Concept Designer
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Concept Artist
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Senior Matte Painter
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Concept Artist Fuel: VFX, Senior Matte Painter
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Matte Painting Supervisor
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Matte Painter: Fuel VFX
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Matte Painting Supervisor
Tomorrow, When the War Began (2010)
Directed by: Stuart Beattie
Cinematography by: Ben Nott
Edited by: Marcus D'Arcy
Matte Painter: Fuel VFX
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Lead Matte Painter / Visual Effects Art Department: Postmodern
Daybreakers (2009)
Cinematography by: Ben Nott
Edited by: Matt Villa
Lead Matte Artist: FUEL International
The Ruins (2008)
Directed by: Carter Smith
Cinematography by: Darius Khondji
Edited by: Jeff Betancourt
Lead Matte Artist: FUEL International
The Spirit (2008)
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Matte Artist
You Don't Mess with the Zohan (2008)
Directed by: Dennis Dugan
Cinematography by: Michael Barrett
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Senior Matte Painter: Fuel VFX
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Matte Painter: Post Modern
Death Defying Acts (2007)
Directed by: Gillian Armstrong
Cinematography by: Haris Zambarloukos
Edited by: Nicholas Beauman