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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Visual Effects Consultant: RISE Visual Effects Studios

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Lenses: Leitz M 0.8 Series Lenses

Nyad | ShotOnWhat?

Visual Effects Chief Creative Officer: RISE Visual Effects Studios

Nyad (2023)

Directed by: Jimmy Chin, Elizabeth Chai Vasarhelyi

Cinematography by: Claudio Miranda

Edited by: Christopher Tellefsen

Cameras: Sony CineAlta VENICE 2 Camera, Sony ILME-FX3 Camera

Lenses: Fujinon Lenses, Zeiss Master Prime Lenses

Black Panther: Wakanda Forever | ShotOnWhat?

Visual Effects Consultant: Rise Visual Effects Studios

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Lenses: Panavision Anamorphic Macro Panatar Lenses, Panavision B Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Shazam! | ShotOnWhat?

Sequence Lead Digital Compositor: RISE Visual Effects Studios

Shazam! (2019)

Directed by: David F. Sandberg

Cinematography by: Maxime Alexandre

Edited by: Michel Aller

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Zeiss Master Prime Lenses

Avengers: Age of Ultron | ShotOnWhat?

Visual Effects Supervisor: RISE Visual Effects Studios

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Compositor: RISE Visual Effects Studios

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Iron Man Three | ShotOnWhat?

Visual Effects Supervisor: RISE Visual Effects Studios

Iron Man Three (2013)

Directed by: Shane Black

Cinematography by: John Toll

Edited by: Peter S. Elliot, Jeffrey Ford

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens

Wadjda | ShotOnWhat?

Visual Effects Artist: Rise FX

Wadjda (2012)

Directed by: Haifaa Al-Mansour

Cinematography by: Lutz Reitemeier

Edited by: Andreas Wodraschke

Cameras: ARRI ALEXA Camera

Russendisko | ShotOnWhat?

Visual Effects Artist: Rise Visual Effects Studios / Visual Effects Supervisor: RISE Visual Effects Studios

Russendisko (2012)

Directed by: Oliver Ziegenbalg

Cinematography by: Tetsuo Nagata

Edited by: Peter R. Adam

Cameras: ARRI ALEXA Camera

X: First Class | ShotOnWhat?

Compositor: RISE Visual Effects Studios

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Captain America: The First Avenger | ShotOnWhat?

Digital Compositor: RISE Visual Effects Studios

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Harry Potter and the Deathly Hallows: Part 1 | ShotOnWhat?

Digital Compositor: RISE Visual Effects Studios

Harry Potter and the Deathly Hallows: Part 1 (2010)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

Helen | ShotOnWhat?

Visual Effects Supervisor: RISE Visual Effects Berlin

Helen (2009)

Directed by: Sandra Nettelbeck

Cinematography by: Michael Bertl

Edited by: Barry Egan

Chaque jour est une fête | ShotOnWhat?

Visual Effects Supervisor: RISE Visual Effects Berlin

Chaque jour est une fête (2009)

Directed by: Dima El-Horr

Cinematography by: Dominique Gentil

Edited by: Jacques Comets

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens

The Last Station | ShotOnWhat?

Visual Effects Artist: Rise Fx / Visual Effects Supervisor: Rise Fx

The Last Station (2009)

Directed by: Michael Hoffman

Cinematography by: Sebastian Edschmid

Edited by: Patricia Rommel

Editing System: Autodesk Smoke Editing System

Ninja Assassin | ShotOnWhat?

Digital Compositor: RISE Visual Effects Berlin

Ninja Assassin (2009)

Directed by: James McTeigue

Cinematography by: Karl Walter Lindenlaub

Edited by: Giancarlo Ganziano, Joseph Jett Sally

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Zeiss Master Prime Lenses

Meine schöne Bescherung | ShotOnWhat?

Visual Effects Supervisor: RISE Visual Effects Berlin

Meine schöne Bescherung (2007)

Directed by: Vanessa Jopp

Cinematography by: Hans Fromm

Edited by: Brigitta Tauchner

In the Name of the King: A Dungeon Siege Tale | ShotOnWhat?

2D Compositor: TVT Postproduction

In the Name of the King: A Dungeon Siege Tale (2007)

Directed by: Uwe Boll

Cinematography by: Mathias Neumann

Edited by: David M. Richardson

The Counterfeiters | ShotOnWhat?

Visual Effects Supervisor

The Counterfeiters (2007)

Directed by: Stefan Ruzowitzky

Cinematography by: Benedict Neuenfels

Edited by: Britta Nahler

Cameras: ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, Moviecam Superlight Camera

Lenses: Canon Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

Valley of Flowers | ShotOnWhat?

Visual Effects Supervisor

Valley of Flowers (2006)

Directed by: Pan Nalin

Cinematography by: Michal Englert

Edited by: Sylvie Gadmer

Oliver Twist | ShotOnWhat?

Digital Compositor

Oliver Twist (2005)

Directed by: Roman Polanski

Cinematography by: Pawel Edelman

Edited by: Hervé de Luze

Mouth to Mouth | ShotOnWhat?

Roto And Paint Artist: Tvt.postproduction

Mouth to Mouth (2005)

Directed by: Alison Murray

Cinematography by: Barry Stone

Edited by: Christian Lonk

Divine Intervention | ShotOnWhat?

Digital Effects Artist

Divine Intervention (2002)

Directed by: Elia Suleiman

Cinematography by: Marc-André Batigne

Edited by: Véronique Lange

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