Chris Tann

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Beauty and the Beast | ShotOnWhat?

Lighting Best Boy

Beauty and the Beast (2017)

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

The Mummy | ShotOnWhat?

Office Best Boy

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Jason Bourne | ShotOnWhat?

Rigging Charge Hand

Jason Bourne (2016)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Mission: Impossible - Rogue Nation | ShotOnWhat?

Gaffer: Insert Unit

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

World War Z | ShotOnWhat?

Assistant Chief Lighting Technician: Second Unit

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Furious 6 | ShotOnWhat?

Best Boy: Second Unit

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Woman in Black | ShotOnWhat?

Lighting Technician

The Woman in Black (2012)

Directed by: James Watkins

Cinematography by: Tim Maurice-Jones

Edited by: Jon Harris

The Dark Knight Rises | ShotOnWhat?

Lighting Technician

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Bel Ami | ShotOnWhat?

Lighting Technician

Bel Ami (2012)

Directed by: Declan Donnellan, Nick Ormerod

Cinematography by: Stefano Falivene

Edited by: Gavin Buckley, Masahiro Hirakubo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Hugo | ShotOnWhat?

Best Boy: Second Unit

Hugo (2011)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

Never Let Me Go | ShotOnWhat?

Electrician

Never Let Me Go (2010)

Directed by: Mark Romanek

Cinematography by: Adam Kimmel

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Made in Dagenham | ShotOnWhat?

Electrician

Made in Dagenham (2010)

Directed by: Nigel Cole

Cinematography by: John de Borman

Edited by: Michael Parker

In the Loop | ShotOnWhat?

Electrician

In the Loop (2009)

Directed by: Armando Iannucci

Cinematography by: Jamie Cairney

Edited by: Anthony Boys, Billy Sneddon

Cameras: Sony HDW-F900 Camera

Lenses: Zeiss DigiPrime Lenses

The Duchess | ShotOnWhat?

Shooting Electric

The Duchess (2008)

Directed by: Saul Dibb

Cinematography by: Gyula Pados

Edited by: Masahiro Hirakubo

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

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