Camera Operator, Documentary Filmmaker
The Other Side of the Wind (2018)
Directed by: Orson Welles
Cinematography by: Gary Graver
Cameras: Éclair NPR Camera
Underwater Director Of Photography
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Underwater Camera Operator
The Runaways (2010)
Directed by: Floria Sigismondi
Cinematography by: Benoît Debie
Edited by: Richard Chew
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Master Prime Lenses
Camera Operator: "b" Camera
The Soloist (2009)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Camera Operator: Second Unit
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Camera Operator: "c" Camera
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Camera Operator: "a" Camera
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Director Of Photography: Second Unit
Seraphim Falls (2006)
Directed by: David Von Ancken
Cinematography by: John Toll
Edited by: Conrad Buff IV
Camera Operator: Second Unit
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Camera Operator: "a" Camera
Monster House (2006)
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Camera Operator
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Camera Operator
Corky Romano (2001)
Directed by: Rob Pritts
Cinematography by: Steven Bernstein
Edited by: Alan Cody
Cameras: Panavision Cameras
Camera Operator
The Forsaken (2001)
Directed by: J.S. Cardone
Cinematography by: Steven Bernstein
Edited by: Norman Buckley
Underwater Director Of Photography
Jurassic Park III (2001)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Camera Operator: Underwater Unit / Director Of Photography: Underwater Unit
Return to Cabin by the Lake (2001)
Directed by: Po-Chih Leong
Cinematography by: Stephen M. Katz
Edited by: Anthony Redman
Director Of Photography: Underwater Unit
Cabin by the Lake (2000)
Directed by: Po-Chih Leong
Cinematography by: Philip Linzey
Edited by: Darren Kloomok
Cameras: Panavision Cameras
Underwater Camera Operator
Me, Myself & Irene (2000)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Additional Camera Operator
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Underwater Director Of Photography
Mafia! (1998)
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Additional Underwater Camera Operator
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Camera Operator: Second Unit
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman
Underwater Camera Operator
The Game (1997)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: James Haygood
Additional Camera Operator
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Director Of Photography: Second Unit
Trojan War (1997)
Directed by: George Huang
Cinematography by: Dean Semler
Edited by: Ed Marx
Camera Operator
She's So Lovely (1997)
Directed by: Nick Cassavetes
Cinematography by: Thierry Arbogast
Edited by: Petra von Oelffen
Additional Photographer
Inventing the Abbotts (1997)
Directed by: Pat O'Connor
Cinematography by: Kenneth MacMillan
Edited by: Ray Lovejoy
Camera Operator: Second Unit
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Camera Operator
A Very Brady Sequel (1996)
Directed by: Arlene Sanford
Cinematography by: Mac Ahlberg
Edited by: Anita Brandt Burgoyne
Director Of Photography: Second Unit
Barb Wire (1996)
Directed by: David Hogan
Cinematography by: Rick Bota
Edited by: Peter Schink
Camera Operator
The Crow: City of Angels (1996)
Directed by: Tim Pope
Cinematography by: Jean-Yves Escoffier
Camera Operator: Second Unit
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Director Of Photography: Second Unit
Clifford (1994)
Directed by: Paul Flaherty
Cinematography by: John A. Alonzo
Camera Operator: Second Unit
Mother's Boys (1993)
Directed by: Yves Simoneau
Cinematography by: Elliot Davis
Edited by: Michael D. Ornstein
Camera Operator
Wayne's World 2 (1993)
Directed by: Stephen Surjik
Cinematography by: Francis Kenny
Edited by: Malcolm Campbell
Camera Operator
My Life (1993)
Directed by: Bruce Joel Rubin
Cinematography by: Peter James
Edited by: Richard Chew
Director Of Photography: Second Unit
Point of No Return (1993)
Directed by: John Badham
Cinematography by: Michael W. Watkins
Edited by: Frank Morriss
Director Of Photography: Second Unit - San Francisco
Basic Instinct (1992)
Directed by: Paul Verhoeven
Cinematography by: Jan de Bont
Edited by: Frank J. Urioste
Cameras: Panavision Panaflex Camera
Additional Camera Operator
Candyman (1992)
Directed by: Bernard Rose
Cinematography by: Anthony B. Richmond
Edited by: Dan Rae
Camera Operator: Second Unit
The Rookie (1990)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
Lenses: Panavision Super Speed Lenses
Camera Operator: Second Unit
Back to the Future Part III (1990)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Camera Operator
Police Academy 6: City Under Siege (1989)
Directed by: Peter Bonerz
Cinematography by: Charles Rosher Jr.
Edited by: Hubert de La Bouillerie
Camera Operator: Second Unit
Back to the Future Part II (1989)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Camera Operator
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Camera Operator
Blue Thunder (1983)
Directed by: John Badham
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Camera Operator
Scarface (1983)
Directed by: Brian De Palma
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Underwater Camera Operator
Never Say Never Again (1983)
Directed by: Irvin Kershner
Cinematography by: Douglas Slocombe
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Second Assistant Camera
Macon County Line (1974)
Directed by: Richard Compton
Cinematography by: Daniel Lacambre
Edited by: Tina Hirsch
