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Laughing Dead (1998)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Laughing Dead | ShotOnWhat?

Directed by | Patrick Gleason | Cinematography by | Neal Fredericks, Tom Jensen | Editing by | Robert McFalls

Starring | Fern Finer, Patrick Gleason, Nancy Rhee, Rico Cymone

Cameras | Aaton XTR Prod Camera

Hidalgo (2004)

Motion Picture | 2D | Color | 2.39:1 | 136 Minutes

Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva

Starring | Viggo Mortensen, Omar Sharif, Zuleikha Robinson, Louise Lombard

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Blow (2001)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Ted Demme | Cinematography by | Ellen Kuras | Editing by | Kevin Tent

Starring | Johnny Depp, Penélope Cruz, Franka Potente, Rachel Griffiths

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Brown Bunny (2003)

Motion Picture | 2D | Color | 1.66:1 | 93 Minutes

The Brown Bunny | ShotOnWhat?

Directed by | Vincent Gallo | Cinematography by | Vincent Gallo | Editing by | Vincent Gallo

Starring | Vincent Gallo, Chloë Sevigny, Cheryl Tiegs, Elizabeth Blake

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera

Drowning Mona (2000)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Drowning Mona | ShotOnWhat?

Directed by | Nick Gomez | Cinematography by | Bruce Douglas Johnson | Editing by | Richard Pearson

Starring | Danny DeVito, Bette Midler, Neve Campbell, Jamie Lee Curtis

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses

The Naked Man (1998)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 98 Minutes

Directed by | J. Todd Anderson | Cinematography by | Jeff Barklage | Editing by | Tricia Cooke, Mark Cretcher

Starring | Michael Rapaport, Michael Jeter, John Carroll Lynch, Arija Bareikis

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

The Descendants (2011)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | George Clooney, Shailene Woodley, Amara Miller, Nick Krause

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Monster (2003)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Patty Jenkins | Cinematography by | Steven Bernstein | Editing by | Arthur Coburn, Jane Kurson

Starring | Charlize Theron, Christina Ricci, Bruce Dern, Lee Tergesen

Cameras | Panavision Cameras

Lenses | Panavision Lenses

U2 3D (2007)

Motion Picture | 3D | HD Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki

Starring | Bono, Adam Clayton, The Edge, Larry Mullen Jr.

Cameras | Sony HDW-F900 Camera

Lenses | Angenieux Lenses, Fujinon Lenses, Zeiss ZE Prime Lenses

Narc (2002)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy

Starring | Ray Liotta, Jason Patric, Chi McBride, Dan Leis

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

Star Trek (2009)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 127 Minutes

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey

Starring | Chris Pine, Zachary Quinto, Simon Pegg, Leonard Nimoy

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

2 Days in the Valley (1996)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | John Herzfeld | Cinematography by | Oliver Wood | Editing by | Jim Miller, Wayne Wahrman

Starring | Teri Hatcher, Jeff Daniels, Danny Aiello, Charlize Theron

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Artworks (2003)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Jim Amatulli | Cinematography by | Jeff Barklage | Editing by | Howard Heard

Starring | Virginia Madsen, Rick Rossovich, Eddie Mills, Daniel von Bargen

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Cooke Lenses

Crimson Tide (1995)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon

Starring | Gene Hackman, Denzel Washington, Matt Craven, George Dzundza

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Hustle & Flow (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 116 Minutes

Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox

Starring | Terrence Howard, Ludacris, Anthony Anderson, Taryn Manning

Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera

Lenses | Zeiss Ultra Prime Lenses

Blade (1998)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Stephen Norrington | Cinematography by | Theo van de Sande | Editing by | Paul Rubell

Starring | Wesley Snipes, Stephen Dorff, Kris Kristofferson, N'Bushe Wright

Cameras | Moviecam Compact Camera

Lenses | Clairmont Anamorphic Lenses, Hawk C-Series 100 mm T3.0 Lens

9/Tenths (2006)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Bob Degus | Cinematography by | Nathan Wilson | Editing by | Logan Breit

Starring | Gabrielle Anwar, Henry Ian Cusick, Dave Baez, Cole S. McKay

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Marie Antoinette (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 123 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Kirsten Dunst, Jason Schwartzman, Rip Torn, Judy Davis

Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

3:10 to Yuma (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker

Starring | Russell Crowe, Christian Bale, Ben Foster, Logan Lerman

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Drag Me to Hell (2009)

Motion Picture | 2D | Color | 2.35:1 | 99 Minutes

Drag Me to Hell | ShotOnWhat?

Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski

Starring | Alison Lohman, Justin Long, Ruth Livier, Lorna Raver

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

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