Re-recording Mixer
Good Boys (2019)
Movie
Directed by: Gene Stupnitsky
Cinematography by: Jonathan Furmanski
Edited by: Daniel Gabbe
Lenses: Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 180 mm T2.8 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Re-recording Mixer
Ride Along 2 (2016)
Directed by: Tim Story
Cinematography by: Mitchell Amundsen
Edited by: Peter S. Elliot
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Additional Sound Re-recording Mixer
Get on Up (2014)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Michael McCusker
Re-recording Mixer: Disney Digital Studio Services
Big Hero 6 (2014)
Cinematography by: Rob Dressel
Edited by: Tim Mertens
Re-recording Mixer
Saving Mr. Banks (2013)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Mark Livolsi
Re-recording Mixer
Wreck-It Ralph (2012)
Directed by: Rich Moore
Cinematography by: Rob Dressel
Edited by: Tim Mertens
Re-recording Mixer
The Vow (2012)
Directed by: Michael Sucsy
Cinematography by: Rogier Stoffers
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Re-Recording Mixer
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Re-recording Mixer
Justin Bieber: Never Say Never (2011)
Directed by: Jon M. Chu
Cinematography by: Reed Smoot
Re-recording Mixer
30 Minutes or Less (2011)
Directed by: Ruben Fleischer
Cinematography by: Jess Hall
Edited by: Alan Baumgarten
Editing System: Avid Editing System
Re-recording Mixer
Step Up 3D (2010)
Directed by: Jon M. Chu
Cinematography by: Ken Seng
Edited by: Andrew Marcus
Cameras: Sony CineAlta F23 Camera
Re-recording Mixer - 1 Episode, 2010
Pretty Little Liars (2010)
Directed by: Norman Buckley, Ron Lagomarsino, Chad Lowe, Arlene Sanford, Michael Grossman, Melanie Mayron, I. Marlene King, Wendey Stanzler, Chris Grismer, Roger Kumble, Zetna Fuentes, Patrick R. Norris, Arthur Anderson, Joanna Kerns, Oliver Goldstick, Joseph Dougherty, Lesli Linka Glatter, Elodie Keene, Janice Cooke, Bethany Rooney, Tripp Reed, Larry Reibman, Paula Hunziker, Kimberly McCullough, Jamie Babbit, Liz Friedlander, Dana Gonzales, Paul Lazarus, J. Miller Tobin, Dean White, Tim Hunter, Mick Garris, Joshua Butler, Nzingha Stewart, Michael Goi, Tawnia McKiernan, Troian Bellisario, Marta Cunningham
Cinematography by: Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley
Edited by: Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas
Cameras: Red One MX Camera, Red Scarlet Camera
Lenses: Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Avid Editing System
Re-recording Mixer
'Pretty Little Liars' Pilot (2010)
Directed by: Lesli Linka Glatter
Cinematography by: Dana Gonzales
Re-recording Mixer
The Princess and the Frog (2009)
Cinematography by: Rasoul Azadani
Edited by: Jeff Draheim
Re-recording Mixer
Jonas Brothers: The 3D Concert Experience (2009)
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Additional Sound Re-recording Mixer
The Uninvited (2009)
Cinematography by: Daniel Landin
Cameras: Panavision Cameras
Re-recording Mixer
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Re-recording Mixer
Hannah Montana and Miley Cyrus: Best of Both Worlds Concert (2008)
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Re-recording Mixer
Superhero Movie (2008)
Directed by: Craig Mazin
Cinematography by: Thomas E. Ackerman
Cameras: ARRI Cameras
Re-recording Mixer
College Road Trip (2008)
Directed by: Roger Kumble
Cinematography by: Theo van de Sande
Edited by: Roger Bondelli
Re-recording Mixer
The Lookout (2007)
Directed by: Scott Frank
Cinematography by: Alar Kivilo
Edited by: Jill Savitt
Music Re-recording Mixer, Re-recording Mixer
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Re-recording Mixer
Black Snake Moan (2006)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Editing System: Final Cut Pro Editing System
Re-recording Mixer
The Shaggy Dog (2006)
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Re-recording Mixer
The Hitchhiker's Guide to the Galaxy (2005)
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Re-recording Mixer
The Pacifier (2005)
Directed by: Adam Shankman
Cinematography by: Peter James
Edited by: Christopher Greenbury
Re-recording Mixer
The Last Shot (2004)
Directed by: Jeff Nathanson
Cinematography by: John Lindley
Edited by: David Rosenbloom
Re-recording Mixer
Against the Ropes (2004)
Directed by: Charles S. Dutton
Cinematography by: Jack N. Green
Edited by: Eric L. Beason
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The Alamo (2004)
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Re-recording Mixer
The Recruit (2003)
Directed by: Roger Donaldson
Cinematography by: Stuart Dryburgh
Edited by: David Rosenbloom
Re-recording Mixer
The Rookie (2002)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Eric L. Beason
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Unconditional Love (2002)
Directed by: P.J. Hogan
Cinematography by: Remi Adefarasin
Edited by: Robert C. Jones
Cameras: Panavision Cameras
Re-recording Mixer
Clockstoppers (2002)
Directed by: Jonathan Frakes
Cinematography by: Tim Suhrstedt
Re-recording Mixer
WW 3 (2001)
Directed by: Robert Mandel
Cinematography by: Claudio Chea
Edited by: Michael D. Ornstein
Re-recording Mixer
Where the Heart Is (2000)
Directed by: Matt Williams
Cinematography by: Richard Greatrex
Edited by: Ian Crafford
Re-recording Mixer
The Ladies Man (2000)
Directed by: Reginald Hudlin
Cinematography by: Johnny E. Jensen
Edited by: Earl Watson
Re-recording Mixer
Urban Legends: Final Cut (2000)
Directed by: John Ottman
Cinematography by: Brian Pearson
Re-recording Mixer
Snow Day (2000)
Directed by: Chris Koch
Cinematography by: Robbie Greenberg
Edited by: David Finfer
Re-recording Mixer
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Re-recording Mixer
Passion's Way (1999)
Directed by: Robert Allan Ackerman
Cinematography by: Sandi Sissel
Edited by: Susan B. Browdy
Sound Re-recordist
Dick (1999)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Mia Goldman
Re-recording Mixer
South Park: Bigger, Longer & Uncut (1999)
Directed by: Trey Parker
Edited by: John Venzon
Re-recording Mixer
Zero Effect (1998)
Directed by: Jake Kasdan
Cinematography by: Bill Pope
Edited by: Tara Timpone
Re-recording Mixer
Permanent Midnight (1998)
Directed by: David Veloz
Cinematography by: Robert D. Yeoman
Re-recording Mixer
A Thousand Acres (1997)
Directed by: Jocelyn Moorhouse
Cinematography by: Tak Fujimoto
Edited by: Maryann Brandon
Re-recording Mixer
The Almost Perfect Bank Robbery (1997)
Directed by: David Burton Morris
Cinematography by: John L. Demps Jr.
Edited by: Corky Ehlers
Re-recording Mixer
First Time Felon (1997)
Directed by: Charles S. Dutton
Cinematography by: Jeffrey Jur
Edited by: Anthony Sherin
Re-recording Mixer
'Titanic' Part 1 (1996)
Directed by: Robert Lieberman
Cinematography by: David Hennings
Edited by: Tod Feuerman
Re-recording Mixer
Riders of the Purple Sage (1996)
Directed by: Charles Haid
Cinematography by: William Wages
Edited by: David Holden
Re-recording Mixer
Soul of the Game (1996)
Directed by: Kevin Rodney Sullivan
Cinematography by: Sandi Sissel
Edited by: Victor Du Bois
Re-recording Mixer - 1 Episode, 1996
Titanic (1996)
Directed by: Robert Lieberman
Cinematography by: David Hennings
Edited by: Tod Feuerman
Re-recording Mixer
A Stranger in Town (1995)
Directed by: Peter Levin
Cinematography by: Kenneth Zunder
Edited by: Skip Schoolnik
Re-recording Mixer
Redwood Curtain (1995)
Directed by: John Korty
Cinematography by: Ronnie Taylor
Edited by: Scott Vickrey
Re-recording Mixer
She Led Two Lives (1994)
Directed by: Bill Corcoran
Cinematography by: Frank Tidy
Edited by: David Campling
Re-recording Mixer - 2 Episodes, 1994
Family Album (1994)
Directed by: Jack Bender
Cinematography by: Michael W. Watkins
Edited by: Mark Melnick
Re-recording Mixer
Getting Out (1994)
Directed by: John Korty
Cinematography by: William Wages
Edited by: Jim Oliver
Re-recording Mixer
'Family Album' Episode #1.1 (1994)
Directed by: Jack Bender
Cinematography by: Michael W. Watkins
Edited by: Mark Melnick
Re-recording Mixer
'Family Album' Episode #1.2 (1994)
Directed by: Jack Bender
Cinematography by: Michael W. Watkins
Edited by: Mark Melnick
Re-recording Mixer
David's Mother (1994)
Directed by: Robert Allan Ackerman
Cinematography by: Walt Lloyd
Edited by: Susan B. Browdy
Re-recording Mixer
Is There Life Out There? (1994)
Directed by: David Hugh Jones
Cinematography by: Andrew Dunn
Edited by: Pamela Malouf
Re-recording Mixer
In the Eyes of a Stranger (1992)
Directed by: Michael Toshiyuki Uno
Cinematography by: David Geddes
Edited by: Peter C. Frank
Re-recording Mixer
Baby Snatcher (1992)
Directed by: Joyce Chopra
Cinematography by: James Glennon
Edited by: Sidney Wolinsky
Re-recording Mixer
Wildflower (1991)
Directed by: Diane Keaton
Cinematography by: Janusz Kaminski
Edited by: Stephen E. Rivkin
Post-production Sound
'Seinfeld' The Stock Tip (1990)
Directed by: Tom Cherones
Cinematography by: Robert Berry
Edited by: Robert Souders
Post-production Sound - 1 Episode, 1990
Seinfeld (1989)
Directed by: Andy Ackerman, Tom Cherones, David Steinberg, D. Owen Trainor, Joshua White, Jason Alexander, Art Wolff
Cinematography by: Wayne Kennan, Charles W. Short, Jerry D. Good, Robert Berry, George La Fountaine Sr.
Edited by: Janet Ashikaga, Skip Collector, Bill Lowe, Robert Souders, Leland Gray, Eric Lea, David Rogers
Lenses: Panavision Lenses
Re-recording Mixer
Laura Lansing Slept Here (1988)
Directed by: George Schaefer
Cinematography by: Paul Lohmann
Edited by: Rod Stephens
Cameras: Panavision Cameras
Re-recording Mixer
Six Against the Rock (1987)
Directed by: Paul Wendkos
Cinematography by: Philip H. Lathrop
