Tiffen Filters | 93 Titles
Hotel Mumbai (2018)
Country | India, Australia, USA
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x854 - (2.40:1) Capture Resolution
Directed by | Anthony Maras | Cinematography by | Nick Remy Matthews | Editing by | Anthony Maras, Peter McNulty
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
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Secuestro (2016)
Country | Spain
Type | Motion Picture
Running Time | 105 Minutes
Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca
Cameras | ARRI ALEXA XT Plus Camera
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Measure of a Man (2018)
Country | USA
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 2.39:1
Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
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Ophelia (2018)
Country | UK, USA
Type | Motion Picture
Running Time | 114 Minutes
Aspect Ratio | 2.39:1
Directed by | Claire McCarthy | Cinematography by | Denson Baker | Editing by | Luke Dunkley
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus
Lenses | Angenieux Optimo Anamorphic 40-440mm 2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens
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Rattlesnake (2019)
Country | USA
Type | Motion Picture
Aspect Ratio | 2.40:1
Capture Resolution | 4480x1920 - (2.33:1) Capture Resolution
Directed by | Zak Hilditch | Editing by | Merlin Eden
Cameras | Sony CineAlta VENICE Camera
Lenses | Kowa Cine Prominar Spherical Lenses
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Chelsea Lately (2007)
Country | USA
Type | Television Series
Running Time | 22 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
| Cinematography by | Lee Rose | Editing by | Philip D. Favre, Ignacio Pinerua, Michelle Gevoian, Jason Gill, Kurt Heydle, Jason Wood, Josh Belson, Xiao Niu, Dave Wilson, Sean Hubbert, Karl Kimbrough, Gasper Chiaramonte, Phil Favre, Don Misraje
Lenses | Fujinon Lenses
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How the Grinch Stole Christmas (2000)
Country | USA
Type | Motion Picture
Running Time | 104 Minutes
Aspect Ratio | 1.85:1
Directed by | Ron Howard | Cinematography by | Donald Peterman | Editing by | Daniel P. Hanley, Mike Hill
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens
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Cougar Town (2009)
Country | USA
Type | Television Series
Running Time | 22 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Andrew Rawson, Sylvain D'Hautcourt | Editing by | Roger Bondelli, John Michel, Martin Wilson
Cameras | ARRI ALEXA Camera, Panavision Genesis Camera
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The Precipice Game (2016)
Country | China
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Directed by | Zao Wang | Cinematography by | Joewi Verhoeven | Editing by | Hua Tang, Jolin Zhu
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera
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Una Famiglia (2017)
Country | Italy
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Sebastiano Riso | Cinematography by | Piero Basso | Editing by | Ilaria Fraioli
Cameras | ARRI ALEXA Plus Camera
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens
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Somewhere in the Middle (2015)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Lanre Olabisi | Cinematography by | Piero Basso | Editing by | Alex Kopit
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens
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Billy’s Hollywood Screen Kiss (1998)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 2.39:1
Directed by | Tommy O'Haver | Cinematography by | Mark Mervis | Editing by | Jeff Betancourt
Cameras | Panavision Silent Reflex PSR Camera
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La catedral del mar (2018)
Country | Spain
Type | Miniseries, Television Series
Running Time | 55 Minutes
| Cinematography by | Teo Delgado, Cuco Segura | Editing by | Carlos J. Sanavia
Cameras | ARRI ALEXA Series Cameras
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The Bookshop (2017)
Country | UK, Spain, Germany
Type | Motion Picture
Running Time | 113 Minutes
Directed by | Isabel Coixet | Cinematography by | Jean-Claude Larrieu | Editing by | Bernat Aragonés
Cameras | ARRI ALEXA XT Plus Camera
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Cat and Mouse (2015)
Country | Netherlands, Belgium
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 4480x1920 - (2.33:1) Capture Resolution
Directed by | Victor Nieuwenhuijs, Maartje Seyferth | Cinematography by | Victor Nieuwenhuijs | Editing by | Vima Kara, Tarek
Cameras | Red One Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
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Jezus van de Javastraat (2016)
Country | Netherlands
Type | Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | Bram van Splunteren | Cinematography by | Ties Versteegh | Editing by | Olivier Lambrechts
Cameras | Panasonic VariCam 35
Lenses | Zeiss Standard Prime MKII 180 mm T3.0 Lens, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Super Speeds Mk II 35 mm T1.3 Lens, Zeiss Super Speeds Mk II 50 mm T1.3 Lens, Zeiss Super Speeds Mk II 85 mm T1.3 Lens, Zeiss Super Speeds Mk II Lenses, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 35 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens, Zeiss Super Speeds Mk III 85 mm T1.3 Lens, Zeiss Super Speeds Mk III Lenses
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The Father and the Bear (2016)
Country | USA
Type | Motion Picture
Running Time | 85 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Lenses | Zeiss Lenses, Zeiss ZE Prime Lenses
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Route 30 Three! (2014)
Country | USA
Type | Motion Picture
Running Time | 94 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Cameras | Sony PMW-F3 Camera
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Camino a La Paz (2015)
Country | Argentina, Netherlands, Germany
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Francisco Varone | Cinematography by | Christian Cottet | Editing by | Federico Peretti, Alberto Ponce
Cameras | Canon EOS-C500 Camera
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10.000 Km (2014)
Country | Spain
Type | Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 1.85:1
Directed by | Carlos Marques-Marcet | Cinematography by | Dagmar Weaver-Madsen | Editing by | Carlos Marques-Marcet, Juliana Montañés
Cameras | Red Epic Camera
Lenses | Zeiss Master Prime Lenses
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