Digital Intermediate Finishing Process | 1761 Titles
La La Land (2016)
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens
Brad’s Status (2017)
Directed by | Mike White | Cinematography by | Xavier Grobet | Editing by | Heather Persons
Cameras | ARRI ALEXA Series Cameras
Taare Zameen Par (2007)
Directed by | Aamir Khan, Amole Gupte | Cinematography by | Satyajit Pande | Editing by | Deepa Bhatia
Cameras | ARRIFLEX 535 Camera
Incendies (2010)
Directed by | Denis Villeneuve | Cinematography by | André Turpin | Editing by | Monique Dartonne
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Master Prime Lenses
Cats (2019)
Directed by | Tom Hooper | Cinematography by | Christopher Ross | Editing by | Melanie Oliver
Cameras | ARRI ALEXA 65 Camera
The Day After Tomorrow (2004)
Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
1917 (2019)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith
Cameras | ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens
Fish Tank (2009)
Talladega Nights: The Ballad of Ricky Bobby (2006)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Passion of the Christ (2004)
Directed by | Mel Gibson | Cinematography by | Caleb Deschanel | Editing by | Steve Mirkovich, John Wright
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Amélie (2001)
Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid
Lenses | Zeiss Ultra Prime Lenses
The Revenant (2015)
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera
Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Wortels Uit Blik (2022)
Directed by | Keno Aladjuz | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz
Cameras | Blackmagic Pocket Cinema Camera 6K Pro
Lenses | Zeiss Compact Prime CP.2 Lenses
Le militaire (2014)
Directed by | Noël Mitrani | Cinematography by | Bruno Philip | Editing by | Arthur Tarnowski
Cameras | Aaton XTR Prod Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens
Een Rivier om te Bevriezen (2023)
Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz
Cameras | Red Komodo Camera
Lenses | Zeiss Compact Prime CP.2 Lenses
Divergence (2007)
Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead
Lenses | ARRI / Fujinon Lenses
Beau Is Afraid (2023)
Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston
Cameras | Sony CineAlta VENICE Camera
Eventual (2023)
Northern Lights (2016)
Directed by | Nicholas Connor | Cinematography by | Marco Fanton | Editing by | Nicholas Connor, Amy Pfeil
Cameras | Blackmagic Cinema Camera
Episodes (2011)
| Cinematography by | Rob Kitzmann | Editing by | Nigel Williams, Gary Evans
Cameras | ARRI ALEXA Camera
