Tiffen Filters | 83 Titles
Polseres vermelles (2011)
Country | Spain
Type | Television Series
Starring ~ Àlex Monner,
Joana Vilapuig,
Igor Szpakowski
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 30-80mm T2.8 Lens, Arri Macro 60mm T3.0 Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens, Zeiss Standard Prime MKII 28 mm T2.1 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Standard Prime MKII 40 mm T2.1 Lens, Zeiss Standard Prime MKII 50 mm T2.1 Lens, Zeiss Standard Prime MKII 85 mm T2.1 Lens
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La catedral del mar (2017)
Country | Spain
Type | Miniseries
Starring ~ Silvia Abascal,
Críspulo Cabezas,
Natalia de Molina
Cameras | ARRI ALEXA Series Cameras
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The Bookshop (2017)
Country | Germany, UK, Spain
Type | Motion Picture
Starring ~ Emily Mortimer,
Patricia Clarkson,
Bill Nighy
Directed by | Isabel Coixet | Cinematography by | Jean-Claude Larrieu
Cameras | ARRI ALEXA XT Plus Camera
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Secuestro (2016)
Country | Spain
Type | Motion Picture
Starring ~ Macarena Gómez,
Paulina Gálvez,
José Coronado
Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca
Cameras | ARRI ALEXA XT Plus Camera
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Cat and Mouse (2015)
Country | Netherlands, Belgium
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 4480x1920 - (2.33:1) Capture Resolution
Starring ~ Carlijn van Zijtveld,
Wilma Bakker,
Raymond Thiry
Directed by | Victor Nieuwenhuijs, Maartje Seyferth | Cinematography by | Victor Nieuwenhuijs | Editing by | Vima Kara, Tarek
Cameras | Red One Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke S3 18 mm T2.2 Lens, Cooke S3 25 mm T2.2 Lens, Cooke S4 Prime 100 mm T2.0 Lens, Cooke S4 Prime 32 mm T2.0 Lens, Cooke S4 Prime 40 mm T2.0 Lens, Cooke S4 Prime 50 mm T2.0 Lens, Cooke S4 Prime 75 mm T2.0 Lens
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Jezus van de Javastraat (2016)
Country | Netherlands
Type | Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Starring ~ July Janssen,
Priscilla Mahesh,
Hugo Metsers
Directed by | Bram van Splunteren | Cinematography by | Ties Versteegh | Editing by | Olivier Lambrechts
Cameras | Panasonic VariCam 35
Lenses | Zeiss Standard Prime MKII 180 mm T3.0 Lens, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Super Speeds Mk II 35 mm T1.3 Lens, Zeiss Super Speeds Mk II 50 mm T1.3 Lens, Zeiss Super Speeds Mk II 85 mm T1.3 Lens, Zeiss Super Speeds Mk II Lenses, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 35 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens, Zeiss Super Speeds Mk III 85 mm T1.3 Lens, Zeiss Super Speeds Mk III Lenses
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Glamour Dolls (2016)
Country | UK
Type | Motion Picture
Running Time | 95 Minutes
Aspect Ratio | 2.35:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution, 4096x2304 - (1.78:1) Capture Resolution, 4480x1920 - (2.33:1) Capture Resolution
Starring ~ John De Luca,
Dominik Danielewicz,
Ashlie Walker
Directed by | John De Luca | Cinematography by | Graham Martyr | Editing by | Dominick Gallagher, Paul Lumsden
Lenses | Zeiss Lenses, Zeiss Super Speed Lenses
modified:
The Father and the Bear (2016)
Country | USA
Type | Motion Picture
Running Time | 85 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Wil Love,
David DeLuise,
Dendrie Taylor
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Lenses | Zeiss Lenses, Zeiss ZE Prime Lenses
modified:
Route 30 Three! (2014)
Country | USA
Type | Motion Picture
Running Time | 94 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ David Cowgill,
Nathalie Boltt,
Dan Poole
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Cameras | Sony PMW-F3 Camera
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Camino a La Paz (2015)
Country | Argentina
Type | Motion Picture
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Rodrigo De la Serna,
Ernesto Suarez,
Elisa Carricajo
Directed by | Francisco Varone | Cinematography by | Christian Cottet | Editing by | Javier Peretti, Andrés Tambornino
Cameras | Canon EOS-C500 Camera
modified:
10.000 Km (2014)
Country | Spain
Type | Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 1.85:1
Starring ~ Natalia Tena,
David Verdaguer
Directed by | Carlos Marques-Marcet | Cinematography by | Dagmar Weaver-Madsen | Editing by | Carlos Marques-Marcet, Juliana Montañés
Cameras | Red Epic Camera
Lenses | Zeiss Master Prime Lenses
modified:
La isla mínima (2014)
Country | Spain
Type | Motion Picture
Running Time | 105 Minutes
Starring ~ Javier Gutiérrez,
Raúl Arévalo,
María Varod
Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano
Cameras | ARRI ALEXA XT Camera
modified:
El hombre de las mil caras (2016)
Country | Spain
Type | Motion Picture
Starring ~ Marta Etura,
José Coronado,
Jimmy Shaw
Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano
Cameras | ARRI ALEXA XT Plus Camera
modified:
Tenemos que hablar (2016)
Country | Spain
Type | Motion Picture
Running Time | 91 Minutes
Starring ~ Hugo Silva,
Michelle Jenner,
Ernesto Sevilla
Directed by | David Serrano | Cinematography by | Juan Carlos Gómez | Editing by | Alberto de Toro
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Cooke S4/i Lenses
modified:
The Evil That Men Do (2015)
Country | Spain
Type | Motion Picture
Running Time | 94 Minutes
Starring ~ Daniel Faraldo,
Andrew Tarbet,
Sergio Peris-Mencheta
Directed by | Ramon Térmens | Cinematography by | Sergi Bartrolí | Editing by | Anna Térmens
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Ultra Prime Lenses
modified:
I’m Off Then (2015)
Country | Germany
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 2.39:1
Starring ~ Devid Striesow,
Martina Gedeck,
Karoline Schuch
Directed by | Julia von Heinz | Cinematography by | Felix Poplawsky | Editing by | Alexander Dittner, Georg Söring
Lenses | Fujinon Alura Zoom 45-250mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
modified:
Press (2015)
Country | Italy
Type | Motion Picture
Aspect Ratio | 2.39:1
Capture Resolution | 5120x2700 - (1.90:1) Capture Resolution
Starring ~ Mario Acampa,
Gianluca Guastella,
Thomas Tinker
Directed by | Paolo Bertino, Alessandro Isetta | Cinematography by | Federico Torres | Editing by | Enrico Giovannone, Anna Isberg, Luca Vigliani
Cameras | Red Epic Dragon Camera
Lenses | Zeiss Standard Prime MKII 100 mm T2.1 Lens, Zeiss Standard Prime MKII 135 mm T2.1 Lens, Zeiss Standard Prime MKII 180 mm T3.0 Lens, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 35 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens, Zeiss Super Speeds Mk III 65 mm T1.3 Lens, Zeiss Super Speeds Mk III 85 mm T1.3 Lens
modified:
Premaya Nam (2014)
Country | Sri Lanka
Type | Motion Picture
Running Time | 95 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Shyam Fernando,
Samanalee Fonseka,
Suranga Ranawaka
Directed by | Kalpana Ariyawansa, Vindana Ariyawansa | Cinematography by | Jaan Shenberger | Editing by | Kalpana Ariyawansa, Jaan Shenberger
Cameras | Panasonic Lumix DMC-GH2 Camera, Sony PMW-F3 Camera
Lenses | Nikon AF NIKKOR 80-200 mm f2.8 ED Lens, Nikon Micro-NIKKOR 55 mm f3.5 Lens, Panasonic Lumix G Vario 14-42 mm f3.5-5.6 Lens, Sony Prime 35 mm T2.0 PL Lens, Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Tokina AT-X Pro FX 16-28 mm f2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Vivitar Series 1 28-105 mm f2.8-3.8 Macro Zoom Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Makro-Planar 100 mm T2.1 CF Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens
modified:
Cineastes (2014)
Country | USA
Type | Motion Picture
Running Time | 21 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Yorgos Karamihos,
Lydia Muijen,
Scarlett Redmond
Directed by | Alexander Vo | Cinematography by | John Lazear | Editing by | Alexander Vo
Cameras | ARRI ALEXA Series Cameras
Lenses | Zeiss Lenses
modified:
El cuarto de Leo (2009)
Country | Uruguay, Argentina
Type | Motion Picture
Running Time | 95 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Martín Rodríguez,
Cecilia Cósero,
Gerardo Begérez
Directed by | Enrique Buchichio | Cinematography by | Pedro Luque | Editing by | Guillermo Casanova, Julián Goyoaga
Cameras | Sony HDW-F900 Camera
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