Zeiss ~ Lens Maker | 706 Titles
Don’t Breathe (2016)
Country | USA
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Starring ~ Stephen Lang,
Jane Levy,
Dylan Minnette
Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Eric L. Beason, Louise Ford, Gardner Gould
Cameras | ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses | Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens
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Red Son (2016)
Type | Short Film
Aspect Ratio | 2.39:1
Starring ~ Julián Valcárcel,
Diego Mout,
Alberto Tiérrez
Directed by | Joaquín Pinedo | Cinematography by | Pablo Bermejo | Editing by | Pablo Bermejo
Cameras | Sony PMW-F55 Camera
Lenses | Zeiss Lenses
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The Shining (1980)
Country | USA, UK
Type | Motion Picture
Running Time | 144 Minutes
Starring ~ Jack Nicholson,
Shelley Duvall,
Danny Lloyd
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
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Polseres vermelles (2011)
Country | Spain
Type | Television Series
Starring ~ Àlex Monner,
Joana Vilapuig,
Igor Szpakowski
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 30-80mm T2.8 Lens, Arri Macro 60mm T3.0 Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens, Zeiss Standard Prime MKII 28 mm T2.1 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Standard Prime MKII 40 mm T2.1 Lens, Zeiss Standard Prime MKII 50 mm T2.1 Lens, Zeiss Standard Prime MKII 85 mm T2.1 Lens
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The Bookshop (2017)
Country | Germany, UK, Spain
Type | Motion Picture
Starring ~ Emily Mortimer,
Patricia Clarkson,
Bill Nighy
Directed by | Isabel Coixet | Cinematography by | Jean-Claude Larrieu
Cameras | ARRI ALEXA XT Plus Camera
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Allegiant (2016)
Country | USA
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 2.39:1
Starring ~ Shailene Woodley,
Theo James,
Jeff Daniels
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leica Summilux-C Series Lenses
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Martha Marcy May Marlene (2011)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Starring ~ Elizabeth Olsen,
Sarah Paulson,
John Hawkes
Directed by | Sean Durkin | Cinematography by | Jody Lee Lipes | Editing by | Zachary Stuart-Pontier
Cameras | ARRICAM Lite (LT) Camera
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Win Win (2011)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Starring ~ Paul Giamatti,
Amy Ryan,
Jeffrey Tambor
Directed by | Tom McCarthy | Cinematography by | Oliver Bokelberg | Editing by | Tom McArdle
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Breaking the Waves (1996)
Country | Denmark, Sweden, France, Netherlands, Norway, Iceland, Spain
Type | Motion Picture
Running Time | 159 Minutes
Aspect Ratio | 2.39:1
Starring ~ Emily Watson,
Stellan Skarsgård,
Katrin Cartlidge
Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | Anders Refn
Cameras | Moviecam Compact Camera
Lenses | Zeiss Lenses
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Rock N Love (2015)
Country | Indonesia
Type | Motion Picture
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Starring ~ Axel Andaviar,
Vino G. Bastian,
Ganindra Bimo
Directed by | Hedy Suryawan | Cinematography by | Tono Wisnu
Lenses | Zeiss Lenses
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Jackie Brown (1997)
Country | USA
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 1.85:1
Starring ~ Pam Grier,
Samuel L. Jackson,
Robert Forster
Directed by | Quentin Tarantino | Cinematography by | Guillermo Navarro | Editing by | Sally Menke
Cameras | Moviecam Compact Camera
Lenses | Zeiss Super Speed Lenses
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Nine Lives (2016)
Country | France, China
Type | Motion Picture
Running Time | 87 Minutes
Aspect Ratio | 1.85:1
Starring ~ Kevin Spacey,
Jennifer Garner,
Robbie Amell
Directed by | Barry Sonnenfeld | Cinematography by | Karl Walter Lindenlaub | Editing by | David Zimmerman, Don Zimmerman
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses, Zeiss Ultra Prime Lenses
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Ghostbusters (2016)
Country | USA
Type | Motion Picture
Running Time | 116 Minutes
Starring ~ Melissa McCarthy,
Kristen Wiig,
Kate McKinnon
Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White
Cameras | ARRI ALEXA XT Camera
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Jason Bourne (2016)
Country | USA
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution, 4096x2160 - (1.90:1) Capture Resolution, 6144x3160 - (1.94:1) Capture Resolution
Starring ~ Matt Damon,
Tommy Lee Jones,
Alicia Vikander
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher RouseCamera Operator | Christopher TJ McGuire
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
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The Master (2012)
Country | USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 1.85:1
Starring ~ Philip Seymour Hoffman,
Joaquin Phoenix,
Amy Adams
Directed by | Paul Thomas Anderson | Cinematography by | Mihai Malaimare Jr. | Editing by | Leslie Jones, Peter McNulty
Cameras | Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision 65mm Prime Lenses
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Star Trek Beyond (2016)
Country | USA
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Starring ~ Chris Pine,
Zachary Quinto,
Karl Urban
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven SprungCamera Operator | Geoffrey Haley
Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
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Shadow of the Vampire (2000)
Country | UK, USA, Luxembourg
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x854 - (2.40:1) Capture Resolution
Starring ~ John Malkovich,
Willem Dafoe,
Udo Kier
Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Super Speed Lenses
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Furious 7 (2015)
Country | USA, Japan
Type | Motion Picture
Running Time | 137 Minutes
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution
Starring ~ Vin Diesel,
Paul Walker,
Dwayne Johnson
Directed by | James Wan | Cinematography by | Marc Spicer, Stephen F. Windon | Editing by | Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
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Need for Speed (2014)
Country | USA, UK, France, Philippines
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 2.39:1
Starring ~ Aaron Paul,
Dominic Cooper,
Imogen Poots
Directed by | Scott Waugh | Cinematography by | Shane Hurlbut | Editing by | Paul Rubell, Scott Waugh
Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 19.5-94mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100 mm T2.0 Lens, Cooke S4 Prime 32 mm T2.0 Lens, Cooke S4 Prime 40 mm T2.0 Lens, Cooke S4 Prime 50 mm T2.0 Lens, Cooke S4 Prime 75 mm T2.0 Lens, Cooke S4/i Prime 12 mm T2.0 Lens, Cooke S4/i Prime 135 mm T2.0 Lens, Cooke S4/i Prime 14 mm T2.0 Lens, Cooke S4/i Prime 18 mm T2.0 Lens, Cooke S4/i Prime 180 mm T2.0 Lens, Cooke S4/i Prime 21 mm T2.0 Lens, Cooke S4/i Prime 27 mm T2.0 Lens, Cooke S4/i Prime 32 mm T2.0 Lens, Cooke S4/i Prime 40 mm T2.0 Lens, Cooke S4/i Prime 50 mm T2.0 Lens, Cooke S4/i Prime 75 mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Summicron-C 21 mm T2.0 Lens, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Zeiss Distagon T* 15 mm f2.8 ZE, Zeiss Distagon T* 18 mm f3.5 ZE
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Amistad (1997)
Country | USA
Type | Motion Picture
Running Time | 155 Minutes
Aspect Ratio | 1.85:1
Starring ~ Djimon Hounsou,
Matthew McConaughey,
Anthony Hopkins
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Panaflex Platinum Camera
Lenses | Zeiss Super Speed Lenses
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