DVD | 2011 Titles
Suspiria (1977)
Directed by | Dario Argento | Cinematography by | Luciano Tovoli | Editing by | Franco Fraticelli
Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
Lenses | Technovision Lenses
Road to Perdition (2002)
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Like Crazy (2011)
Directed by | Drake Doremus | Cinematography by | John Guleserian | Editing by | Jonathan Alberts
Cameras | Canon EOS-7D Camera
Lenses | Zeiss Ultra Prime Lenses
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Gong yuan 2000 AD (2000)
Directed by | Gordon Chan | Cinematography by | Arthur Wong | Editing by | Ki-Hop Chan
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses
To Rome with Love (2012)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Cooke 5/i Lenses, Cooke Speed Panchro Lenses
Come September (1961)
Directed by | Robert Mulligan | Cinematography by | William H. Daniels | Editing by | Russell F. Schoengarth
Lenses | Panavision Lenses
The Four Feathers (2002)
Virtuosity (1995)
Directed by | Brett Leonard | Cinematography by | Gale Tattersall | Editing by | Rob Kobrin, B.J. Sears
Cameras | ARRIFLEX 535 B Camera, Moviecam Compact Camera
The Cell (2000)
Directed by | Tarsem Singh | Cinematography by | Paul Laufer | Editing by | Robert Duffy, Paul Rubell
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera
The Birdcage (1996)
Directed by | Mike Nichols | Cinematography by | Emmanuel Lubezki | Editing by | Arthur Schmidt
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Secretariat (2010)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Friends with Benefits (2011)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony CineAlta F35 Camera, Sony Other Camera
Lenses | Panavision Primo Anamorphic Lenses
Anna and the King (1999)
Directed by | Andy Tennant | Cinematography by | Caleb Deschanel | Editing by | Roger Bondelli
Cameras | Panavision Cameras
Out of Africa (1985) 
Directed by | Sydney Pollack | Cinematography by | David Watkin | Editing by | Pembroke J. Herring, Sheldon Kahn, Fredric Steinkamp, William Steinkamp
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
21 Grams (2003)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Cameras | Moviecam Superlight Camera
Lenses | Zeiss Ultra Prime Lenses
Thank You for Smoking (2005)
Directed by | Jason Reitman | Cinematography by | Jim Whitaker | Editing by | Dana E. Glauberman
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony Betacam (Unknown) Camera, Sony DSC-T1 Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E40 40 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
Lars and the Real Girl (2007)
Directed by | Craig Gillespie | Cinematography by | Adam Kimmel | Editing by | Tatiana S. Riegel
Lenses | Cooke S4 Lenses
Meet the Parents (2000)
Directed by | Jay Roach | Cinematography by | Peter James | Editing by | Greg Hayden, Jon Poll
Cameras | Panavision Panaflex Platinum Camera
High Road to China (1983)
Directed by | Brian G. Hutton | Cinematography by | Ronnie Taylor | Editing by | John Jympson
Cameras | Technovision Cameras
