2.39:1 | 1565 Titles
xXx (2002)
Directed by | Rob Cohen | Cinematography by | Dean Semler | Editing by | Chris Lebenzon, Joel Negron, Paul Rubell
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses
A Summer in Genoa (2008)
Directed by | Michael Winterbottom | Cinematography by | Marcel Zyskind | Editing by | Paul Monaghan, Michael Winterbottom
Cameras | Sony HDW-750 Camera, Sony HVR-V1(P/E) Camera
A League of Their Own (1992)
Directed by | Penny Marshall | Cinematography by | Miroslav Ondrícek | Editing by | Adam Bernardi, George Bowers
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Swordfish (2001)
The Island (2005)
Directed by | Michael Bay | Cinematography by | Mauro Fiore | Editing by | Paul Rubell, Christian Wagner
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
101 Dalmatians (1996)
Directed by | Stephen Herek | Cinematography by | Adrian Biddle | Editing by | Trudy Ship
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Logan’s Run (1976)
Directed by | Michael Anderson | Cinematography by | Ernest Laszlo | Editing by | Bob Wyman
Cameras | ARRIFLEX Camera, Mitchell Cameras
Double Team (1997)
Directed by | Hark Tsui | Cinematography by | Peter Pau | Editing by | Bill Pankow
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses
In the Bedroom (2001)
The Last Emperor (1987) 
Directed by | Bernardo Bertolucci | Cinematography by | Vittorio Storaro | Editing by | Gabriella Cristiani
Cameras | ARRIFLEX 35 BL Camera
Lenses | Technovision Lenses
Enter the Void (2009)
Directed by | Gaspar Noé | Cinematography by | Benoît Debie | Editing by | Marc Boucrot, Gaspar Noé, Jérôme Pesnel
Frost/Nixon (2008)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill, Robert Komatsu
Lenses | Cooke S4 Lenses, Cooke Varotal Lenses
The Town (2010)
Directed by | Ben Affleck | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
A Lonely Place for Dying (2009)
Directed by | Justin Eugene Evans | Cinematography by | Nick Bongianni, Justin Eugene Evans | Editing by | Brad Stoddard
Cameras | Red One Camera
Lenses | Red Digital Cinema Lenses
The Iron Lady (2011)
Directed by | Phyllida Lloyd | Cinematography by | Elliot Davis | Editing by | Justine Wright
Lenses | Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses
Swinging with the Finkels (2011)
Directed by | Jonathan Newman | Cinematography by | Dirk Nel | Editing by | Eddie Hamilton
Cameras | Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Zoom Lenses
Snow Falling on Cedars (1999)
Directed by | Scott Hicks | Cinematography by | Robert Richardson | Editing by | Hank Corwin
Cameras | Panavision Panaflex Platinum Camera
An American Crime (2007)
Directed by | Tommy O'Haver | Cinematography by | Byron Shah | Editing by | Melissa Kent
Cameras | Moviecam Compact Camera
Lenses | Hawk C-Series Lenses
A Single Man (2009)
Directed by | Tom Ford | Cinematography by | Eduard Grau | Editing by | Joan Sobel
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Anamorphic Lenses
Shakespeare in Love (1998)
Directed by | John Madden | Cinematography by | Richard Greatrex | Editing by | David Gamble
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Variable Prime Lenses
