomondo
'Marco Polo' Prisoners (2014)
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Martin Nicholson
Compositor: Pixomondo
'Marco Polo' Rendering (2014)
Directed by: John Maybury
Cinematography by: Vanja Cernjul
Edited by: Michael Berenbaum
Compositor: Pixomondo
'Marco Polo' The Wolf and the Deer (2014)
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Compositor: Pixomondo
'Marco Polo' The Scholar's Pen (2014)
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Elizabeth Kling
Compositor: Pixomondo
'Marco Polo' The Wayfarer (2014)
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Digital Compositor
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Digital Compositor
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Digital Compositor
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Digital Compositor: Mr. X Inc.
Resident Evil: Retribution (2012)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Compositing Supervisor
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Digital Compositing Supervisor: Mr. X Inc.
Hanna (2011)
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Compositing Supervisor
The Three Musketeers (2011)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Compositing Supervisor
Resident Evil: Afterlife (2010)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Editing System: Avid Editing System
Digital Compositor
Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Digital Compositor
Chloe (2009)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Digital Compositor
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Digital Compositor: Mr. X Inc.
Shoot 'Em Up (2007)
Directed by: Michael Davis
Cinematography by: Peter Pau
Edited by: Peter Amundson
Digital Compositor: Mr. X Inc.
Resident Evil: Extinction (2007)
Directed by: Russell Mulcahy
Cinematography by: David Johnson
Edited by: Niven Howie
Digital Compositor: Mr. X Inc
Evening (2007)
Directed by: Lajos Koltai
Cinematography by: Gyula Pados
Edited by: Allyson C. Johnson
Digital Compositor: Mr. X Inc.
Balls of Fury (2007)
Directed by: Robert Ben Garant
Cinematography by: Thomas E. Ackerman
Edited by: John Refoua
Cameras: Panavision Genesis Camera
Editing System: Final Cut Pro Editing System
Digital Compositor: Mr. X Inc
Closing the Ring (2007)
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Digital Compositor
16 Blocks (2006)
Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor: Mr. X
Skinwalkers (2006)
Directed by: James Isaac
Edited by: Allan Lee
Cameras: Panavision Cameras
Digital Compositor
Hollywoodland (2006)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Digital Compositor
Waist Deep (2006)
Directed by: Vondie Curtis-Hall
Cinematography by: Shane Hurlbut
Edited by: Terilyn A. Shropshire
Digital Compositor: Mr X
Silent Hill (2006)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Edited by: Sébastien Prangère
Digital Compositor
Where the Truth Lies (2005)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Compositor: Mr. X Inc.
Four Brothers (2005)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Digital Compositor
The Sisterhood of the Traveling Pants (2005)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff
