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Cleopatra (1963)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 192 Minutes

Directed by | Joseph L. Mankiewicz | Cinematography by | Leon Shamroy, Jack Hildyard | Editing by | Dorothy Spencer, Elmo Williams

Starring | Elizabeth Taylor, Richard Burton, Rex Harrison, Pamela Brown

Cameras | Todd-AO 65mm Camera

Lenses | Todd-AO Lenses

Doctor Zhivago (1965)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 197 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage

Starring | Omar Sharif, Julie Christie, Geraldine Chaplin, Rod Steiger

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Overboard (2018)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Rob Greenberg | Cinematography by | Michael Barrett | Editing by | Lee Haxall

Starring | Eugenio Derbez, Anna Faris, Eva Longoria

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses

Outlaw King (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | David Mackenzie | Cinematography by | Barry Ackroyd | Editing by | Jake Roberts

Starring | Chris Pine, Stephen Dillane, Rebecca Robin

Cameras | Panavision Millennium DXL Camera, Red Weapon Dragon Camera

Lenses | Angenieux Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

The Story of Yuvraj and Shahajahan (2024)

Short Film | 2D | 2K Project | Color | 1.78:1 (16x9) | 25 Minutes

Directed by | Santosh Ram | Cinematography by | Arjun Balakrishnan | Editing by | Yogesh Bhagwat

Starring | Vinay Bhagat, Lakshmi Balaji Biradar, Laxman Biradar

Cameras | Blackmagic URSA Mini Pro 4.6K G2 Camera

Lenses | Samyang Lenses

Slender Man (2018)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 93 Minutes

Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York

Starring | Joey King, Julia Goldani Telles, Jaz Sinclair

Cameras | Sony PMW-F55 Camera, Sony α7S II Camera

Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses

Suspiria (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 152 Minutes

Directed by | Luca Guadagnino | Cinematography by | Sayombhu Mukdeeprom | Editing by | Walter Fasano

Starring | Chloë Grace Moretz, Tilda Swinton, Doris Hick

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

The Quiet Man (1952)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 129 Minutes

Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray

Starring | John Wayne, Maureen O'Hara, Barry Fitzgerald, Ward Bond

Cameras | Mitchell Cameras

Ocean’s Eight (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Gary Ross | Cinematography by | Eigil Bryld | Editing by | Juliette Welfling

Starring | Sandra Bullock, Cate Blanchett, Anne Hathaway

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

The Graduate (1967)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 106 Minutes

Directed by | Mike Nichols | Cinematography by | Robert Surtees | Editing by | Sam O'Steen

Starring | Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels

Cameras | ARRIFLEX 35 IIC Camera, Panavision Silent Reflex PSR Camera

Lenses | Angenieux Lenses, Panavision B Series Anamorphic Lenses

Midsommar (2019)

Motion Picture | 2D | 4K Project | Color | 2.0:1 | 147 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston

Starring | Florence Pugh, Jack Reynor, Vilhelm Blomgren, William Jackson Harper

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision Primo Artiste Lenses

The Sun Is Also a Star (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Ry Russo-Young | Cinematography by | Autumn Durald Arkapaw | Editing by | Joe Landauer

Starring | Yara Shahidi, Anais Lee, Charles Melton

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Extremely Wicked, Shockingly Evil and Vile (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Joe Berlinger | Cinematography by | Brandon Trost | Editing by | Josh Schaeffer

Starring | Lily Collins, Zac Efron, Angela Sarafyan

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision C Series Anamorphic Lenses

Hustlers (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Lorene Scafaria | Cinematography by | Todd Banhazl | Editing by | Kayla Emter

Starring | Constance Wu, Jennifer Lopez, Julia Stiles

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Panaspeed Series Lenses

Us (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Jordan Peele | Cinematography by | Mike Gioulakis | Editing by | Nicholas Monsour

Starring | Lupita Nyong'o, Winston Duke, Elisabeth Moss

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

As the Dust Settles: A Participatory Documentary Shot at Burning Man (2013)

Documentary | 2D | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | Jamie Dee, Roger Ingraham, Jeremy Lubman, Katheryn Mcgaffigan, Tarynn Wiehahn | Cinematography by | Clayton H. Haskell, Stephen Martel Lucas | Editing by | Mike Hedge

Starring | Jamie Dee, Roger Ingraham, Jeremy Lubman

Cameras | Red Digital Cinema Cameras

The Black Swan (1942)

Motion Picture | 2D | Film Project | Black & White, Color | 1.37:1 | 87 Minutes

Directed by | Henry King | Cinematography by | Leon Shamroy | Editing by | Barbara McLean

Starring | Tyrone Power, Maureen O'Hara, Laird Cregar

Cameras | Technicolor Cameras

Giant (1956)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 201 Minutes

Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck, Robert Lawrence

Starring | Elizabeth Taylor, Rock Hudson, James Dean, Carroll Baker

Cameras | Mitchell BNC Camera

Wonder Woman (2017)

Motion Picture | 3D | 2K Project | Color | 2.20:1, 2.39:1 | 141 Minutes

Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Martin Walsh

Starring | Gal Gadot, Chris Pine, Robin Wright

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | ARRI Rental Prime 65 Lenses

Upgrade (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Leigh Whannell | Cinematography by | Stefan Duscio | Editing by | Andy Canny

Starring | Logan Marshall-Green, Melanie Vallejo, Steve Danielsen

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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