Blu-ray | 1349 Titles
Atonement (2007)
Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Paul Tothill
Lenses | Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Made in New Mexico (2012)
Directed by | Brent Morris, David J. Schweitzer | Cinematography by | David J. Schweitzer | Editing by | David Aubrey, Brent Morris
Cameras | Red Digital Cinema Cameras, Sony PMW-EX3 Camera
Lenses | Cooke S4 Lenses
Harry Brown (2009)
Directed by | Daniel Barber | Cinematography by | Martin Ruhe | Editing by | Joe Walker
Cameras | Sony CineAlta F35 Camera
Predators (2010)
Directed by | Nimród Antal | Cinematography by | Gyula Pados | Editing by | Dan Zimmerman
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Grand Canyon (1991)
Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Carol Littleton
Cameras | Panavision Panaflex Gold Camera
Daylight (1996)
Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
Fantastic Mr. Fox (2009)
Directed by | Wes Anderson | Cinematography by | Tristan Oliver | Editing by | Ralph Foster, Stephen Perkins, Andrew Weisblum
Cameras | Nikon D3 Camera
Lenses | Cooke Varotal Lenses
Jiro Dreams of Sushi (2011)
Directed by | David Gelb | Cinematography by | David Gelb | Editing by | Brandon Driscoll-Luttringer
Cameras | Canon EOS-7D Camera, Red One Camera
About a Boy (2002)
Directed by | Chris Weitz, Paul Weitz | Cinematography by | Remi Adefarasin | Editing by | Nick Moore
Cameras | ARRIFLEX 35mm Cameras
Lenses | ARRI Lenses
State of Play (2009)
Directed by | Kevin Macdonald | Cinematography by | Rodrigo Prieto | Editing by | Justine Wright
Cameras | Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Sex and the City 2 (2010)
Directed by | Michael Patrick King | Cinematography by | John Thomas | Editing by | Michael Berenbaum
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Charlie’s Angels: Full Throttle (2003)
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Wayne Wahrman
Lenses | Panavision Primo Anamorphic Lenses
Desire Street (2011)
Directed by | Roberto F. Canuto, Xiaoxi Xu | Cinematography by | Roberto F. Canuto, Xiaoxi Xu | Editing by | Roberto F. Canuto, Xiaoxi Xu
Cameras | ARRIFLEX 16mm Cameras
Chicago (2002) 
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Martin Walsh
Lenses | Cooke S4 Lenses
March of the Penguins (2005)
Directed by | Luc Jacquet | Cinematography by | Laurent Chalet, Jérôme Maison | Editing by | Sabine Emiliani
Cameras | Aaton XTR Prod Camera
Marley & Me (2008)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Zeiss Ultra Prime Lenses
Changeling (2008)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Galaxy Quest (1999)
Directed by | Dean Parisot | Cinematography by | Jerzy Zielinski | Editing by | Don Zimmerman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Antichrist (2009)
Directed by | Lars von Trier | Cinematography by | Anthony Dod Mantle | Editing by | Åsa Mossberg, Anders Refn
Cameras | Phantom HD Camera, Red One Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Unknown (2011)
Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Timothy Alverson
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera
