Zeiss | 775 Titles
Some Kind of Heaven (2020)
Directed by | Lance Oppenheim | Cinematography by | David Bolen | Editing by | Daniel Garber, Lance Oppenheim
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Style 16-40mm T2.8 Lens, Angenieux Optimo Style 30-76mm T2.8 Lens, Zeiss Super Speed Lenses
Operator (2016)
Directed by | Logan Kibens | Cinematography by | Steeven Petitteville | Editing by | Logan Kibens
Cameras | ARRI AMIRA Series Cameras, Sony α7S Camera
Lenses | Zeiss Lenses
Khaita Dance (2020)
Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov
Cameras | Sony α7 II Camera
Lenses | Sony G Series Lenses
D-Railed (2018)
Directed by | Dale Fabrigar | Cinematography by | John Lazear | Editing by | Dale Fabrigar, Jose Montesinos
Cameras | Blackmagic URSA Mini Pro 4.6K G2 Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 15mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 25mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35mm T1.5 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens, Zeiss Compact Prime CP.2 Sonnar 135mm T2.1 Lens
Mother! (2017)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
1 Out of 7 (2011)
Directed by | York Alec Shackleton | Cinematography by | Adam Silver | Editing by | Thomas K. Nash, York Alec Shackleton, D.W. Thomas
Cameras | ARRIFLEX 235 Camera
Demolition (2015)
Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Jean-Marc Vallée
Cameras | ARRI ALEXA XT M Camera
Lenses | Zeiss Lenses
Monster (2018)
Directed by | Anthony Mandler | Cinematography by | David Devlin | Editing by | Joe Klotz
Cameras | Red Epic Dragon Camera
The Father (2020)
Directed by | Florian Zeller | Cinematography by | Ben Smithard | Editing by | Yorgos Lamprinos
Cameras | Sony CineAlta VENICE Camera
Terminator 2: Judgment Day (1991)
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
The Narrator (2018)
Directed by | Nicholas Connor | Cinematography by | Skye Fisher, Will Jensen | Editing by | Maddie Fletcher, Anand Nagra
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lenses
Edie (2017)
Directed by | Simon Hunter | Cinematography by | August Jakobsson | Editing by | Olly Stothert
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Master Prime Lenses
The Beach House (2019)
Directed by | Jeffrey A. Brown | Cinematography by | Owen Levelle | Editing by | Aaron Crozier
Cameras | ARRI ALEXA Mini Camera
Smuggling Hendrix (2018)
Directed by | Marios Piperides | Cinematography by | Christian Huck | Editing by | Stylianos Constantinou
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera
The Queen’s Gambit (2020)
| Cinematography by | Steven Meizler | Editing by | Michelle Tesoro
Cameras | Red Monstro 8K Camera
Lenses | Zeiss Supreme Prime Series Lenses
Johnny (2021)
Directed by | John Charles Gerald | Cinematography by | John Charles Gerald
Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses
Barry Lyndon (1975)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson
Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens
Knives Out (2019)
Incredible Violence (2018)
Directed by | G. Patrick Condon | Cinematography by | Ian Vatcher | Editing by | Justin Oakey
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Clairmont 100 mm T3.4 Lens, Clairmont 32 mm T2.3 Lens, Clairmont 40 mm T2.3 Lens, Clairmont 50 mm T2.3 Lens, Clairmont 75 mm T2.8 Lens, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens
Joker (2019)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth
Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
