Zeiss ~ Lens Maker | 714 Titles
The Master (2012)
Country | USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 1.85:1
Starring ~ Philip Seymour Hoffman,
Joaquin Phoenix,
Amy Adams
Directed by | Paul Thomas Anderson | Cinematography by | Mihai Malaimare Jr. | Editing by | Leslie Jones, Peter McNulty
Cameras | Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision 65mm Prime Lenses
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The Flash (2014)
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Grant Gustin,
Candice Patton,
Danielle Panabaker
Cameras | ARRI ALEXA Camera, ARRI ALEXA Series Cameras, ARRI Cameras, Sony Cameras, Sony α7 Series Cameras, Sony α7S II Camera
Lenses | Angenieux Lenses, Angenieux Optimo 24-290mm T2.8 Lens, Cooke 5/i Lenses, Cooke Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens
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Ping Pong Summer (2014)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Starring ~ Marcello Conte,
Judah Friedlander,
Amy Sedaris
Directed by | Michael Tully | Cinematography by | Wyatt Garfield | Editing by | Marc Vives
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Ultra 16 Lenses
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Super 8 (2011)
Country | USA
Type | Motion Picture
Running Time | 112 Minutes
Aspect Ratio | 2.35:1
Starring ~ Elle Fanning,
AJ Michalka,
Kyle Chandler
Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
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Collateral Beauty (2016)
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 2.39:1
Starring ~ Will Smith,
Edward Norton,
Kate Winslet
Directed by | David Frankel | Cinematography by | Maryse Alberti | Editing by | Andrew Marcus
Cameras | ARRI ALEXA XT Plus Camera
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Death Note: The Last Name (2006)
Country | Japan, USA
Type | Motion Picture
Running Time | 141 Minutes
Aspect Ratio | 1.85:1
Starring ~ Tatsuya Fujiwara,
Takeshi Kaga,
Shidô Nakamura
Directed by | Shûsuke Kaneko | Cinematography by | Kenji Takama | Editing by | Yôsuke Yafune
Cameras | Sony HDW-F900 Camera
Lenses | Angenieux Lenses, Zeiss DigiPrime Lenses
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Arrival (2016)
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 2.39:1
Starring ~ Amy Adams,
Jeremy Renner,
Forest Whitaker
Directed by | Denis Villeneuve | Cinematography by | Bradford Young | Editing by | Joe Walker
Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera
Lenses | Kowa Cine Prominar Lenses, Zeiss Lenses
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Rampart (2011)
Country | USA
Type | Motion Picture
Running Time | 108 Minutes
Aspect Ratio | 2.39:1
Starring ~ Woody Harrelson,
Ben Foster,
Sigourney Weaver
Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz
Cameras | ARRI ALEXA Camera
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Steve Jobs (2015)
Country | UK, USA
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Starring ~ Michael Fassbender,
Kate Winslet,
Seth Rogen
Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham
Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
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The Shining (1980)
Country | USA, UK
Type | Motion Picture
Running Time | 144 Minutes
Starring ~ Jack Nicholson,
Shelley Duvall,
Danny Lloyd
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
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Ice (2016)
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Cam Gigandet,
Jeremy Sisto,
Ray Winstone
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Anamorphic 40-440mm 2S T4.5 Lens, Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 40mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 60mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens, Zeiss Master Prime Lenses
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Doctor Strange (2016)
Country | USA
Type | Motion Picture
Aspect Ratio | 1.78:1 (16x9), 2.39:1
Starring ~ Rachel McAdams,
Benedict Cumberbatch,
Tilda Swinton
Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
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Nobody Knows (2004)
Country | Japan
Type | Motion Picture
Running Time | 141 Minutes
Starring ~ Yûya Yagira,
Ayu Kitaura,
Hiei Kimura
Directed by | Hirokazu Koreeda | Cinematography by | Yutaka Yamazaki | Editing by | Hirokazu Koreeda
Cameras | Aaton XTR Prod Camera
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Prisoners (2013)
Country | USA
Type | Motion Picture
Running Time | 153 Minutes
Starring ~ Hugh Jackman,
Jake Gyllenhaal,
Viola Davis
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joel Cox, Gary Roach
Cameras | ARRI ALEXA Studio Camera
Lenses | Zeiss Master Prime Lenses
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Johnny English Reborn (2011)
Country | USA, France, UK
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Starring ~ Rowan Atkinson,
Rosamund Pike,
Dominic West
Directed by | Oliver Parker | Cinematography by | Danny Cohen | Editing by | Guy Bensley
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera
Lenses | Zeiss Master Prime Lenses
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Tailgate (2015)
Type | Motion Picture
Running Time | 83 Minutes
Aspect Ratio | 2.39:1
Starring ~ Zan Gooderham,
Tony Hodgson,
Peter Marshall
Directed by | Jai Hogg | Cinematography by | Mark Broadbent | Editing by | Joe Lancaster
Lenses | Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 28mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens
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Don’t Breathe (2016)
Country | USA
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Starring ~ Stephen Lang,
Jane Levy,
Dylan Minnette
Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Eric L. Beason, Louise Ford, Gardner Gould
Cameras | ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses | Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens
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Red Son (2016)
Type | Short Film
Aspect Ratio | 2.39:1
Starring ~ Julián Valcárcel,
Diego Mout,
Alberto Tiérrez
Directed by | Joaquín Pinedo | Cinematography by | Pablo Bermejo | Editing by | Pablo Bermejo
Cameras | Sony PMW-F55 Camera
Lenses | Zeiss Lenses
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Polseres vermelles (2011)
Country | Spain
Type | Television Series
Starring ~ Àlex Monner,
Joana Vilapuig,
Igor Szpakowski
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 30-80mm T2.8 Lens, Arri Macro 60mm T3.0 Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens, Zeiss Standard Prime MKII 28 mm T2.1 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Standard Prime MKII 40 mm T2.1 Lens, Zeiss Standard Prime MKII 50 mm T2.1 Lens, Zeiss Standard Prime MKII 85 mm T2.1 Lens
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The Bookshop (2017)
Country | Germany, UK, Spain
Type | Motion Picture
Starring ~ Emily Mortimer,
Patricia Clarkson,
Bill Nighy
Directed by | Isabel Coixet | Cinematography by | Jean-Claude Larrieu
Cameras | ARRI ALEXA XT Plus Camera
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