Sound Effects Editor
Jumping the Broom (2011)
Directed by: Salim Akil
Cinematography by: Anastas N. Michos
Edited by: Terilyn A. Shropshire
Cameras: Sony CineAlta F35 Camera
Re-recording Mixer / Supervising Sound Editor
The Details (2011)
Directed by: Jacob Estes
Cinematography by: Sharone Meir
Edited by: Madeleine Gavin
Cameras: ARRIFLEX 435 Camera
Additional Sound Re-recording Mixer
Akeelah and the Bee (2006)
Directed by: Doug Atchison
Cinematography by: M. David Mullen
Edited by: Glenn Farr
Additional Sound Re-recording Mixer
The New World (2005)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Re-recording Mixer
The Lost City (2005)
Directed by: Andy Garcia
Cinematography by: Emmanuel Kadosh
Edited by: Christopher Cibelli
Additional Sound Pre-mixer
Lord of War (2005)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Good Night, and Good Luck. (2005)
Directed by: George Clooney
Cinematography by: Robert Elswit
Edited by: Stephen Mirrione
Sound Designer / Supervising Sound Editor
Lords of Dogtown (2005)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Re-recording Mixer / Supervising Sound Editor
Mean Creek (2004)
Directed by: Jacob Estes
Cinematography by: Sharone Meir
Edited by: Madeleine Gavin
Re-recording Mixer
Kinsey (2004)
Directed by: Bill Condon
Cinematography by: Frederick Elmes
Edited by: Virginia Katz
Re-recording Mixer / Supervising Sound Designer
Most (2003)
Directed by: Bobby Garabedian
Cinematography by: Michael FitzMaurice
Cameras: Panavision Cameras
Sound Effects Editor
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Re-recording Mixer
Thirteen (2003)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: Aaton XTR Prod Camera
Lenses: Canon Lenses
Re-recording Mixer
The Shape of Things (2003)
Directed by: Neil LaBute
Cinematography by: James L. Carter
Edited by: Joel Plotch
Sound Designer / Sound Supervisor / Supervising Sound Editor
Dark Blue (2002)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Re-recording Mixer
Cabin Fever (2002)
Directed by: Eli Roth
Cinematography by: Scott Kevan
Edited by: Ryan Folsey
Cameras: ARRIFLEX 535 B Camera
Re-recording Mixer
The Rules of Attraction (2002)
Directed by: Roger Avary
Cinematography by: Robert Brinkmann
Edited by: Sharon Rutter
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Re-recording Mixer
The Caveman's Valentine (2001)
Directed by: Kasi Lemmons
Cinematography by: Amy Vincent
Edited by: Terilyn A. Shropshire
Re-recording Mixer
Angel Eyes (2001)
Directed by: Luis Mandoki
Cinematography by: Piotr Sobocinski
Edited by: Gerald B. Greenberg
Music Editor, Re-recording Mixer
Jackpot (2001)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Shawna Callahan
Re-recording Mixer / Sound Designer
Nurse Betty (2000)
Directed by: Neil LaBute
Cinematography by: Jean-Yves Escoffier
Re-recording Mixer
The Magic of Marciano (2000)
Directed by: Tony Barbieri
Cinematography by: Matthew Irving
Edited by: Jeffery Stephens
Re-recording Mixer / Supervising Sound Editor
A Slipping-Down Life (1999)
Directed by: Toni Kalem
Cinematography by: Michael F. Barrow
Edited by: Hughes Winborne
Cameras: Aaton 35-III Camera, ARRIFLEX 535 Camera
Additional Sound Designer
Three Kings (1999)
Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Re-recording Mixer / Supervising Sound Editor
Simpatico (1999)
Directed by: Matthew Warchus
Cinematography by: John Toll
Additional Sound Re-recording Mixer
The Bone Collector (1999)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
Sound Designer / Sound Editor
Fallen (1998)
Directed by: Gregory Hoblit
Cinematography by: Newton Thomas Sigel
Edited by: Lawrence Jordan
Supervising Sound Editor
Another Day in Paradise (1998)
Directed by: Larry Clark
Cinematography by: Eric Alan Edwards
Edited by: Luis Colina
Re-recording Mixer / Sound Designer
The Velocity of Gary (1998)
Directed by: Dan Ireland
Cinematography by: Claudio Rocha
Sound Designer
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Designer
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Sound Editor
Trial and Error (1997)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Cameras: ARRIFLEX 535 Camera
Sound Designer
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Sound Designer: Fantasy Sequences
The Whole Wide World (1996)
Directed by: Dan Ireland
Cinematography by: Claudio Rocha
Edited by: Luis Colina
Sound Editor
Sgt. Bilko (1996)
Directed by: Jonathan Lynn
Cinematography by: Peter Sova
Edited by: Tony Lombardo
Sound Editor
Carpool (1996)
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Cameras: Panavision Cameras
Additional Sound Re-recording Mixer , Sound Designer / Sound Effects Editor
The Ghost and the Darkness (1996)
Directed by: Stephen Hopkins
Cinematography by: Vilmos Zsigmond
Sound Designer
Four Rooms (1995)
Sound Designer
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Sound Designer
Clear and Present Danger (1994)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Sound Effects Editor
Menace II Society (1993)
Cinematography by: Lisa Rinzler
Edited by: Christopher Koefoed
Sound Editor
The Opposite Sex and How to Live with Them (1992)
Directed by: Matthew Meshekoff
Cinematography by: Jacek Laskus
Edited by: Adam Weiss
Sound Designer , Sound Effects Editor
Army of Darkness (1992)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Sound Designer / Sound Effects Editor
Fortress (1992)
Directed by: Stuart Gordon
Cinematography by: David Eggby
Edited by: Tim Wellburn
Sound Designer
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
Sound Designer
Grand Canyon (1991)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
