Chris Culliton

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The Fabelmans | ShotOnWhat?

Gaffer

The Fabelmans (2022)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Allegiant | ShotOnWhat?

Gaffer

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

The Equalizer | ShotOnWhat?

Gaffer

The Equalizer (2014)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Runner Runner | ShotOnWhat?

Gaffer

Runner Runner (2013)

Directed by: Brad Furman

Cinematography by: Mauro Fiore

Edited by: Jeff McEvoy

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

End of Watch | ShotOnWhat?

Gaffer

End of Watch (2012)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Dody Dorn

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Real Steel | ShotOnWhat?

Gaffer

Real Steel (2011)

Directed by: Shawn Levy

Cinematography by: Mauro Fiore

Edited by: Dean Zimmerman

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Somewhere | ShotOnWhat?

Gaffer

Somewhere (2010)

Directed by: Sofia Coppola

Cinematography by: Harris Savides

Edited by: Sarah Flack

Gaffer

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

American Dreamz | ShotOnWhat?

Best Boy Electric

American Dreamz (2006)

Directed by: Paul Weitz

Cinematography by: Robert Elswit

Edited by: Myron Kerstein

Smokin' Aces | ShotOnWhat?

Best Boy Electric: Second Unit

Smokin' Aces (2006)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Robert Frazen

Happy Endings | ShotOnWhat?

Best Boy Electric

Happy Endings (2005)

Directed by: Don Roos

Cinematography by: Clark Mathis

Edited by: David Codron

Editing System: Final Cut Pro Editing System

Fun with Dick and Jane | ShotOnWhat?

Assistant Chief Lighting Technician

Fun with Dick and Jane (2005)

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

Criminal | ShotOnWhat?

Rigging Best Boy

Criminal (2004)

Directed by: Gregory Jacobs

Cinematography by: Chris Menges

Edited by: Douglas Crise, Stephen Mirrione

Master and Commander: The Far Side of the World | ShotOnWhat?

Assistant Chief Lighting Technician: Second Unit

Master and Commander: The Far Side of the World (2003)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Minority Report | ShotOnWhat?

Electrician

Minority Report (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Phone Booth | ShotOnWhat?

Set Electrician

Phone Booth (2002)

Directed by: Joel Schumacher

Cinematography by: Matthew Libatique

Edited by: Mark Stevens

15 Minutes | ShotOnWhat?

Electrician

15 Minutes (2001)

Directed by: John Herzfeld

Cinematography by: Jean-Yves Escoffier

Edited by: Steven Cohen

Cameras: Panavision Cameras

Training Day | ShotOnWhat?

Set Lighting Technician

Training Day (2001)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Hawk C-Series Lenses

A.I. Artificial Intelligence | ShotOnWhat?

Lighting Technician

A.I. Artificial Intelligence (2001)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: ARRI / Zeiss Lenses

Curb Your Enthusiasm | ShotOnWhat?

Gaffer - 1 Episode, 2000

Curb Your Enthusiasm (2000)

Television Series

Directed by: Robert B. Weide, Jeff Schaffer, Larry Charles, Bryan Gordon, David Steinberg, Alec Berg, David Mandel, Andy Ackerman, Jeff Garlin, Dean Parisot, Keith Truesdell, Tom Kramer, Jessie Nelson, Cheryl Hines, Erin O'Malley

Cinematography by: Bill Sheehy, Patrick Alexander Stewart, Bradley Sellers

Edited by: Steven Rasch, Jonathan Corn, Roger Nygard, Grady Cooper, Tim Roche, Chris Chandler, Ivan Victor, Tom Foligno

Cameras: Panasonic Cameras, Sony Cameras

Lost Souls | ShotOnWhat?

Electrician

Lost Souls (2000)

Directed by: Janusz Kaminski

Cinematography by: Mauro Fiore

Edited by: Anne Goursaud, Andrew Mondshein

The Cell | ShotOnWhat?

Lighting Electrician

The Cell (2000)

Directed by: Tarsem Singh

Cinematography by: Paul Laufer

Edited by: Robert Duffy, Paul Rubell

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses

Pleasantville | ShotOnWhat?

Lamp Operator

Pleasantville (1998)

Directed by: Gary Ross

Cinematography by: John Lindley

Edited by: William Goldenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Psycho | ShotOnWhat?

Set Lighting Technician

Psycho (1998)

Directed by: Gus Van Sant

Cinematography by: Christopher Doyle

Edited by: Amy E. Duddleston

A Night at the Roxbury | ShotOnWhat?

Assistant Chief Lighting Technician

A Night at the Roxbury (1998)

Directed by: John Fortenberry

Cinematography by: Francis Kenny

Edited by: Jay Kamen

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Steel | ShotOnWhat?

Electrician

Steel (1997)

Directed by: Kenneth Johnson

Cinematography by: Mark Irwin

Edited by: John F. Link

Amistad | ShotOnWhat?

Electrician

Amistad (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Zeiss Super Speed Lenses

Night of the Running Man | ShotOnWhat?

Electrician

Night of the Running Man (1995)

Directed by: Mark L. Lester

Cinematography by: Mark Irwin

Edited by: David Berlatsky

Dumb & Dumber | ShotOnWhat?

Lamp Operator: Colorado

Dumb and Dumber (1994)

Directed by: Peter Farrelly, Bobby Farrelly

Cinematography by: Mark Irwin

Edited by: Christopher Greenbury

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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