Zeiss | 843 Titles
Mission: Impossible III (2006)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Nick Gibbs, Mary Jo Markey
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses
Psycho Wedding Crasher (2017)
Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Jeremy Klassen
Cameras | Red Epic Dragon Camera
Lenses | Zeiss Compact Prime CP.2 Lenses
Killer Twin (2018)
Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Tyronne L'Hirondelle
Cameras | Red Epic Dragon Camera
Deadly Match (2019)
Directed by | David Langlois | Cinematography by | Dan Dumouchel | Editing by | Jesse Lyon
Cameras | Red Digital Cinema Cameras
The Deleted (2016)
| Cinematography by | Steeven Petitteville, Michael Marius Pessah | Editing by | Joe Carugati, Nate Katz
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Lenses
Mr. Nobody (2009)
Directed by | Jaco Van Dormael | Cinematography by | Christophe Beaucarne | Editing by | Susan Shipton, Matyas Veress
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Lenses
Kick-Ass 2 (2013)
The Queen’s Gambit (2020)
| Cinematography by | Steven Meizler | Editing by | Michelle Tesoro
Cameras | Red Monstro 8K Camera
Lenses | Zeiss Supreme Prime Series Lenses
BlacKkKlansman (2018)
Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses
Blood and Money (2020)
Directed by | John Barr | Cinematography by | John Barr | Editing by | Roger Cropley II
Cameras | ARRI ALEXA Mini Camera
The French Dispatch (2021)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum
Lenses | Cooke S4/i Lenses
A Cure for Wellness (2016)
Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | Pete Beaudreau, Lance Pereira
Some Kind of Heaven (2020)
Directed by | Lance Oppenheim | Cinematography by | David Bolen | Editing by | Daniel Garber, Lance Oppenheim
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Style 16-40 mm T2.8 Lens, Angenieux Optimo Style 30-76 mm T2.8 Lens, Zeiss Super Speed Lenses
Operator (2016)
Directed by | Logan Kibens | Cinematography by | Steeven Petitteville | Editing by | Logan Kibens
Cameras | ARRI AMIRA Series Cameras, Sony α7S Camera
Lenses | Zeiss Lenses
Khaita Dance (2020)
Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov
Cameras | Sony α7 II Camera
Lenses | Sony G Series Lenses
D-Railed (2018)
Directed by | Dale Fabrigar | Cinematography by | John Lazear | Editing by | Dale Fabrigar, Jose Montesinos
Cameras | Blackmagic URSA Mini Pro 4.6K G2 Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 15mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 25mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35mm T1.5 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens, Zeiss Compact Prime CP.2 Sonnar 135mm T2.1 Lens
Mother! (2017)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Demolition (2015)
Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Jean-Marc Vallée
Cameras | ARRI ALEXA XT M Camera
Lenses | Zeiss Lenses
Monster (2018)
Directed by | Anthony Mandler | Cinematography by | David Devlin | Editing by | Joe Klotz
Cameras | Red Epic Dragon Camera
The Father (2020)
Directed by | Florian Zeller | Cinematography by | Ben Smithard | Editing by | Yorgos Lamprinos
Cameras | Sony CineAlta VENICE Camera
