Still Photographer
You Will Meet a Tall Dark Stranger (2010)
Directed by: Woody Allen
Cinematography by: Vilmos Zsigmond
Edited by: Alisa Lepselter
Still Photographer
Death at a Funeral (2007)
Directed by: Frank Oz
Cinematography by: Oliver Curtis
Edited by: Beverley Mills
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Still Photographer
The Last Legion (2007)
Directed by: Doug Lefler
Cinematography by: Marco Pontecorvo
Edited by: Simon Cozens
Still Photographer
Cassandra's Dream (2007)
Directed by: Woody Allen
Cinematography by: Vilmos Zsigmond
Edited by: Alisa Lepselter
Still Photographer
Virgin Territory (2007)
Directed by: David Leland
Cinematography by: Ben Davis
Edited by: Jim Clark
Still Photographer
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Special Photographer
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Still Photographer
Sahara (2005)
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Still Photographer
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Still Photographer
Man on Fire (2004)
Directed by: Tony Scott
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Special Photographer
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Still Photographer
Spy Game (2001)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer
The Mummy Returns (2001)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Still Photographer
The World Is Not Enough (1999)
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Still Photographer
The Mummy (1999)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Chief Still Photographer
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Still Photographer
Anna Karenina (1997)
Directed by: Bernard Rose
Cinematography by: Daryn Okada
Edited by: Victor Du Bois
Still Photographer
Tomorrow Never Dies (1997)
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Panaflex Gold II Camera
Still Photographer
The Man Who Knew Too Little (1997)
Directed by: Jon Amiel
Cinematography by: Robert M. Stevens
Cameras: Panavision Cameras
Still Photographer
Firelight (1997)
Directed by: William Nicholson
Cinematography by: Nic Morris
Edited by: Chris Wimble
Still Photographer
GoldenEye (1995)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Still Photographer
Immortal Beloved (1994)
Directed by: Bernard Rose
Cinematography by: Peter Suschitzky
Edited by: Dan Rae
Still Photographer
Radioland Murders (1994)
Directed by: Mel Smith
Cinematography by: David Tattersall
Edited by: Paul Trejo
Cameras: ARRI ARRIFLEX Series Cameras
Still Photographer
Shadowlands (1993)
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Still Photographer
Patriot Games (1992)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Still Photographer: Vevey
Chaplin (1992)
Directed by: Richard Attenborough
Cinematography by: Sven Nykvist
Edited by: Anne V. Coates
Still Photographer
Shining Through (1992)
Directed by: David Seltzer
Cinematography by: Jan de Bont
Edited by: Craig McKay
Still Photographer
The Power of One (1992)
Directed by: John G. Avildsen
Cinematography by: Dean Semler
Still Photographer
Under Suspicion (1991)
Directed by: Simon Moore
Cinematography by: Vernon Layton
Edited by: Tariq Anwar
Still Photographer, Wedding Photographer
Licence to Kill (1989)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: John Grover
Still Photographer: UK
Great Balls of Fire! (1989)
Directed by: Jim McBride
Cinematography by: Affonso Beato
Cameras: Panavision Cameras
Still Photographer
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Still Photographer
The Living Daylights (1987)
Directed by: John Glen
Cinematography by: Alec Mills
Special Photographer
The Last Emperor (1987)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Gabriella Cristiani
Cameras: ARRIFLEX 35 BL Camera
Lenses: Technovision Lenses
Still Photographer
Crimes of the Heart (1986)
Directed by: Bruce Beresford
Cinematography by: Dante Spinotti
Edited by: Anne Goursaud
Still Photographer
King David (1985)
Directed by: Bruce Beresford
Cinematography by: Donald McAlpine
Edited by: William M. Anderson
Still Photographer
A View to a Kill (1985)
Directed by: John Glen
Cinematography by: Alan Hume
Edited by: Peter Davies
Stillsman
Indiana Jones and the Temple of Doom (1984)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Gold Camera
Still Photographer
Clash of the Titans (1981)
Directed by: Desmond Davis
Cinematography by: Ted Moore
Edited by: Timothy Gee
Stills
For Your Eyes Only (1981)
Directed by: John Glen
Cinematography by: Alan Hume
Edited by: John Grover
Stills Photographer
Death on the Nile (1978)
Directed by: John Guillermin
Cinematography by: Jack Cardiff
Edited by: Malcolm Cooke
Cameras: Panavision Cameras
Stills
The Big Sleep (1978)
Directed by: Michael Winner
Cinematography by: Robert Paynter
Cameras: Panavision Cameras
Still Photographer
The Deep (1977)
Directed by: Peter Yates
Cinematography by: Christopher Challis
Edited by: David Berlatsky
Cameras: ARRIFLEX 35 IIC Camera
Lenses: Panavision Lenses
Still Photographer
Barry Lyndon (1975)
Directed by: Stanley Kubrick
Cinematography by: John Alcott
Edited by: Tony Lawson
Cameras: ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Still Photographer
Battle of Britain (1969)
Directed by: Guy Hamilton
Cinematography by: Freddie Young
Edited by: Bert Bates
Stills Filing Clerk
2001: A Space Odyssey (1968)
Directed by: Stanley Kubrick
Cinematography by: Geoffrey Unsworth
Edited by: Ray Lovejoy
Cameras: Super Panavision-70 Camera
