1.85:1 | 1571 Titles
The Rules of Attraction (2002)
Directed by | Roger Avary | Cinematography by | Robert Brinkmann | Editing by | Sharon Rutter
Cameras | ARRIFLEX 535 Camera
Valkyrie (2008)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottman
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Land of the Lost (2009)
Directed by | Brad Silberling | Cinematography by | Dion Beebe | Editing by | Peter Teschner
Cameras | Panavision Cameras
Junebug (2005)
Directed by | Phil Morrison | Cinematography by | Peter Donahue | Editing by | Joe Klotz
Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Super Speed Lenses
The Baader Meinhof Complex (2008)
Caroline and Jackie (2012)
Directed by | Adam Christian Clark | Cinematography by | Christian Swegal | Editing by | Adam Christian Clark, Lisa Hendricks
Cameras | Red One MX Camera
Angela’s Ashes (1999)
Directed by | Alan Parker | Cinematography by | Chris Connier, Michael Seresin | Editing by | Gerry Hambling
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
Baby Mama (2008)
Directed by | Michael McCullers | Cinematography by | Daryn Okada | Editing by | Bruce Green, Debra Neil-Fisher
Cameras | Panavision Cameras
A Prophet (2009)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera
Consenting Adults (1992)
Directed by | Alan J. Pakula | Cinematography by | Stephen Goldblatt | Editing by | Sam O'Steen
Cameras | Panavision Panaflex Platinum Camera
Alvin and the Chipmunks: Chipwrecked (2011)
Maria Full of Grace (2004)
Directed by | Joshua Marston | Cinematography by | Jim Denault | Editing by | Anne McCabe, Lee Percy
Lenses | Cooke S4 Lenses
Frozen River (2008)
Directed by | Courtney Hunt | Cinematography by | Reed Morano | Editing by | Kate Williams
Cameras | Panasonic AJ-HDC27 Varicam Camera
Lenses | Zeiss DigiPrime Lenses
Apollo 18 (2011)
Directed by | Gonzalo López-Gallego | Cinematography by | José David Montero | Editing by | Patrick Lussier
Cameras | ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses | Panavision Primo Digital Lenses
Final Approach (2005)
Directed by | James Becket | Cinematography by | Denis Maloney | Editing by | Langdon Page
Cameras | ARRIFLEX Camera
All or Nothing (2002)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Lesley Walker
Lenses | Angenieux Lenses, Zeiss Lenses
Apocalypto (2006)
Directed by | Mel Gibson | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera
Vera Drake (2004)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jim Clark
Cameras | Aaton XTR Prod Camera
Lenses | Cooke S4 Lenses
Red State (2011)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Kevin Smith
Cameras | Canon EOS-7D Camera, Red One MX Camera
Spy Kids 2: Island of Lost Dreams (2002)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDW-F900 Camera