Eastman Kodak Film Mfg | 1463 Titles
Faut que ça danse! (2007)
Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Emmanuelle Castro
Cameras | ARRIFLEX 535 B Camera
People Like Us (2012)
Directed by | Alex Kurtzman | Cinematography by | Salvatore Totino | Editing by | Robert Leighton
Lenses | Cooke S4 Lenses
The Mirror (1975)
Directed by | Andrei Tarkovsky | Cinematography by | Georgi Rerberg | Editing by | Lyudmila Feyginova
Cameras | ARRI Cameras, Mitchell BNCR Camera
I Love You to Death (1990)
Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Anne V. Coates
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
The Safety of Objects (2001)
Directed by | Rose Troche | Cinematography by | Enrique Chediak | Editing by | Geraldine Peroni
Lenses | Panavision Primo Anamorphic Lenses
De-Lovely (2004)
Directed by | Irwin Winkler | Cinematography by | Tony Pierce-Roberts | Editing by | Julie Monroe
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Kill Bill: Vol. 1 (2003)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The New World (2005)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa
Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
The Big Empty (2005)
Directed by | Lisa Chang, Newton Thomas Sigel | Cinematography by | Newton Thomas Sigel | Editing by | Maureen O'Keefe
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
The Darjeeling Limited (2007)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum
Cameras | Panavision Cameras
Idlewild (2006)
Directed by | Bryan Barber | Cinematography by | Pascal Rabaud | Editing by | Anne Goursaud
Lenses | Zeiss Ultra Prime Lenses
Garfield (2004)
Directed by | Peter Hewitt | Cinematography by | Dean Cundey | Editing by | Peter E. Berger, Michael A. Stevenson
Cameras | Panavision Cameras
Far from Heaven (2002)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | James Lyons
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses, Cooke Speed Panchro Lenses
Jonah Hex (2010)
Directed by | Jimmy Hayward | Cinematography by | Mitchell Amundsen | Editing by | Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Dilemma (2011)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Monsieur N. (2003)
Directed by | Antoine de Caunes | Cinematography by | Pierre Aïm | Editing by | Joële Van Effenterre
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
The Mexican (2001)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Craig Wood
Cameras | Panavision Cameras
Jack Goes Boating (2010)
Directed by | Philip Seymour Hoffman | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates
Lenses | Cooke S4 Lenses
Miracle (2004)
Directed by | Gavin O'Connor | Cinematography by | Dan Stoloff | Editing by | John Gilroy, Daric Loo
Cameras | Panavision Cameras
I, Robot (2004)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses
