Lens Filters » Tiffen Filters

Tiffen Black Diffusion/FX Filter : 8Tiffen Black Glimmerglass Digital Diffusio... : 2Tiffen Color-Grad Filter : 3Tiffen Color-Grad ND Filter : 3Tiffen Combination Neutral Density Filter : 1Tiffen Combination Polarizing Filter : 2Tiffen Contrast Filter : 1Tiffen Coral Filter : 1Tiffen Day for Night Filters Cool : 1Tiffen Glimmerglass Filter : 2Tiffen IR Control Filter : 1Tiffen IR Polarizer Filter : 1Tiffen IRND Polarizer Filter : 1Tiffen Neutral Density Filters : 10Tiffen Pearlescent Filter : 1Tiffen Polarizing Filters : 5Tiffen Pro-Mist Filter : 11Tiffen Soft/FX Filter : 1Tiffen Standard Color Filters : 1

Tiffen Filters | 119 Titles

Rate It

« Previous 1 2 3 4 … 6 Next »

LessUpdatedTitleYear

What if it Was Me? (2020)

Motion Picture | 2D | Color |

Directed by | Matt Power | Cinematography by | Matt Power | Editing by | Alex Coleman

Starring | David Tomlinson, Jacelyn Holmes, Danilo Reyes, Tiffany Blom

Cameras | Red Scarlet Dragon Camera

Lenses | Canon L Series Lenses

Liberty (2018)

Miniseries | 2D | HD Project | Color | 2.0:1 | 58 Minutes

| Cinematography by | Aske Foss | Editing by | Kristofer Nordin, Jacob Thuesen

Starring | Connie Nielsen, Carsten Bjørnlund, Sofie Gråbøl, Charlie Karumi

Cameras | ARRI ALEXA Mini Camera

Lenses | Cineovision Lenses, Optica Elite 35 Anamorphic 50-160 mm T4.9 Lens

Sleepless (2017)

Motion Picture | 2D | 2.8K Project | Color | 95 Minutes

Directed by | Baran bo Odar | Cinematography by | Mihai Malaimare Jr. | Editing by | Robert Rzesacz

Starring | Jamie Foxx, Michelle Monaghan, Dermot Mulroney, Gabrielle Union

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Red Epic Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses

Keepers of the Flame (2007)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 36 Minutes

Directed by | Tyler Norman

Cameras | Sony HDR-FX1 Camera

Family Obligations (2019)

Direct to Video | 2D | HD Project | Color | 2.39:1 | 81 Minutes

Directed by | Kenneth R. Frank | Cinematography by | Kenneth R. Frank | Editing by | Chris Mollica, Kevin Wolfring

Starring | Angelica Adams, Eleanor Brandle-Frank, Peppa Brandle-Frank, Grace Chan

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Panasonic Lumix G X Vario 12-35mm f2.8 Lens

Guldjakken – fra Struer til Hall of Fame (2018)

Documentary | 2D | 2K Project | Color | 2.35:1 |

Directed by | Jesper Elming | Cinematography by | Claus Frederiksen

Cameras | Sony PXW-FS7 Camera

Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85mm T1.5 Lens, Sony G 18–110mm f4.0 Lens

Missing Girl (2017)

Short Film | 2D | HD Project | Black & White | 2.39:1 | 8 Minutes

Directed by | Jimmy Barranco | Cinematography by | Jimmy Barranco | Editing by | Jimmy Barranco

Starring | Sigfried Gonzalez, Brashell Santos

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Canon Lenses, Sigma Lenses

Black Wedding (2015)

Motion Picture | 2D | Film Project | Color | 1.36:1 | 70 Minutes

Directed by | Thomas Bohn | Cinematography by | Frank Glencairn

Starring | Mersiha Husagic, Beate Maes, Diego Wallraff

Cameras | Blackmagic Cinema Camera

Lenses | Zeiss Lenses

Hotel Mumbai (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Anthony Maras | Cinematography by | Nick Remy Matthews | Editing by | Anthony Maras, Peter McNulty

Starring | Dev Patel, Armie Hammer, Nazanin Boniadi, Anupam Kher

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision G Series Anamorphic Lenses

Secuestro (2016)

Motion Picture | 2D | Color | 105 Minutes

Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca

Starring | Blanca Portillo, Antonio Dechent, Vicente Romero, Marc Domènech

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Style 25-250 mm T3.5 Lens, Cooke 5/i Lenses

Measure of a Man (2018)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper

Starring | Judy Greer, Donald Sutherland, Luke Wilson, Liana Liberato

Cameras | ARRI ALEXA Camera

Lenses | Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Rattlesnake (2019)

Motion Picture | 2D | 4K Project | Color | 2.40:1 |

Directed by | Zak Hilditch | Editing by | Merlin Eden

Starring | Carmen Ejogo, Theo Rossi, Emma Greenwell, David Yow

Cameras | Sony CineAlta VENICE Camera

Lenses | Kowa Cine Prominar Spherical Lenses

Chelsea Lately (2007)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Lee Rose | Editing by | Philip D. Favre, Ignacio Pinerua, Michelle Gevoian, Jason Gill, Kurt Heydle, Jason Wood, Josh Belson, Xiao Niu, Dave Wilson, Sean Hubbert, Karl Kimbrough, Gasper Chiaramonte, Phil Favre, Don Misraje

Starring | Chuy Bravo, Chelsea Handler, Mike Rock, Heather McDonald

Cameras | Sony Cameras, Sony HDC-1500 Camera, Sony HDC-2500s

Lenses | Fujinon Lenses

How the Grinch Stole Christmas (2000)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Ron Howard | Cinematography by | Donald Peterman | Editing by | Daniel P. Hanley, Mike Hill

Starring | Jim Carrey, Taylor Momsen, Kelley, Jeffrey Tambor

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Cougar Town (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Andrew Rawson, Sylvain D'Hautcourt | Editing by | Roger Bondelli, John Michel, Martin Wilson

Starring | Courteney Cox, Christa Miller, Busy Philipps, Dan Byrd

Cameras | ARRI ALEXA Camera, Panavision Genesis Camera

Lenses | Panavision Primo Zooms Spherical Lenses

The Precipice Game (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 90 Minutes

Directed by | Zao Wang | Cinematography by | Joewi Verhoeven | Editing by | Hua Tang, Jolin Zhu

Starring | Ruby Lin, Peter Ho, Kim Scar, Yuexi Gai

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera

Lenses | Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Una Famiglia (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 97 Minutes

Somewhere in the Middle (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 90 Minutes

Directed by | Lanre Olabisi | Cinematography by | Piero Basso | Editing by | Alex Kopit

Starring | Cassandra Freeman, Charles Miller, Marisol Miranda, Dennis Rubin Green

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

Billy’s Hollywood Screen Kiss (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 92 Minutes

Directed by | Tommy O'Haver | Cinematography by | Mark Mervis | Editing by | Jeff Betancourt

Starring | Sean Hayes, Brad Rowe, Armando Valdes-Kennedy, Mr. Dan

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Panavision Auto-Panatar B50 50 mm T2.5, Panavision HS35 35 mm T1.4 Lens

La catedral del mar (2018)

Miniseries | 2D | Color | 55 Minutes

| Cinematography by | Teo Delgado, Cuco Segura | Editing by | Carlos J. Sanavia

Starring | Julian Armaya, Jordi Aguilar, Aitor Luna, Pablo Derqui

Cameras | ARRI ALEXA Series Cameras

« Previous 1 2 3 4 … 6 Next »

©2012 - 2024 ShotOnWhat?

20254.20