Eastman Kodak Film Mfg | 1463 Titles
The Savages (2007)
Directed by | Tamara Jenkins | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses
Shakespeare in Love (1998) 
Directed by | John Madden | Cinematography by | Richard Greatrex | Editing by | David Gamble
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Variable Prime Lenses
Life as a House (2001)
Die Hard 2 (1990)
Directed by | Renny Harlin | Cinematography by | Oliver Wood | Editing by | Stuart Baird, Robert A. Ferretti
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Men of Honor (2000)
Directed by | George Tillman Jr. | Cinematography by | Anthony B. Richmond | Editing by | John Carter, Dirk Westervelt
Lenses | Cooke S4 Lenses
Solar Crisis (1990)
Directed by | Richard C. Sarafian, Alan Smithee | Cinematography by | Russell Carpenter | Editing by | Richard Trevor
Cameras | Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Pollock (2000)
Why Did I Get Married Too? (2010)
X-Men (2000)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Steven Rosenblum, Kevin Stitt, John Wright
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Brief Interviews with Hideous Men (2009)
Directed by | John Krasinski | Cinematography by | John Bailey | Editing by | Zene Baker, Rich Fox
Cameras | Panavision Panaflex Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Savages (2012)
Directed by | Oliver Stone | Cinematography by | Dan Mindel | Editing by | Joe Hutshing, Stuart Levy, Alex Marquez
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Motorcycle Diaries (2004)
Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton XTR Prod Camera
Lenses | Angenieux Lenses, Canon Lenses, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses
Being John Malkovich (1999)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen
Lenses | Cooke S4 Lenses
Free Willy (1993)
Directed by | Simon Wincer | Cinematography by | Robbie Greenberg | Editing by | O. Nicholas Brown
Lenses | Panavision Primo Anamorphic Lenses
One Day (2011)
Directed by | Lone Scherfig | Cinematography by | Benoît Delhomme | Editing by | Barney Pilling
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
The Grey (2011)
Directed by | Joe Carnahan | Cinematography by | Masanobu Takayanagi | Editing by | Roger Barton, Jason Hellmann
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
DragonHeart (1996)
Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
The Expendables 2 (2012)
Mongol: The Rise of Genghis Khan (2007)
Directed by | Sergei Bodrov | Cinematography by | Rogier Stoffers, Sergey Trofimov | Editing by | Zach Staenberg, Valdís Óskarsdóttir
Cameras | ARRIFLEX Camera
Battle Los Angeles (2011)
Directed by | Jonathan Liebesman | Cinematography by | Lukas Ettlin | Editing by | Christian Wagner
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
