Eastman Kodak Film Mfg | 1463 Titles
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lock, Stock and Two Smoking Barrels (1998)
Directed by | Guy Ritchie | Cinematography by | Tim Maurice-Jones | Editing by | Niven Howie
Cameras | ARRIFLEX 16SR2 Camera, Photo-Sonics Cameras
The Tempest (2010)
Directed by | Julie Taymor | Cinematography by | Stuart Dryburgh | Editing by | Françoise Bonnot
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Suspiria (1977)
Directed by | Dario Argento | Cinematography by | Luciano Tovoli | Editing by | Franco Fraticelli
Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
Lenses | Technovision Lenses
Road to Perdition (2002)
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Casper (1995)
Directed by | Brad Silberling | Cinematography by | Dean Cundey | Editing by | Michael Kahn
Cameras | Panavision Cameras
Give ’em Hell Malone (2009)
Directed by | Russell Mulcahy | Cinematography by | Jonathan Hall | Editing by | Robert A. Ferretti
Cameras | Panavision Cameras
The Walker (2007)
Directed by | Paul Schrader | Cinematography by | Chris Seager | Editing by | Julian Rodd
Cameras | ARRI Cameras
Hope Floats (1998)
Directed by | Forest Whitaker | Cinematography by | Caleb Deschanel | Editing by | Richard Chew
Cameras | Panavision Cameras
Miss Pettigrew Lives for a Day (2008)
Directed by | Bharat Nalluri | Cinematography by | John de Borman | Editing by | Barney Pilling
Cameras | Panavision Cameras
The Game Plan (2007)
Directed by | Andy Fickman | Cinematography by | Greg Gardiner | Editing by | Michael Jablow
Cameras | Panavision Cameras
White Sands (1992)
Directed by | Roger Donaldson | Cinematography by | Peter Menzies Jr. | Editing by | Nicholas Beauman
Cameras | Panavision Cameras
The Legend of Zorro (2005)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Gong yuan 2000 AD (2000)
Directed by | Gordon Chan | Cinematography by | Arthur Wong | Editing by | Ki-Hop Chan
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Manda Bala (Send a Bullet) (2007)
Directed by | Jason Kohn | Cinematography by | Heloísa Passos | Editing by | Doug Abel, Jenny Golden, Andy Grieve
Cameras | ARRIFLEX 16SR3 Camera
Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Zeiss Ultra Prime Lenses
The Odd Couple II (1998)
Directed by | Howard Deutch | Cinematography by | Jamie Anderson | Editing by | Seth Flaum
Cameras | Panavision Cameras
I Witness (2003)
Directed by | Rowdy Herrington | Cinematography by | Michael G. Wojciechowski | Editing by | Pasquale Buba
Cameras | Panavision Cameras
Where the Hell’s That Gold?!!? (1988)
Directed by | Burt Kennedy | Cinematography by | John Elsenbach | Editing by | Warner E. Leighton
Cameras | Panavision Cameras
Kray (2010)
Directed by | Aleksey Uchitel | Cinematography by | Yuriy Klimenko | Editing by | Elena Andreeva, Gleb Nikulskiy
Cameras | ARRI Cameras
