Broadcast High Definition (HD) | 143 Titles
Vinyl (2016)
| Cinematography by | Reed Morano, David Franco, Rodrigo Prieto | Editing by | Tim Streeto, Kate Sanford, David Tedeschi, Perri B. Frank, Eric Lorenz
Cameras | Sony PMW-F55 Camera
In the Heat of the Night (1967) 
Filly Brown (2012)
Directed by | Youssef Delara, Michael D. Olmos | Cinematography by | Ben Kufrin | Editing by | Eric R. Brodeur, Youssef Delara
Cameras | Red One MX Camera
Lenses | Zeiss Lenses
Why Can’t We Be a Family Again? (2002)
Directed by | Murray Nossel, Roger Weisberg | Cinematography by | Ed Marritz | Editing by | Lisa Shreve
Sarah Landon and the Paranormal Hour (2007)
Directed by | Lisa Comrie | Cinematography by | Andrew Kuepper | Editing by | Andrew Cohen
Cameras | Panasonic AG-HVX200 Camera
Kelly & Cal (2014)
Directed by | Jen McGowan | Cinematography by | Philip Lott | Editing by | David Hopper
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Hawk V-Series Lenses
Chasing Ice (2012)
The Apostate: Call of the Revenant (2015)
Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd
Cameras | Panasonic Lumix DMC-GH2 Camera
Survivors (2008)
| Cinematography by | Alan Almond, Graham Frake, Nigel Willoughby, Fabian Wagner, Tony Miller, Adam Suschitzky | Editing by | David Rees, David Barrett, Steve Singleton, Tim Marchant, Beverley Mills, Roy Sharman
Cameras | ARRIFLEX Camera, ARRIFLEX D-21 Camera
Lenses | ARRI Lenses
Fargo (2014)
| Cinematography by | Dana Gonzales, Craig Wrobleski, Matthew J. Lloyd | Editing by | Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir
Cameras | ARRI ALEXA Plus Camera
Four Assassins (2011)
Directed by | Stanley J. Orzel | Cinematography by | Wah-Chuen Lam | Editing by | Darren Richter
Cameras | Red One Camera
American Blackout (2013)
Directed by | Jonathan Rudd | Cinematography by | Dave Miller | Editing by | Paul Evans, Jonathan Rudd
Cameras | Canon XA10 Camera, GoPro HD Hero2 Camera
Frankie in Blunderland (2011)
Directed by | Caleb Emerson | Cinematography by | Caleb Emerson | Editing by | Caleb Emerson
Cameras | Canon Cameras, Panasonic Cameras
The Blacklist (2013)
| Cinematography by | Michael Caracciolo, Eric Moynier, Saade Mustafa, Frank Prinzi, Arthur Albert, Yasu Tanida, Peter Reniers | Editing by | Chris Brookshire, David Post, Emily Greene, Nathan Gunn, Orlando Machado Jr., Harvey Rosenstock, Amy M. Fleming, Kevin Hale, Jason Hellmann, Rhett Finch, Eric L. Beason
Cameras | Sony PMW-F55 Camera
Mission to Lars (2012)
Directed by | James Moore, William Spicer | Editing by | Mags Arnold, Tom Herington, Ben Luria, James Moore
Cameras | Sony PMW-EX3 Camera
Don’t Speak at Funerals (2012)
Directed by | Montserrat Gomez | Cinematography by | Salman Sajun | Editing by | Trevor Lareau, Zakim Nuraney
Cameras | Sony PMW-F3 Camera
Lenses | Zeiss DigiPrime Lenses
The Following (2013)
| Cinematography by | David S. Tuttman, William Klayer, Ramsey Nickell | Editing by | Charissa Sanjarernsuithikul, Dexter N. Adriano, Rob Seidenglanz, Matthew Colonna, Todd Desrosiers, Devon Greene, Rosanne Tan, Peter B. Ellis, Mark Manos, Viet Nguyen, Joshua Butler, Tim Tommasino
Lenses | Canon CN-E 30-300 mm T2.95 Lens
The Color of Magic (2008)
| Cinematography by | Gavin Finney | Editing by | Joe McNally, Liz Webber
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
The Woman (2013)
| Cinematography by | Ryan Atkins | Editing by | Ryan Atkins
Cameras | Canon Cameras, Canon EOS-7D Camera
Lenses | Canon Lenses
Community (2009)
| Cinematography by | Gary Hatfield, James Hawkinson, Buzz Feitshans IV, Jon Tucker, Michael A. Price | Editing by | Peter B. Ellis, Ruthie Aslan, Steven Sprung, Christian Kinnard, Jeff Hall, John Peter Bernardo, Jeff Groth, Lisa Lassek, Joel Goodman, Spencer Houck, William Marrinson, Jim Towne, Garret Elkins, Larry Bock, Jeffrey M. Werner, Luke Guidici
Cameras | ARRIFLEX D-21 Camera
