LED Lighting | 158 Titles
Journey 2: The Mysterious Island (2012)
Directed by | Brad Peyton | Cinematography by | David Tattersall | Editing by | David Rennie
Cameras | Phantom HD Camera, Red Digital Cinema Cameras, Red One Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera
Stranger Than Fiction (2006)
Atlas Shrugged II: The Strike (2012)
Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
The Sons of Tennessee Williams (2010)
Directed by | Tim Wolff | Cinematography by | Eric Adkins | Editing by | Matt Bucy, Tim Wolff
Cameras | Sony CineAlta F23 Camera, Sony PMW-EX1 Camera
Spectrauma (2011)
Directed by | Michael Lauter | Cinematography by | Jon Firestone | Editing by | Michael Lauter
Cameras | Red One MX Camera
The Controller (2008)
Directed by | Frank Michels | Cinematography by | Steve Wargo | Editing by | Frank Michels, Jeff Niemoeller
Cameras | Sony HDW-F900 Camera
Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9
Mørke sjeler (2010)
Directed by | César Ducasse, Mathieu Peteul | Cinematography by | César Ducasse, Mathieu Peteul | Editing by | César Ducasse, Mathieu Peteul
Never Let Me Go (2010)
Directed by | Mark Romanek | Cinematography by | Adam Kimmel | Editing by | Barney Pilling
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses
Coraline (2009)
Directed by | Henry Selick | Cinematography by | Pete Kozachik | Editing by | Christopher Murrie, Ronald Sanders
Prometheus (2012)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Cameras | ARRI ALEXA Camera, Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
La Vida Loca: Based on a True Story (2012)
Directed by | Adrian Nava | Cinematography by | Adrian Nava | Editing by | Adrian Nava
Cameras | Canon EOS Rebel T3i camera
Lenses | Canon Lenses
Scott Pilgrim vs. the World (2010)
Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss
Cameras | ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Please Kill Mr. Know It All (2012)
Directed by | Colin Carter, Sandra Feldman | Cinematography by | Pasha Patriki | Editing by | Michael P. Mason
Cameras | Red Digital Cinema Cameras
Lenses | Red Digital Cinema Lenses
Difficult to Stay Alive and Die (2009)
Directed by | Michael Bail | Cinematography by | Matthew Espenshade | Editing by | Michael Bail
Cameras | Kinor 235 Camera, Kinor 35H 9KSN Camera
Machine Gun Preacher (2011)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
Living Hell (2008)
Directed by | Richard Jefferies | Cinematography by | Eric Leach | Editing by | Russell Denove
Cameras | Panavision Cameras
Street Life (2007)
Directed by | Timothy Willis | Cinematography by | Matthew Fabian, Timothy Willis | Editing by | Timothy Willis
Cameras | Canon XL2 Camera, Panasonic AJ-HDC27 Camera
Glamour Dolls (2016)
Directed by | John De Luca | Cinematography by | Graham Martyr | Editing by | Dominick Gallagher, Paul Lumsden
Starring |
Lenses | Zeiss Lenses, Zeiss Super Speed Lenses
