Eastman Kodak Film Mfg | 1463 Titles
The Burning Plain (2008)
Directed by | Guillermo Arriaga | Cinematography by | Robert Elswit | Editing by | Craig Wood
Cameras | Panavision Cameras
Bandslam (2009)
Directed by | Todd Graff | Cinematography by | Eric Steelberg | Editing by | John Gilbert
Cameras | Panavision Cameras
Beyond the Rising Moon (1987)
Directed by | Philip J. Cook | Cinematography by | Philip J. Cook | Editing by | Philip J. Cook
Cameras | ARRIFLEX 16BL Camera, Bolex H16 RX5 Camera
Blood and Chocolate (2007)
All the Boys Love Mandy Lane (2006)
Seven Years in Tibet (1997)
Directed by | Jean-Jacques Annaud | Cinematography by | Robert Fraisse | Editing by | Noëlle Boisson
Lenses | Panavision Primo Anamorphic Lenses
What’s the Worst That Could Happen? (2001)
Directed by | Sam Weisman | Cinematography by | Anastas N. Michos | Editing by | Garth Craven, Nick Moore
Cameras | Panavision Cameras
Must Love Dogs (2005)
Directed by | Gary David Goldberg | Cinematography by | John Bailey | Editing by | Roger Bondelli, Eric A. Sears
Cameras | Panavision Cameras
The Mummy Returns (2001)
Directed by | Stephen Sommers | Cinematography by | Adrian Biddle | Editing by | Bob Ducsay, Kelly Matsumoto
Cameras | Panavision Panaflex Millennium XL Camera
Federal Hill (1994)
Directed by | Michael Corrente | Cinematography by | Richard Crudo | Editing by | Kate Sanford
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Primo Anamorphic Lenses
Hope and Glory (1987)
Directed by | John Boorman | Cinematography by | Philippe Rousselot | Editing by | Ian Crafford
Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera
Himalaya (1999)
Directed by | Eric Valli, Michel Debats | Cinematography by | Éric Guichard, Jean-Paul Meurisse | Editing by | Marie-Josèphe Yoyotte
In America (2002)
Directed by | Jim Sheridan | Cinematography by | Declan Quinn | Editing by | Naomi Geraghty
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
Transporter 3 (2008)
Directed by | Olivier Megaton | Cinematography by | Giovanni Fiore Coltellacci | Editing by | Camille Delamarre, Carlo Rizzo
Lenses | Cooke S4 Lenses
Wuthering Heights (1992)
Directed by | Peter Kosminsky | Cinematography by | Mike Southon | Editing by | Tony Lawson
Cameras | ARRI Cameras
A Man for All Seasons (1988)
Directed by | Charlton Heston | Cinematography by | Dennis C. Lewiston | Editing by | Eric Boyd-Perkins, Tom Gunn
Cameras | Panavision Cameras
25th Hour (2002)
Directed by | Spike Lee | Cinematography by | Rodrigo Prieto | Editing by | Barry Alexander Brown
Lenses | Zeiss Ultra Prime Lenses
Radio (2003)
Directed by | Michael Tollin | Cinematography by | Don Burgess | Editing by | Chris Lebenzon, Harvey Rosenstock
Cameras | Panavision Cameras
Men in Black (1997)
Splice (2009)
Directed by | Vincenzo Natali | Cinematography by | Tetsuo Nagata | Editing by | Michele Conroy
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
