DuArt Film Laboratories Inc., New York | 58 Titles
My Architect (2003)
Capturing the Friedmans (2003)
Bowling for Columbine (2002)
Y Tu Mamá También (2001)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez
Cameras | ARRIFLEX 35 IIC Camera, Moviecam Compact Camera
Lenses | Zeiss Super Speed Lenses
LaLee’s Kin: The Legacy of Cotton (2001)
Directed by | Deborah Dickson, Susan Froemke, Albert Maysles | Cinematography by | Albert Maysles | Editing by | Deborah Dickson
Fargo (1996)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Standard Speed Prime Lenses
Léon: The Professional (1994)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux HR Zoom Lenses, Technovision Lenses
Molly’s Theory of Relativity (2013)
Directed by | Jeff Lipsky | Cinematography by | Jendra Jarnagin | Editing by | Patricfia Burgess, Patricia Burgess
Cameras | Red One MX Camera
Sin City: A Dame to Kill For (2014)
Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | ARRI ALEXA M Camera
Lenses | Fujinon Premier Lenses
RoboCop (1987)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano, Sol Negrin | Editing by | Frank J. Urioste
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
Outside Providence (1999)
Directed by | Michael Corrente | Cinematography by | Richard Crudo | Editing by | Kate Sanford
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
Men in Black (1997)
A Return to Salem’s Lot (1987)
Directed by | Larry Cohen | Cinematography by | Daniel Pearl | Editing by | Armond Lebowitz
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Rockaway (2007)
Directed by | Jeff Crook, Josh Crook | Cinematography by | John Ashmore | Editing by | Michael D. Thomson
Cameras | Kinor 235 Camera, Kinor 35H 9KSN Camera
The Natural (1984)
Directed by | Barry Levinson | Cinematography by | Caleb Deschanel | Editing by | Stu Linder, Christopher Holmes
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
A Bronx Tale (1993)
Directed by | Robert De Niro | Cinematography by | Reynaldo Villalobos | Editing by | Robert Q. Lovett, David Ray
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Little Children (2006)
The Evil Dead (1981)
Directed by | Sam Raimi | Cinematography by | Tim Philo | Editing by | Edna Ruth Paul
Cameras | ARRIFLEX 16BL Camera, ARRIFLEX 16S Camera
A Crime (2006)
Directed by | Manuel Pradal | Cinematography by | Giorgos Arvanitis | Editing by | Jennifer Augé
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Dead Poets Society (1989)
Directed by | Peter Weir | Cinematography by | John Seale | Editing by | William M. Anderson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
