Kodak Vision2 500T 5218/7218 Neg. Film | 237 Titles
Prom Night (2008)
Pride & Prejudice (2005)
Directed by | Joe Wright | Cinematography by | Roman Osin | Editing by | Paul Tothill
Lenses | Cooke S4 Lenses
Desperate Housewives (2004)
| Cinematography by | Lowell Peterson, David J. Miller, Richard M. Rawlings Jr., Eric Van Haren Noman, Walt Fraser, Michael Negrin, David Franco, Kenneth Zunder | Editing by | Jonathan Posell, Andrew Doerfer, Karen Castañeda, Nancy Morrison, Brent White, Troy Takaki, Kaja Fehr, Michael Berenbaum, William Marrinson
Cameras | ARRI ALEXA Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
The Phantom of the Opera (2004)
Ray (2004)
Happy Endings (2005)
Faster (2010)
Directed by | George Tillman Jr. | Cinematography by | Michael Grady | Editing by | Dirk Westervelt
Lenses | Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
The Duchess (2008)
Omkara (2006)
Directed by | Vishal Bhardwaj | Cinematography by | Tassaduq Hussain | Editing by | Meghna Manchanda Sen
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
No Country for Old Men (2007)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses, Zeiss Master Prime Lenses
Faut que ça danse! (2007)
Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Emmanuelle Castro
Cameras | ARRIFLEX 535 B Camera
De-Lovely (2004)
Directed by | Irwin Winkler | Cinematography by | Tony Pierce-Roberts | Editing by | Julie Monroe
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
The New World (2005)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa
Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
The Big Empty (2005)
Directed by | Lisa Chang, Newton Thomas Sigel | Cinematography by | Newton Thomas Sigel | Editing by | Maureen O'Keefe
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Idlewild (2006)
Directed by | Bryan Barber | Cinematography by | Pascal Rabaud | Editing by | Anne Goursaud
Lenses | Zeiss Ultra Prime Lenses
La teta asustada (2009)
Directed by | Claudia Llosa | Cinematography by | Natasha Braier | Editing by | Frank Gutiérrez
Cameras | Moviecam Compact MK2 Camera
Jack Goes Boating (2010)
Directed by | Philip Seymour Hoffman | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates
Lenses | Cooke S4 Lenses
I, Robot (2004)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Mesrine Part 1: Killer Instinct (2008)
Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Hervé Schneid
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera
Down in the Valley (2005)
Directed by | David Jacobson | Cinematography by | Enrique Chediak | Editing by | David Jacobson, Lynzee Klingman, Edward Norton
Cameras | Panavision Panaflex Millennium XL Camera