Matte Painter
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Inferno Artist: Hydraulx
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Inferno Artist
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Inferno Artist: CIS Hollywood
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Senior Digital Artist: CIS Hollywood
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Inferno Artist: CIS Hollywood
Ghosts of the Abyss (2003)
Directed by: James Cameron
Cinematography by: Vince Pace
Inferno Artist: CIS Hollywood
Spy Kids 3-D: Game Over (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Inferno Artist: CIS Hollywood
Scary Movie 3 (2003)
Directed by: David Zucker
Cinematography by: Mark Irwin
Senior Inferno Artist: CIS Hollywood
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Digital Compositing Supervisor: CIS
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Senior Digital Compositor: CIS Hollywood
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
2d Supervisor: CIS Hollywood
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Digital Compositing Supervisor: CIS Hollywood
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Digital Compositing Supervisor: CIS Hollywood
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Digital Compositing Supervisor
Kate & Leopold (2001)
Directed by: James Mangold
Cinematography by: Stuart Dryburgh
Edited by: David Brenner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Digital Compositing Supervisor: CIS Hollywood
Charlie's Angels (2000)
Directed by: McG
Cinematography by: Russell Carpenter
Digital Visual Effects Supervisor: CIS Hollywood
What Women Want (2000)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Digital Compositing Supervisor: CIS Hollywood
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Translite Matte Artist
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Digital Artist: CIS Hollywood
Mafia! (1998)
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Digital Artist: CIS Hollywood
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Artist: CIS Hollywood
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Digital Artist: CIS Hollywood
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Digital Compositor: CIS Hollywood
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Digital Artist: CIS Hollywood
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Digital Compositor/artist: CIS Hollywood
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Compositor/artist: Composite Image Systems
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
