James Bitonti

25 Titles

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Death Note | ShotOnWhat?

Co-producer, First Assistant Director

Death Note (2017)

Directed by: Adam Wingard

Cinematography by: David Tattersall

Edited by: Louis Cioffi

Cameras: Panasonic VariCam 35, Panasonic VariCam Camera

Lenses: Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Deadpool | ShotOnWhat?

First Assistant Director

Deadpool (2016)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System

Chappie | ShotOnWhat?

Co-producer, First Assistant Director, Gun Store Owner

Chappie (2015)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Mark Goldblatt

Cameras: Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Elysium | ShotOnWhat?

First Assistant Director

Elysium (2013)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Lee Smith

Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

This Means War | ShotOnWhat?

First Assistant Director: Second Unit

This Means War (2012)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Nicolas De Toth

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Grey | ShotOnWhat?

First Assistant Director, Ottway's Father

The Grey (2011)

Directed by: Joe Carnahan

Cinematography by: Masanobu Takayanagi

Edited by: Roger Barton, Jason Hellmann

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Rise of the Planet of the Apes | ShotOnWhat?

First Assistant Director: Second Unit

Rise of the Planet of the Apes (2011)

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Hot Tub Time Machine | ShotOnWhat?

Second Assistant Director

Hot Tub Time Machine (2010)

Directed by: Steve Pink

Cinematography by: Jack N. Green

Edited by: George Folsey Jr., James Thomas

Cameras: Panavision Cameras

The A-Team | ShotOnWhat?

First Assistant Director: Second Unit

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Uninvited | ShotOnWhat?

First Assistant Director: Additional Photography / Second Assistant Director

The Uninvited (2009)

Directed by: Charles Guard, Thomas Guard

Cinematography by: Daniel Landin

Edited by: Jim Page, Christian Wagner

Cameras: Panavision Cameras

Love Happens | ShotOnWhat?

Second Assistant Director

Love Happens (2009)

Directed by: Brandon Camp

Cinematography by: Eric Alan Edwards

Edited by: Dana E. Glauberman

2012 | ShotOnWhat?

First Assistant Director: Second Unit

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

X-Men Origins: Wolverine | ShotOnWhat?

First Assistant Director: Second Unit - Additional Photography

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Martian Child | ShotOnWhat?

Choreographer: Baseball Sequence , Second Assistant Director

Martian Child (2007)

Directed by: Menno Meyjes

Cinematography by: Robert D. Yeoman

Edited by: Bruce Green

Shooter | ShotOnWhat?

Second Assistant Director

Shooter (2007)

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Just Friends | ShotOnWhat?

Bouncer, Second Assistant Director

Just Friends (2005)

Directed by: Roger Kumble

Cinematography by: Anthony B. Richmond

Edited by: Jeff Freeman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Butterfly Effect | ShotOnWhat?

First Assistant Director: Additional Photography

The Butterfly Effect (2004)

Directed by: Eric Bress, J. Mackye Gruber

Cinematography by: Matthew F. Leonetti

Edited by: Peter Amundson

The Core | ShotOnWhat?

Second Second Assistant Director

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Agent Cody Banks | ShotOnWhat?

First Assistant Director: Additional Photography / Second Second Assistant Director

Agent Cody Banks (2003)

Directed by: Harald Zwart

Cinematography by: Denis Crossan

Edited by: Jim Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Elf | ShotOnWhat?

Second Assistant Director

Elf (2003)

Directed by: Jon Favreau

Cinematography by: Greg Gardiner

Edited by: Dan Lebental

Cameras: Panavision Cameras

Lenses: Panavision SL27-M 27 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens

It's All About Love | ShotOnWhat?

Second Assistant Director: Vancouver

It's All About Love (2003)

Directed by: Thomas Vinterberg

Cinematography by: Anthony Dod Mantle

Edited by: Valdís Óskarsdóttir

Cameras: Moviecam Superlight Camera

Lenses: Zeiss Lenses, Zeiss Ultra Prime Lenses

I Spy | ShotOnWhat?

Third Assistant Director: Budapest Second Unit

I Spy (2002)

Directed by: Betty Thomas

Cinematography by: Oliver Wood

Edited by: Peter Teschner

Spy Game | ShotOnWhat?

Third Assistant Director: Additional Photography

Spy Game (2001)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Pledge | ShotOnWhat?

Trainee Assistant Director

The Pledge (2001)

Directed by: Sean Penn

Cinematography by: Chris Menges

Edited by: Jay Cassidy

Replicant | ShotOnWhat?

Third Assistant Director

Replicant (2001)

Directed by: Ringo Lam

Cinematography by: Mike Southon

Edited by: David M. Richardson

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