Distributed Aspect Ratio » 1.85:1

1.85:1 | 1571 Titles

1.85:1 3.23/5 13 Votes

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Spider-Man (2002)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 121 Minutes

Directed by | Sam Raimi | Cinematography by | Don Burgess | Editing by | Arthur Coburn, Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Willem Dafoe, James Franco

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Dead (1987)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Directed by | John Huston | Cinematography by | Fred Murphy | Editing by | Roberto Silvi

Starring | Anjelica Huston, Donal McCann, Helena Carroll

Cameras | Moviecam SuperAmerica Camera

Lenses | Zeiss Lenses

St. Trinian’s (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 97 Minutes

Directed by | Oliver Parker, Barnaby Thompson | Cinematography by | Gavin Finney | Editing by | Alex Mackie

Starring | Talulah Riley, Rupert Everett, Gemma Arterton

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Ghost (1990)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Jerry Zucker | Cinematography by | Adam Greenberg | Editing by | Walter Murch

Starring | Patrick Swayze, Demi Moore, Whoopi Goldberg

Cameras | ARRI ARRIFLEX Series Cameras

Manila in the Claws of Light (1975)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 125 Minutes

Directed by | Lino Brocka | Cinematography by | Mike De Leon, Clodualdo Del Mundo Jr. | Editing by | Ike Jarlego Jr., Edgardo Jarlego

Starring | Hilda Koronel, Bembol Roco, Lou Salvador Jr.

Cameras | ARRIFLEX 35 IIB Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, ARRI Lenses

Scattered (2020)

Short Film | 2D | 4K Project | Color | 1.85:1 | 11 Minutes

Directed by | Mike Donis | Cinematography by | Bruce William Harper | Editing by | Mike Donis

Starring | Laura Tremblay, Mike Donis, Lori-Ann Clancy

Cameras | Red Epic Camera

An Officer and a Spy (2019)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze

Starring | Louis Garrel, Christophe Maratier, Pierre Poirot, Stéfan Godin

Cameras | Sony CineAlta VENICE Camera

Lenses | Cooke S7/i 21mm T2.0 Lens, Cooke S7/i Lenses

Sick of Myself (2022)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 97 Minutes

Directed by | Kristoffer Borgli | Cinematography by | Benjamin Loeb | Editing by | Kristoffer Borgli

Starring | Kristine Kujath Thorp, Eirik Sæther, Fanny Vaager

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Lenses, Angenieux Optimo Zoom Lenses, Cooke Lenses

Phantom Thread (2017)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 130 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Paul Thomas Anderson | Editing by | Dylan Tichenor

Starring | Vicky Krieps, Daniel Day-Lewis, Lesley Manville

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

Columbus (2017)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Kogonada | Cinematography by | Elisha Christian | Editing by | Kogonada

Starring | John Cho, Haley Lu Richardson, Parker Posey

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4 Lenses

The Texas Chainsaw Massacre (2003)

Motion Picture | 2D | Film Project | Black & White, Color | 1.85:1 | 98 Minutes

Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Glen Scantlebury

Starring | Jessica Biel, Jonathan Tucker, Andrew Bryniarski, Erica Leerhsen

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Dark Angels (1998)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 90 Minutes

Directed by | David Wadley | Cinematography by | Edwin Myers | Editing by | Kevin Lindstrom

Starring | Louis Murray, Je Nie Fleming, L. Sidney

Drive My Car (2021)

Motion Picture | 2D | Color | 1.85:1 | 179 Minutes

Directed by | Ryûsuke Hamaguchi | Cinematography by | Hidetoshi Shinomiya | Editing by | Azusa Yamazaki

Starring | Hidetoshi Nishijima, Tôko Miura, Reika Kirishima

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Lenses

Fallen Angels (1995)

Motion Picture | 2D | Black & White, Color | 1.78:1 (16x9), 1.85:1, 2.39:1 | 99 Minutes

Directed by | Kar-Wai Wong | Cinematography by | Christopher Doyle | Editing by | William Chang, Ming Lam Wong

Starring | Leon Lai, Michelle Reis, Takeshi Kaneshiro

Cameras | ARRI Cameras

Lenses | Kinoptik Lenses

Home Alone (1990)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell

Starring | Macaulay Culkin, Joe Pesci, Daniel Stern, John Heard

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses | Cooke Speed Panchro Lenses, Zeiss Lenses

Warlock (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 103 Minutes

Directed by | Steve Miner | Cinematography by | David Eggby | Editing by | David Finfer

Starring | Julian Sands, Lori Singer, Richard E. Grant, Mary Woronov

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

Another Earth (2011)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 92 Minutes

Directed by | Mike Cahill | Cinematography by | Mike Cahill | Editing by | Mike Cahill

Starring | Brit Marling, William Mapother, Matthew-Lee Erlbach, DJ Flava

Cameras | Sony PMW-EX3 Camera

The Book of Henry (2017)

Motion Picture | 2D | Film Project | Color | 1.85:1, 2.0:1 | 105 Minutes

Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt

Starring | Naomi Watts, Jaeden Martell, Jacob Tremblay, Sarah Silverman

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Lenses

Friends and Strangers (2021)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 82 Minutes

Directed by | James Vaughan | Cinematography by | Dimitri Zaunders | Editing by | James Vaughan

Starring | Amelia Conway, Emma Diaz, David Gannon

Cameras | ARRI ALEXA Camera

Lenses | Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens

The Beach House (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 88 Minutes

Directed by | Jeffrey A. Brown | Cinematography by | Owen Levelle | Editing by | Aaron Crozier

Starring | Liana Liberato, Noah Le Gros, Jake Weber, Maryann Nagel

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

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