Eastman Double-X 5222/7222 Neg. Film | 44 Titles
Schindler’s List (1993) 
Nixon (1995)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin
Clerks (1994)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRIFLEX 16SR Camera
Bolivia (1999)
Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Santiago Ricci, Lucas Scavino
Cameras | Éclair ACL II Camera
Lenses | Optar Illumina S16 Lenses
American Horror Story (2011)
| Cinematography by | Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba | Editing by | Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman
Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Angenieux Lenses, Panavision Lenses
Ayn Rand: A Sense of Life (1997)
Directed by | Michael Paxton | Cinematography by | Alik Sakharov | Editing by | Christopher Earl, Lauren A. Schaffer
Cameras | Panavision Panaflex Platinum Camera
Two Cars, One Night (2004)
Directed by | Taika Waititi | Cinematography by | Adam Clark | Editing by | Owen Ferrier-Kerr
Cameras | ARRIFLEX 35 BL3 Camera
Lenses | Zeiss Ultra Prime Lenses
The Time That Remains (2016)
Directed by | B.T. Crue | Cinematography by | David J. Schweitzer | Editing by | Sean Pollaro
Cameras | Aaton XTR Prod Camera
Lenses | Canon EC Series Lenses
To Here Knows When (2013)
Directed by | Grant McPhee | Cinematography by | Grant McPhee | Editing by | Ben McKinstrie
Cameras | Éclair NPR Camera, Red One MX Camera
Lenses | Nikon - Nikkor Lenses
Embrace of the Serpent (2015)
Directed by | Ciro Guerra | Cinematography by | David Gallego | Editing by | Etienne Boussac
Cameras | ARRICAM Lite (LT) Camera
Kill Bill: Vol. 1 (2003)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Federal Hill (1994)
Directed by | Michael Corrente | Cinematography by | Richard Crudo | Editing by | Kate Sanford
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Primo Anamorphic Lenses
Psycho (1960)
Directed by | Alfred Hitchcock | Cinematography by | John L. Russell | Editing by | George Tomasini
Cameras | Mitchell BNC Camera
Nine (2009)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Claire Simpson, Wyatt Smith
D.O.A. (1988)
Directed by | Annabel Jankel, Rocky Morton | Cinematography by | Yuri Neyman | Editing by | Raja Gosnell, Michael R. Miller
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Zeiss Super Speed Lenses
Cinderella Man (2005)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Savages (2012)
Directed by | Oliver Stone | Cinematography by | Dan Mindel | Editing by | Joe Hutshing, Stuart Levy, Alex Marquez
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Ghastly Love of Johnny X (2012)
Directed by | Paul Bunnell | Cinematography by | Francisco Bulgarelli | Editing by | Russell Harnden III
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Hawk C-Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Magnolia (1999)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Cameras | Panavision Cameras, Pathé Cameras
Lenses | Panavision Lenses
A torinói ló (2011)
Directed by | Béla Tarr, Ágnes Hranitzky | Cinematography by | Fred Kelemen | Editing by | Ágnes Hranitzky
Cameras | ARRIFLEX 535 B Camera
