1.85:1 | 1571 Titles
Something’s Gotta Give (2003)
Directed by | Nancy Meyers | Cinematography by | Michael Ballhaus | Editing by | Joe Hutshing
Cameras | ARRICAM Studio (ST) Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Kauas pilvet karkaavat (1996)
Directed by | Aki Kaurismäki | Cinematography by | Timo Salminen | Editing by | Aki Kaurismäki
Cameras | ARRIFLEX 35 BL2 Camera
Atonement (2007)
Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Paul Tothill
Lenses | Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Barbershop (2002)
Sonatine (1993)
Directed by | Takeshi Kitano | Cinematography by | Katsumi Yanagijima | Editing by | Takeshi Kitano
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera
The Paradigm Shift (2008)
Directed by | Jon Barr | Cinematography by | Billy Bob Thompson | Editing by | Pete Kruvczuk
Cameras | Aaton A-Minima Camera, Aaton XTR Camera
Life Is Beautiful (1997)
Directed by | Roberto Benigni | Cinematography by | Tonino Delli Colli | Editing by | Simona Paggi
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Goodfellas (1990)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | James Y. Kwei, Thelma Schoonmaker
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Lenses
Extreme Justice (1993)
Directed by | Mark L. Lester | Cinematography by | Mark Irwin | Editing by | Donn Aron
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Daylight (1996)
Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
Man to Man (2005)
Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Yann Malcor
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Fantastic Mr. Fox (2009)
Directed by | Wes Anderson | Cinematography by | Tristan Oliver | Editing by | Ralph Foster, Stephen Perkins, Andrew Weisblum
Cameras | Nikon D3 Camera
Lenses | Cooke Varotal Lenses
Spin (2003)
Directed by | James Redford | Cinematography by | Paul Ryan | Editing by | Nick Smith
Cameras | Panavision Cameras
Take the Trash (2008)
Directed by | Rasmus Heide | Cinematography by | Eric Kress, Jan Pallesen | Editing by | Martin Wehding
Cameras | Panasonic AJ-HDC27 Camera
Sex and the City 2 (2010)
Directed by | Michael Patrick King | Cinematography by | John Thomas | Editing by | Michael Berenbaum
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Perks of Being a Wallflower (2012)
Chicago (2002)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Martin Walsh
Lenses | Cooke S4 Lenses
Kids (1995)
Directed by | Larry Clark | Cinematography by | Eric Alan Edwards | Editing by | Christopher Tellefsen
Cameras | Moviecam SuperAmerica Camera
March of the Penguins (2005)
Directed by | Luc Jacquet | Cinematography by | Laurent Chalet, Jérôme Maison | Editing by | Sabine Emiliani
Cameras | Aaton XTR Prod Camera
Galaxy Quest (1999)
Directed by | Dean Parisot | Cinematography by | Jerzy Zielinski | Editing by | Don Zimmerman
Cameras | Panavision Cameras
Lenses | Panavision Lenses