Broadcast High Definition (HD) | 143 Titles
Sons of Anarchy (2008)
| Cinematography by | Paul Maibaum, David Boyd, John C. Flinn III, Jonathan Freeman, Edward J. Pei | Editing by | Paul Fontaine, Lauren Pendergrass, Etienne Des Lauriers, Hunter M. Via, Jordan Goldman, Jacques Gravett, Doc Crotzer, Tamara Luciano, Sidney Wolinsky
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Better Call Saul (2015)
| Cinematography by | Arthur Albert, Marshall Adams | Editing by | Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Cameras | Panasonic Lumix DMC-GH4 Camera, Panasonic VariCam 35, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony α7R II Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
This Is Us (2016)
| Cinematography by | Yasu Tanida, Brett Pawlak | Editing by | Bjørn T. Myrholt, Julia Grove, Howard Leder, Brandi Bradburn, Susan Vaill, Nicholas Rucka, David L. Bertman
Silicon Valley (2014)
| Cinematography by | Tim Suhrstedt, Jim Denault | Editing by | Tim Roche, Brian Merken, Al LeVine, Paul Zucker, Brian Bautista
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
House of Cards (2013)
| Cinematography by | David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives | Editing by | Lisa Bromwell, Byron Smith, Cindy Mollo, Sidney Wolinsky, Michelle Tesoro, Yuka Shirasuna, Kirk Baxter, Michael Ruscio, Katherine Skjerping, Josh Beal, Grant Surmi, Kyle Traynor
Lenses | Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses
The Wire (2002)
| Cinematography by | Uta Briesewitz, Russell Lee Fine, Dave Insley, Eagle Egilsson | Editing by | Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Lenses
The Librarians (2014)
| Cinematography by | David Connell | Editing by | Ron Stanik, Tom McQuade, Brian Gonosey, Sonny Baskin, Chris A. Peterson, Eric L. Beason
Cameras | Red Epic Dragon Camera, Red One MX Camera
Chelsea Lately (2007)
| Cinematography by | Lee Rose | Editing by | Philip D. Favre, Ignacio Pinerua, Michelle Gevoian, Jason Gill, Kurt Heydle, Jason Wood, Josh Belson, Xiao Niu, Dave Wilson, Sean Hubbert, Karl Kimbrough, Gasper Chiaramonte, Phil Favre, Don Misraje
Lenses | Fujinon Lenses
The Good Wife (2009)
| Cinematography by | Fred Murphy, Tim Guinness, M. David Mullen | Editing by | Scott Vickrey, David Dworetzky, Matthew Kregor, David C. Cook, Katherine Skjerping, Jacque Elaine Toberen, Hibah Schweitzer, Paul Karasick, Jake Cohen, Dody Dorn, Robb Sullivan
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
CSI: Miami (2002)
| Cinematography by | Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr. | Editing by | Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel
Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera
Lenses | Panavision Lenses
Royal Pains (2009)
| Cinematography by | Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary | Editing by | Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Lenses
Treasures of the Copper Scroll (2007)
Directed by | Jim Long | Cinematography by | Yossi Cohen, Carol M. Long, Jim Long | Editing by | Jim Long
Cameras | Sony Cameras, Sony HDW-F900 Camera
Lenses | Fujinon Lenses, Sony Lenses
Revelator (2017)
Directed by | J. Van Auken | Cinematography by | Dan Clarke | Editing by | J. Van Auken
Cameras | Blackmagic URSA Camera
Una Famiglia (2017)
Directed by | Sebastiano Riso | Cinematography by | Piero Basso | Editing by | Ilaria Fraioli
Cameras | ARRI ALEXA Plus Camera
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens
Capsule (2015)
Directed by | Andrew Martin | Cinematography by | Felix Forrest | Editing by | Jan Hillman
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens, Cooke miniS4/i Lenses, Red Pro Zoom 17-50 mm T2.9 Lens, Red Pro Zoom Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Tokina Lenses
Two and a Half Men (2003)
| Cinematography by | Steven V. Silver, Mark Davison, Tony Askins | Editing by | Joe Bella, Peter Chakos
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Lenses
House of Lies (2012)
| Cinematography by | Peter Levy, Loren S. Yaconelli | Editing by | Tod Feuerman, Tirsa Hackshaw, Justin Bourret, Jonathan Schwartz, Myron Kerstein, John Axness, Aimee Durrant, John Smith, Pietro Cecchini
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Father and the Bear (2016)
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Lenses | Zeiss Lenses, Zeiss ZE Prime Lenses
Route 30 Three! (2014)
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Cameras | Sony PMW-F3 Camera
The Time That Remains (2016)
Directed by | B.T. Crue | Cinematography by | David J. Schweitzer | Editing by | Sean Pollaro
Cameras | Aaton XTR Prod Camera
Lenses | Canon EC Series Lenses
