Bausch & Lomb | 18 Titles
El Conde (2023)
Directed by | Pablo Larraín | Cinematography by | Edward Lachman | Editing by | Sofía Subercaseaux
Cameras | ARRI ALEXA Mini LF Monochrome Camera
Lenses | Zero Optik Baltar Series Lenses
Breaking Bad (2008)
| Cinematography by | Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams | Editing by | Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses
The Lighthouse (2019)
Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford
Lenses | Bausch & Lomb Lenses
The Godfather (1972)
Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | William Reynolds, Peter Zinner
Cameras | Mitchell BNCR Camera
Lenses | Bausch & Lomb Super Baltar Lenses
Labor Day (2013)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses
Blind (2014)
Directed by | Eskil Vogt | Cinematography by | Thimios Bakatakis | Editing by | Jens Christian Fodstad
The Bridge on the River Kwai (1957)
Directed by | David Lean | Cinematography by | Jack Hildyard | Editing by | Peter Taylor
Lenses | Bausch & Lomb Lenses
The Seven Year Itch (1955)
Directed by | Billy Wilder | Cinematography by | Milton R. Krasner | Editing by | Hugh S. Fowler
Lenses | Bausch & Lomb Lenses
Prince Avalanche (2013)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Colin Patton
Cameras | ARRI ALEXA Camera
Lenses | Bausch & Lomb Super Baltar Lenses
Cockneys vs Zombies (2012)
Directed by | Matthias Hoene | Cinematography by | Daniel Bronks | Editing by | Neil Farrell, John Palmer
Cameras | ARRI Cameras
Lenses | Bausch & Lomb Lenses
Bus Stop (1956)
The True Story of Jesse James (1957)
The Girl in the Red Velvet Swing (1955)
There’s No Business Like Show Business (1954)
Gone with the Wind (1939)
Directed by | Victor Fleming, George Cukor, Sam Wood | Cinematography by | Ernest Haller, Lee Garmes
Cameras | Technicolor 3-Strip Camera
Lenses | Bausch & Lomb Lenses
River of No Return (1954)
Directed by | Otto Preminger, Jean Negulesco | Cinematography by | Joseph LaShelle | Editing by | Louis R. Loeffler
Lenses | Bausch & Lomb Lenses
The King and I (1956)
Directed by | Walter Lang | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson
Lenses | Bausch & Lomb Lenses
The Godfather: Part II (1974)
Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner
Cameras | Mitchell BNCR Camera
Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses