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16mm Film Negative Width | 244 Titles

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The Walking Dead (2010)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall | Editing by | Dan Liu, Julius Ramsay, Avi Youabian, Hunter M. Via, Evan Schrodek, Rachel Goodlett Katz, Alan Cody, Nathan Gunn, Kelley Dixon, Tiffany Melvin, Robert Bramwell, Enrique Sanchez, Sidney Wolinsky, Todd Desrosiers, Orlando Machado Jr., Sarah C. Reeves, Jack Colwell, Brian G. Addie

Starring | Andrew Lincoln, Norman Reedus, Melissa McBride, Lauren Cohan

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera, Panavision Cameras

Lenses | Panavision Lenses, Zeiss Super Speeds Mk I Lenses

The Texas Chain Saw Massacre (1974)

Motion Picture | 2D | Film Project | Color | 83 Minutes

Directed by | Tobe Hooper | Cinematography by | Daniel Pearl | Editing by | J. Larry Carroll, Sallye Richardson

Starring | Marilyn Burns, Edwin Neal, Allen Danziger

Cameras | Bolex H16 RX5 Camera, Éclair NPR Camera

The Blair Witch Project (1999)

Motion Picture | 2D | Black & White, Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Daniel Myrick, Eduardo Sánchez | Cinematography by | Neal Fredericks | Editing by | Daniel Myrick, Eduardo Sánchez

Starring | Heather Donahue, Michael C. Williams, Joshua Leonard

Cameras | Cinema Products CP-16 Camera, Sony DCR-TRV120 Camera

Le militaire (2014)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 80 Minutes

Directed by | Noël Mitrani | Cinematography by | Bruno Philip | Editing by | Arthur Tarnowski

Starring | Laurent Lucas, Noémie Godin-Vigneau, Harry Standjofski

Cameras | Aaton XTR Prod Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens

Divergence (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead

Starring | Traci Ann Wolfe, Jakob Hawkins, Marci Adilman

Lenses | ARRI / Fujinon Lenses

Eventual (2023)

Short Film | 2D | 4K Project | Color | 1.66:1 | 4 Minutes

Directed by | Nicholas Connor | Cinematography by | Piero Cioffi | Editing by | Sakky Barnor

Starring | Tom Machell, Léa Anderson, Sivan Raphaely

Cameras | Arashi Vision Insta360 X3, ARRIFLEX 16SR3 Camera, Blackmagic Cinema Camera

Indefinite (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 71 Minutes

Directed by | Kane Arcadia | Cinematography by | Carlos Schneider | Editing by | Ken Lee

Starring | Nina Deasley, Phoenix Raei, Ali Nazarpour, Catriona M. Coe

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Cinema Products Lenses

Magical Mystery Tour (1967)

Television Movie | 2D | Film Project | Color | 1.33:1 (4x3) | 55 Minutes

Directed by | George Harrison, John Lennon, Paul McCartney, Ringo Starr, Bernard Knowles | Cinematography by | Ringo Starr | Editing by | Roy Benson

Starring | John Lennon, Paul McCartney, George Harrison

Cameras | ARRIFLEX 16S Camera, Éclair NPR Camera

Lenses | Angenieux Lenses, Schneider Lenses

Body Melt (1993)

Direct to Video | 2D | Film Project | Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Philip Brophy | Cinematography by | Ray Argall | Editing by | Bill Murphy

Starring | Gerard Kennedy, Andrew Daddo, Ian Smith

Cameras | ARRIFLEX 16SR2 Camera

A Beautiful Day in the Neighborhood (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 109 Minutes

Directed by | Marielle Heller | Cinematography by | Jody Lee Lipes | Editing by | Anne McCabe

Starring | Matthew Rhys, Tom Hanks, Chris Cooper

Cameras | ARRI ALEXA Mini Camera, ARRIFLEX 416 Camera, Ikegami Cameras, Ikegami HL-79EAL Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Zeiss Master Prime Lenses

Die Geschichte vom weinenden Kamel (2003)

Documentary | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Byambasuren Davaa, Luigi Falorni | Cinematography by | Luigi Falorni | Editing by | Anja Pohl

Starring | Janchiv Ayurzana, Chimed Ohin, Amgaabazar Gonson

Cameras | ARRIFLEX Camera

The Squid and the Whale (2005)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 81 Minutes

Directed by | Noah Baumbach | Cinematography by | Robert D. Yeoman | Editing by | Tim Streeto

Starring | Owen Kline, Jeff Daniels, Laura Linney

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Zeiss Super Speed Lenses

Escape: World Safari III (1988)

Documentary | 2D | Film Project | Color | 1.33:1 (4x3) | 109 Minutes

Directed by | Alby Mangels | Editing by | Rod Hay, Tim Jordan

Starring | Alby Mangels, Michelle Els, Lucinda Dunn

Cameras | ARRIFLEX 16SR2 Camera

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

BlacKkKlansman (2018)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 135 Minutes

Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown

Starring | John David Washington, Adam Driver, Laura Harrier

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Behold the Lamb (2011)

Motion Picture | 2D | HD Project | Color | 2.35:1 | 85 Minutes

Directed by | John McIlduff | Cinematography by | Steeven Petitteville | Editing by | Nick Emerson

Starring | Aoife Duffin, Nigel O'Neill, Shaun Paul McGrath

Cameras | ARRIFLEX 16mm Cameras

Lenses | Cooke Spherical Lenses, Cooke Varotal Lenses, Cooke Zoom Lenses, Leica R Series Lenses, Technovision Lenses

Mother! (2017)

Motion Picture | 2D | 2K Project | Color | 121 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera

Room X (2008)

Motion Picture | 2D | Black & White | 1.33:1 (4x3) | 8 Minutes

Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Pen Williams

Starring | Andrew Lawton, Yuko Takahashi, Hiromi Saeki, Pen Williams

Cameras | Bolex H16 SB Camera

Lenses | Angenieux Lenses

Bliss (2019)

Motion Picture | 2D | Color | 2.39:1 | 80 Minutes

Directed by | Joe Begos | Cinematography by | Mike Testin | Editing by | Josh Ethier

Starring | Dora Madison, Tru Collins, Rhys Wakefield

Lenses | Zeiss Super Speed Lenses

This Is My Desire (2020)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 116 Minutes

Directed by | Arie Esiri, Chuko Esiri | Cinematography by | Arseni Khachaturan | Editing by | Andrew Stephen Lee

Starring | Emmanuel Adeji, Mary Agholor, Kemi Lala Akindoju, Lala Akindoju

Cameras | ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 16SR3 HS Camera

Lenses | Zeiss Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

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