Zeiss | 791 Titles
Een Rivier om te Bevriezen (2023)
Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz
Cameras | Red Komodo Camera
Lenses | Zeiss Compact Prime CP.2 Lenses
Divergence (2007)
Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead
Lenses | ARRI / Fujinon Lenses
PEN15 (2019)
| Cinematography by | Andy Rydzewski, Adam Silver, Bella Gonzales | Editing by | Taichi Erskine, Matt McBrayer, Amelia Allwarden, John Daigle, Michael Scotti Jr.
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4 Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Zeiss Super Speeds Mk II Lenses, Zeiss Ultra Prime Lenses
No Time to Die (2021)
Directed by | Cary Joji Fukunaga | Cinematography by | Linus Sandgren | Editing by | Tom Cross, Elliot Graham
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
True Blood (2008)
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Raging Bull (1980)
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Thelma Schoonmaker
Cameras | ARRIFLEX 35 BL Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Mid90s (2018)
Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy
Cameras | ARRIFLEX 416 Camera
Law & Order (1990)
| Cinematography by | Constantine Makris, William Klayer, John Beymer, David S. Tuttman, Christopher Misiano, Richard Dobbs, Manuel Billeter, Ernest R. Dickerson, John Thomas, Peter Reniers, Michael F. Barrow, Craig DiBona, Geoffrey Erb, Alec Hirschfeld | Editing by | Michael Schweitzer, Chris Brookshire, Neil Felder, David Post, Monty DeGraff, Toni Morgan, Michael Kewley, Billy Fox, David Siegel, Mark Newman, Leon Ortiz-Gil, Drake Silliman, Randy Jon Morgan, Kevin Krasny, Laurie Grotstein, Micky Blythe, Kurt Courtland, Michael D. Ornstein, Scott Vickrey, Leslie Gaulin, Janice Hampton, Philip Carr Neel, Arthur W. Forney, Devon Greene, Douglas Ibold, Jim Stewart, Edward R. Abroms, Adam Wolfe, Eric A. Sears, John Refoua, John A. Keris
Lenses | Angenieux Optimo Zoom Lenses, Panavision Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Zeiss Ultra Prime Lenses
Shine (1996)
Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel
Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Never Look Away (2018)
Directed by | Florian Henckel von Donnersmarck | Cinematography by | Caleb Deschanel | Editing by | Patricia Rommel, Patrick Sanchez Smith
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Zeiss Master Prime Lenses
The Squid and the Whale (2005)
Directed by | Noah Baumbach | Cinematography by | Robert D. Yeoman | Editing by | Tim Streeto
Cameras | ARRIFLEX 16SR3 Camera
Lenses | Zeiss Super Speed Lenses
The Dead (1987)
Directed by | John Huston | Cinematography by | Fred Murphy | Editing by | Roberto Silvi
Cameras | Moviecam SuperAmerica Camera
Lenses | Zeiss Lenses
Arrival (2016)
Directed by | Denis Villeneuve | Cinematography by | Bradford Young | Editing by | Joe Walker
Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera
Lenses | CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses
L’Arminuta (2021)
Directed by | Giuseppe Bonito | Cinematography by | Alfredo Betrò | Editing by | Roberto Missiroli
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens
Mission: Impossible III (2006)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Nick Gibbs, Mary Jo Markey
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses
Psycho Wedding Crasher (2017)
Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Jeremy Klassen
Cameras | Red Epic Dragon Camera
Lenses | Zeiss Compact Prime CP.2 Lenses
Killer Twin (2018)
Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Tyronne L'Hirondelle
Cameras | Red Epic Dragon Camera
Deadly Match (2019)
Directed by | David Langlois | Cinematography by | Dan Dumouchel | Editing by | Jesse Lyon
Cameras | Red Digital Cinema Cameras
The Deleted (2016)
| Cinematography by | Steeven Petitteville, Michael Marius Pessah | Editing by | Joe Carugati, Nate Katz
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Lenses
Mr. Nobody (2009)
Directed by | Jaco Van Dormael | Cinematography by | Christophe Beaucarne | Editing by | Susan Shipton, Matyas Veress
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Lenses