Color Timer
5 Days of War (2011)
Directed by: Renny Harlin
Cinematography by: Checco Varese
Edited by: Brian Berdan
Color Timer
Cedar Rapids (2011)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Edited by: Eric Kissack
Digital Film Colorist
Take Me Home Tonight (2011)
Directed by: Michael Dowse
Cinematography by: Terry Stacey
Edited by: Lee Haxall
Color Timer
Let Me In (2010)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Color Timer
The King's Speech (2010)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Film Timer
The Kids Are All Right (2010)
Directed by: Lisa Cholodenko
Cinematography by: Igor Jadue-Lillo
Edited by: Jeffrey M. Werner
Lenses: Zeiss Ultra Prime Lenses
Color Timer
Devil (2010)
Directed by: John Erick Dowdle
Cinematography by: Tak Fujimoto
Edited by: Elliot Greenberg
Cameras: Panavision Cameras
Color Timer: Dailies
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Color Timer
Brooklyn's Finest (2009)
Directed by: Antoine Fuqua
Cinematography by: Patrick Murguia
Edited by: Barbara Tulliver
Color Timer
Youth in Revolt (2009)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Digital Film Colorist
Year One (2009)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Cameras: Panavision Cameras
Digital Film Colorist
Meet the Browns (2008)
Directed by: Tyler Perry
Cinematography by: Sandi Sissel
Edited by: Maysie Hoy
Digital Film Colorist
Baby Mama (2008)
Directed by: Michael McCullers
Cinematography by: Daryn Okada
Cameras: Panavision Cameras
Digital Film Colorist
27 Dresses (2008)
Directed by: Anne Fletcher
Cinematography by: Peter James
Edited by: Priscilla Nedd-Friendly
Digital Film Colorist: Technicolor Digital Intermediate
The Lookout (2007)
Directed by: Scott Frank
Cinematography by: Alar Kivilo
Edited by: Jill Savitt
Digital Film Colorist
Underdog (2007)
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Digital Film Colorist
Why Did I Get Married? (2007)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Digital Film Colorist
Knocked Up (2007)
Directed by: Judd Apatow
Cinematography by: Eric Alan Edwards
Cameras: Panavision Cameras
Digital Film Colorist
Accepted (2006)
Directed by: Steve Pink
Cinematography by: Matthew F. Leonetti
Edited by: Scott Hill
Cameras: Moviecam Cameras
Digital Film Colorist
Home of the Brave (2006)
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Clayton Halsey
Color Timer
Just Like Heaven (2005)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Editing System: Avid Editing System
Film Timer
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Film Timer
Kiss Kiss Bang Bang (2005)
Directed by: Shane Black
Cinematography by: Michael Barrett
Edited by: Jim Page
Film Timer
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Color Timer
Miracle (2004)
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Cameras: Panavision Cameras
Color Timer
The Last Shot (2004)
Directed by: Jeff Nathanson
Cinematography by: John Lindley
Edited by: David Rosenbloom
Film Timer
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Color Timer
Brass Tacks (2004)
Directed by: Gavin Dougan
Cinematography by: Edwin Myers
Cameras: ARRIFLEX Camera
Color Timer
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Film Timer
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Color Timer
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Color Timer
Tuck Everlasting (2002)
Directed by: Jay Russell
Cinematography by: James L. Carter
Edited by: Jay Cassidy
Cameras: Panavision Panaflex Gold II Camera
Film Timer
25th Hour (2002)
Directed by: Spike Lee
Cinematography by: Rodrigo Prieto
Edited by: Barry Alexander Brown
Lenses: Zeiss Ultra Prime Lenses
Color Timer
The Hot Chick (2002)
Directed by: Tom Brady
Cinematography by: Tim Suhrstedt
Edited by: Peck Prior
Color Timer
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Color Timer
The Country Bears (2002)
Directed by: Peter Hastings
Cinematography by: Mitchell Amundsen
Color Timer
Ghost Ship (2002)
Directed by: Steve Beck
Cinematography by: Gale Tattersall
Edited by: Roger Barton
Color Timer
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Color Timer
The Love Letter (1999)
Directed by: Peter Ho-Sun Chan
Cinematography by: Tami Reiker
Edited by: Jacqueline Cambas
Color Timer
The Last Days (1998)
Directed by: James Moll
Cinematography by: Harris Done
Edited by: James Moll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
The Last Big Thing (1996)
Directed by: Dan Zukovic
Cinematography by: M. David Mullen
Edited by: Markus Lofstrom
Color Timer
Equinox (1992)
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Michael Ruscio
Color Timer
The Paint Job (1992)
Directed by: Michael Taav
Cinematography by: Robert D. Yeoman
Edited by: Nancy Richardson
Cameras: Panavision Cameras
Color Timer
Spontaneous Combustion (1990)
Directed by: Tobe Hooper
Cinematography by: Levie Isaacks
Edited by: David Kern
Color Timer: Dailies - 1 Episode, 1989
Twin Peaks (1990)
Directed by: David Lynch, Lesli Linka Glatter, Caleb Deschanel, Duwayne Dunham, Tim Hunter, Todd Holland, Tina Rathborne, Graeme Clifford, Mark Frost, Uli Edel, James Foley, Stephen Gyllenhaal, Diane Keaton, Jonathan Sanger
Lenses: Panavision Lenses
Editing System: Steenbeck Editing System
Color Timer: Dailies
'Twin Peaks' Episode #1.1 (1989)
Directed by: David Lynch
Cinematography by: Ronald Víctor García
Edited by: Duwayne Dunham
Color Timer: Dailies
Harry and the Hendersons (1987)
Directed by: William Dear
Cinematography by: Allen Daviau
Edited by: Donn Cambern
