Digital Colourist
Blood and Money (2020)
Directed by: John Barr
Cinematography by: John Barr
Edited by: Roger Cropley II
Cameras: ARRI ALEXA Mini Camera
Digital Colourist
The Art of Racing in the Rain (2019)
Directed by: Simon Curtis
Cinematography by: Ross Emery
Edited by: Adam Recht
Cameras: ARRI ALEXA SXT EV Cameras
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens
Digital Intermediate Assistant Colourist
American Animals (2018)
Directed by: Bart Layton
Cinematography by: Ole Bratt Birkeland
Digital Intermediate Assistant Colourist
The Favourite (2018)
Directed by: Yorgos Lanthimos
Cinematography by: Robbie Ryan
Edited by: Yorgos Mavropsaridis
Digital Intermediate Additional Colourist
Murder on the Orient Express (2017)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Mick Audsley
Digital Intermediate Assistant Colourist
The Killing of a Sacred Deer (2017)
Directed by: Yorgos Lanthimos
Cinematography by: Thimios Bakatakis
Edited by: Yorgos Mavropsaridis
Cameras: ARRICAM Lite (LT) Camera
Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Additional Colourist
Victoria & Abdul (2017)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Digital Intermediate Assistant Colourist
Three Billboards Outside Ebbing, Missouri (2017)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Jon Gregory
Cameras: ARRI ALEXA XT Series Cameras
Digital Intermediate Assistant
Free Fire (2016)
Directed by: Ben Wheatley
Cinematography by: Laurie Rose
Digital Intermediate Assistant Colourist
Florence Foster Jenkins (2016)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA XT Camera
Digital Intermediate Assistant Colourist
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Digital Intermediate Assistant Colourist
American Honey (2016)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Joe Bini
Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Digital Intermediate Assistant Colorist
London Has Fallen (2016)
Directed by: Babak Najafi
Cinematography by: Ed Wild
Cameras: Red Epic Dragon Camera
Digital Intermediate Assistant Colourist
The Program (2015)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: Red Epic Camera
Digital Intermediate Assistant Colourist
Eddie the Eagle (2015)
Directed by: Dexter Fletcher
Cinematography by: George Richmond
Edited by: Martin Walsh
Digital Intermediate Assistant Colourist
The Danish Girl (2015)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Assistant Digital Intermediate Colorist
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Assistant Colourist
A Fantastic Fear of Everything (2012)
Cinematography by: Simon Chaudoir
Edited by: Dan Roberts
Cameras: ARRI ALEXA Camera
Assistant Colourist
'Upstairs Downstairs' A Faraway Country About Which We Know Nothing (2012)
Directed by: Marc Jobst
Cinematography by: Ian Moss
Edited by: Crispin Green
Assistant Colourist
'Upstairs Downstairs' The Love That Pays the Price (2012)
Directed by: Marc Jobst
Cinematography by: Ian Moss
Edited by: Crispin Green
Assistant Colourist
'Upstairs Downstairs' Somewhere Over the Rainbow (2012)
Directed by: Anthony Byrne
Cinematography by: John Conroy
Edited by: Isobel Stephenson
Assistant Colourist
'Upstairs Downstairs' The Last Waltz (2012)
Directed by: Brendan Maher
Cinematography by: Peter Greenhalgh
Edited by: Paul Brown
Assistant Colourist
'Upstairs Downstairs' A Perfect Specimen of Womanhood (2012)
Directed by: Anthony Byrne
Cinematography by: John Conroy
Edited by: Isobel Stephenson
Assistant Colourist
'Upstairs Downstairs' All the Things You Are (2012)
Directed by: Brendan Maher
Cinematography by: Peter Greenhalgh
Edited by: Paul Brown
Colorist: Dailies , Digital Artist: Digital Restoration
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Digital Intermediate Assistant
Hysteria (2011)
Directed by: Tanya Wexler
Cinematography by: Sean Bobbitt
Edited by: Jon Gregory
Colorist: Dailies Additional
Kick-Ass (2010)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Colorist: Dailies Additional
Leap Year (2010)
Directed by: Anand Tucker
Cinematography by: Newton Thomas Sigel
Edited by: Nick Moore
Dailies: Additional Colorist
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Colorist: Dailies , Digital Artist: Digital Restoration
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Colorist: Dailies
The Young Victoria (2009)
Directed by: Jean-Marc Vallée
Cinematography by: Hagen Bogdanski
Lenses: Zeiss Ultra Prime Lenses
Colorist: Dailies
The Imaginarium of Doctor Parnassus (2009)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Mick Audsley
Lenses: Zeiss Ultra Prime Lenses
Colorist: Dailies Additional
Easy Virtue (2008)
Directed by: Stephan Elliott
Cinematography by: Martin Kenzie
Edited by: Sue Blainey
Colorist: Dailies: Greece Shoot
The Sisterhood of the Traveling Pants 2 (2008)
Directed by: Sanaa Hamri
Cinematography by: Jim Denault
Edited by: Melissa Kent
Colorist: Dailies
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Colorist: Dailies Additional
Sixty Six (2006)
Directed by: Paul Weiland
Cinematography by: Daniel Landin
Edited by: Paul Tothill
Colorist: Dailies
The Magic Flute (2006)
Directed by: Kenneth Branagh
Cinematography by: Roger Lanser
Edited by: Michael Parker
Colorist: Dailies: Uk Shoot
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Colorist: Dailies Additional
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Colorist: Dailies
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
