Eastman Kodak Film Mfg | 1463 Titles
Sherlock Holmes: A Game of Shadows (2011)
Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
A Simple Plan (1998)
Directed by | Sam Raimi | Cinematography by | Alar Kivilo | Editing by | Eric L. Beason, Arthur Coburn
Cameras | Panavision Panaflex Platinum Camera
Tuck Everlasting (2002)
Directed by | Jay Russell | Cinematography by | James L. Carter | Editing by | Jay Cassidy
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Blue Thunder (1983)
Directed by | John Badham | Cinematography by | John A. Alonzo | Editing by | Edward M. Abroms, Frank Morriss
Cameras | Panavision Cameras
Now Is Good (2012)
Directed by | Ol Parker | Cinematography by | Erik Wilson | Editing by | Peter Lambert
Lenses | Zeiss Master Prime Lenses
Dune (1984)
Kangaroo Jack (2003)
Directed by | David McNally | Cinematography by | Peter Menzies Jr. | Editing by | William Goldenberg, Jim May, John Murray
Cameras | Panavision Cameras
Holy Smoke (1999)
Directed by | Jane Campion | Cinematography by | Dion Beebe | Editing by | Veronika Jenet
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
The English Patient (1996) 
Evolution (2001)
Directed by | Ivan Reitman | Cinematography by | Michael Chapman | Editing by | Wendy Greene Bricmont, Sheldon Kahn
Cameras | Panavision Cameras
Nadine (1987)
Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Sam O'Steen
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Lenses
Batman Forever (1995)
Directed by | Joel Schumacher | Cinematography by | Stephen Goldblatt | Editing by | Mark Stevens, Dennis Virkler
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Straight Story (1999)
Directed by | David Lynch | Cinematography by | Freddie Francis | Editing by | Mary Sweeney
Cameras | Panavision Panaflex Gold II Camera
Clockwatchers (1997)
Directed by | Jill Sprecher | Cinematography by | Jim Denault | Editing by | Stephen Mirrione
Cameras | ARRI Cameras
The Man Who Wasn’t There (1983)
Directed by | Bruce Malmuth | Cinematography by | Frederick Moore | Editing by | Harry Keller
Lenses | Panavision Lenses
The Color of Money (1986)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Cameras | ARRI Cameras
Panic (2000)
Directed by | Henry Bromell | Cinematography by | Jeffrey Jur | Editing by | Lynzee Klingman, Cindy Mollo, Brent White
Cameras | Panavision Cameras
The Sitter (2011)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision Primo Anamorphic Lenses
Breaking and Entering (2006)
Directed by | Anthony Minghella | Cinematography by | Benoît Delhomme | Editing by | Lisa Gunning
Lenses | Zeiss Ultra Prime Lenses
Waitress (2007)
Directed by | Adrienne Shelly | Cinematography by | Matthew Irving | Editing by | Annette Davey
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Primo Anamorphic Lenses
