Eastman Kodak Film Mfg | 1463 Titles
You Don’t Mess with the Zohan (2008)
Directed by | Dennis Dugan | Cinematography by | Michael Barrett | Editing by | Tom Costain
Cameras | Panavision Genesis Camera
The Pink Panther 2 (2009)
Directed by | Harald Zwart | Cinematography by | Denis Crossan | Editing by | Julia Wong
Cameras | Moviecam Compact Camera
50 First Dates (2004)
Directed by | Peter Segal | Cinematography by | Jack N. Green | Editing by | Jeff Gourson
Cameras | Panavision Cameras
The Queen (2006)
Directed by | Stephen Frears | Cinematography by | Affonso Beato | Editing by | Lucia Zucchetti
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Enter the Void (2009)
Directed by | Gaspar Noé | Cinematography by | Benoît Debie | Editing by | Marc Boucrot, Gaspar Noé, Jérôme Pesnel
The Men Who Stare at Goats (2009)
Directed by | Grant Heslov | Cinematography by | Robert Elswit | Editing by | Tatiana S. Riegel
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
Vantage Point (2008)
The Town (2010)
Directed by | Ben Affleck | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
The Brother from Another Planet (1984)
Directed by | John Sayles | Cinematography by | Ernest R. Dickerson | Editing by | John Sayles
Cameras | ARRIFLEX 35 BL2 Camera
Lenses | Angenieux Lenses, Zeiss Lenses
She Hate Me (2004)
Directed by | Spike Lee | Cinematography by | Matthew Libatique | Editing by | Barry Alexander Brown
Cameras | Aaton A-Minima Camera, ARRI Cameras
Harley Davidson and the Marlboro Man (1991)
Directed by | Simon Wincer | Cinematography by | David Eggby | Editing by | Corky Ehlers
Cameras | Panavision Cameras
Angel Eyes (2001)
Directed by | Luis Mandoki | Cinematography by | Piotr Sobocinski | Editing by | Gerald B. Greenberg
The Back-up Plan (2010)
The Iron Lady (2011)
Directed by | Phyllida Lloyd | Cinematography by | Elliot Davis | Editing by | Justine Wright
Lenses | Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses
Snow Falling on Cedars (1999)
Directed by | Scott Hicks | Cinematography by | Robert Richardson | Editing by | Hank Corwin
Cameras | Panavision Panaflex Platinum Camera
The Master (2012)
Directed by | Paul Thomas Anderson | Cinematography by | Mihai Malaimare Jr. | Editing by | Leslie Jones, Peter McNulty
Cameras | Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision 65mm Prime Lenses
The Saint (1997)
Directed by | Phillip Noyce | Cinematography by | Phil Meheux | Editing by | Terry Rawlings
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
A Single Man (2009)
Directed by | Tom Ford | Cinematography by | Eduard Grau | Editing by | Joan Sobel
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Anamorphic Lenses
The Soloist (2009)
Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Paul Tothill
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Charlie Wilson’s War (2007)
Directed by | Mike Nichols | Cinematography by | Stephen Goldblatt | Editing by | John Bloom, Antonia Van Drimmelen
