Eastman Kodak Neg. Films | 1495 Titles
The Devil, Probably (1977)
Directed by | Robert Bresson | Cinematography by | Pasqualino De Santis | Editing by | Germaine Artus
Dr. Dolittle 2 (2001)
Directed by | Steve Carr | Cinematography by | Daryn Okada | Editing by | Craig Herring
Lenses | Panavision Primo Anamorphic Lenses
Wanderlust (2012)
Directed by | David Wain | Cinematography by | Michael Bonvillain | Editing by | David Moritz, Robert Nassau
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Safety of Objects (2001)
Directed by | Rose Troche | Cinematography by | Enrique Chediak | Editing by | Geraldine Peroni
Lenses | Panavision Primo Anamorphic Lenses
De-Lovely (2004)
Directed by | Irwin Winkler | Cinematography by | Tony Pierce-Roberts | Editing by | Julie Monroe
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Kill Bill: Vol. 1 (2003)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The New World (2005)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa
Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
The Big Empty (2005)
Directed by | Lisa Chang, Newton Thomas Sigel | Cinematography by | Newton Thomas Sigel | Editing by | Maureen O'Keefe
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Broken Flowers (2005)
Directed by | Jim Jarmusch | Cinematography by | Frederick Elmes | Editing by | Jay Rabinowitz
Lenses | Zeiss Variable Prime Lenses
Idlewild (2006)
Directed by | Bryan Barber | Cinematography by | Pascal Rabaud | Editing by | Anne Goursaud
Lenses | Zeiss Ultra Prime Lenses
Far from Heaven (2002)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | James Lyons
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses, Cooke Speed Panchro Lenses
Jonah Hex (2010)
Directed by | Jimmy Hayward | Cinematography by | Mitchell Amundsen | Editing by | Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Monsieur N. (2003)
Directed by | Antoine de Caunes | Cinematography by | Pierre Aïm | Editing by | Joële Van Effenterre
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
La teta asustada (2009)
Directed by | Claudia Llosa | Cinematography by | Natasha Braier | Editing by | Frank Gutiérrez
Cameras | Moviecam Compact MK2 Camera
Jack Goes Boating (2010)
Directed by | Philip Seymour Hoffman | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates
Lenses | Cooke S4 Lenses
I, Robot (2004)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses
The Capture of Bigfoot (1979)
Eraser (1996)
The New Daughter (2009)
Directed by | Luiso Berdejo | Cinematography by | Checco Varese | Editing by | Tom Elkins, Robb Sullivan
Mesrine Part 1: Killer Instinct (2008)
Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Hervé Schneid
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera