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EFILM, Hollywood | 140 Titles

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Van Helsing (2004)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 131 Minutes

Directed by | Stephen Sommers | Cinematography by | Allen Daviau | Editing by | Bob Ducsay, Kelly Matsumoto, Jim May

Starring | Hugh Jackman, Kate Beckinsale, Richard Roxburgh, Shuler Hensley

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hemingway & Gellhorn (2012)

Television Movie | 2D | Color | 1.78:1 (16x9) | 155 Minutes

Directed by | Philip Kaufman | Cinematography by | Rogier Stoffers | Editing by | Walter Murch

Starring | Nicole Kidman, Clive Owen, David Strathairn, Rodrigo Santoro

Cameras | ARRI ALEXA Camera

Lenses | Fujinon Premier Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Pete’s Dragon (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Lowery | Cinematography by | Bojan Bazelli | Editing by | Lisa Zeno Churgin

Starring | Bryce Dallas Howard, Robert Redford, Oakes Fegley, Oona Laurence

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Cooke Anamorphic/i Prime Lenses

Finding Dory (2016)

Motion Picture | 3D | 4K Project | Color | 1.85:1 | 97 Minutes

Directed by | Andrew Stanton, Angus MacLane | Cinematography by | Jeremy Lasky | Editing by | Axel Geddes

Starring | Ellen DeGeneres, Albert Brooks, Ed O'Neill, Kaitlin Olson

Ice Age: Collision Course (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 94 Minutes

Directed by | Mike Thurmeier, Galen T. Chu | Cinematography by | Renato Falcão | Editing by | Erin Crackel, James Palumbo

Starring | Ray Romano, Denis Leary, John Leguizamo, Chris Wedge

The Secret Life of Pets (2016)

Motion Picture | 3D | Color | 1.85:1 | 87 Minutes

Directed by | Chris Renaud, Yarrow Cheney | Editing by | Ken Schretzmann

Starring | Louis C.K., Eric Stonestreet, Kevin Hart, Lake Bell

Star Trek Beyond (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Starring | Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldaña

Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Abduction (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | John Singleton | Cinematography by | Peter Menzies Jr. | Editing by | Bruce Cannon

Starring | Taylor Lautner, Lily Collins, Alfred Molina, Jake Andolina

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Straight Outta Compton (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 147 Minutes

Directed by | F. Gary Gray | Cinematography by | Matthew Libatique | Editing by | Billy Fox, Michael Tronick

Starring | O'Shea Jackson Jr., Corey Hawkins, Jason Mitchell, Neil Brown Jr.

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Creed (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 133 Minutes

Directed by | Ryan Coogler | Cinematography by | Maryse Alberti | Editing by | Claudia Castello, Michael P. Shawver

Starring | Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Phylicia Rashad

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

The Big Short (2015)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Adam McKay | Cinematography by | Barry Ackroyd | Editing by | Hank Corwin

Starring | Christian Bale, Steve Carell, Ryan Gosling, Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Sicario (2015)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 121 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Emily Blunt, Josh Brolin, Benicio Del Toro, Jon Bernthal

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses

Julie & Julia (2009)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 118 Minutes

Directed by | Nora Ephron | Cinematography by | Stephen Goldblatt | Editing by | Richard Marks

Starring | Amy Adams, Meryl Streep, Chris Messina, Stanley Tucci

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

If I Stay (2014)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | R.J. Cutler | Cinematography by | John de Borman | Editing by | Keith Henderson

Starring | Chloë Grace Moretz, Mireille Enos, Jamie Blackley, Joshua Leonard

Cameras | ARRI ALEXA Plus 4:3 Camera, Canon EOS-C500 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Hawk V-Lite Lenses

The Gambler (2014)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Rupert Wyatt | Cinematography by | Greig Fraser | Editing by | Pete Beaudreau

Starring | Mark Wahlberg, Jessica Lange, John Goodman, Brie Larson

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Maze Runner (2014)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | Wes Ball | Cinematography by | Enrique Chediak | Editing by | Dan Zimmerman

Starring | Dylan O'Brien, Kaya Scodelario, Will Poulter, Thomas Brodie-Sangster

Cameras | ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Selma (2014)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Ava DuVernay | Cinematography by | Bradford Young | Editing by | Spencer Averick

Starring | David Oyelowo, Carmen Ejogo, Tim Roth, Lorraine Toussaint

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses

The Hunger Games: Mockingjay – Part 2 (2015)

Motion Picture | 3D | Color | 2.39:1 | 137 Minutes

Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa

Starring | Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Fury (2014)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Jay Cassidy, Dody Dorn

Starring | Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Peña

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

The Hunger Games: Mockingjay – Part 1 (2014)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa

Starring | Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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