D-Cinema (DCP - Digital Cinema) | 1199 Titles
Everything Everywhere All at Once (2022) 
Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Paul Rogers
Cameras | ARRI ALEXA Mini Camera
Lenses | Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses
Tár (2022)
Directed by | Todd Field | Cinematography by | Florian Hoffmeister | Editing by | Monika Willi
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses
Empire of Light (2022)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith
Cameras | ARRI ALEXA LF Camera
Lenses | ARRI Signature Prime Lenses, Cooke S7/i Lenses
Close (2022)
Directed by | Lukas Dhont | Cinematography by | Frank van den Eeden | Editing by | Alain Dessauvage
Cameras | ARRI ALEXA Mini Camera
Lenses | Leitz Summilux-C Series Lenses
Rounded Corners (2019)
Directed by | Paul Check
Cameras | Panasonic VariCam 35
Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens
The Revenant (2015)
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera
Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Le militaire (2014)
Directed by | Noël Mitrani | Cinematography by | Bruno Philip | Editing by | Arthur Tarnowski
Cameras | Aaton XTR Prod Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens
The Grand Budapest Hotel (2014)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Barney Pilling
Cameras | ARRICAM Studio (ST) Camera
Lenses | Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
30 Minutes or Less (2011)
Pokémon Detective Pikachu (2019)
Directed by | Rob Letterman | Cinematography by | John Mathieson | Editing by | Mark Sanger, James Thomas
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Under the Silver Lake (2018)
Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio C. Perez IV
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses
Big Miracle (2012)
Directed by | Ken Kwapis | Cinematography by | John Bailey | Editing by | Cara Silverman
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Beautiful Creatures (2013)
Directed by | Richard LaGravenese | Cinematography by | Philippe Rousselot | Editing by | David Moritz
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Horrible Bosses (2011)
Directed by | Seth Gordon | Cinematography by | David Hennings | Editing by | Peter Teschner
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Spider-Man 2 (2004)
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Mission: Impossible – Ghost Protocol (2011)
Directed by | Brad Bird | Cinematography by | Robert Elswit | Editing by | Paul Hirsch
Cameras | ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Scattered (2020)
Directed by | Mike Donis | Cinematography by | Bruce William Harper | Editing by | Mike Donis
Cameras | Red Epic Camera
Pete Winning and the Pirates (2015)
Directed by | Mike Donis, Jason Leaver, Navin Ramaswaran | Cinematography by | Josh Ary, Mike Donis, Bruce William Harper, Jason Leaver, Henry Sansom | Editing by | Mike Donis
Mission: Impossible III (2006)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Nick Gibbs, Mary Jo Markey
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses
