Color | 3927 Titles
Lock, Stock and Two Smoking Barrels (1998)
Directed by | Guy Ritchie | Cinematography by | Tim Maurice-Jones | Editing by | Niven Howie
Cameras | ARRIFLEX 16SR2 Camera, Photo-Sonics Cameras
The Tempest (2010)
Directed by | Julie Taymor | Cinematography by | Stuart Dryburgh | Editing by | Françoise Bonnot
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Suspiria (1977)
Directed by | Dario Argento | Cinematography by | Luciano Tovoli | Editing by | Franco Fraticelli
Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
Lenses | Technovision Lenses
Road to Perdition (2002)
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Gong yuan 2000 AD (2000)
Directed by | Gordon Chan | Cinematography by | Arthur Wong | Editing by | Ki-Hop Chan
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Erin Brockovich (2000)
Directed by | Steven Soderbergh | Cinematography by | Edward Lachman | Editing by | Anne V. Coates
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
Io sono l’amore (2009)
Directed by | Luca Guadagnino | Cinematography by | Yorick Le Saux | Editing by | Walter Fasano
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
$lowdown (2011)
Directed by | Saman Yaghmai-Aledavoud | Cinematography by | Saman Yaghmai-Aledavoud | Editing by | Gene Ivery
Cameras | ARRIFLEX 16SR3 Advanced Camera
Lenses | Zeiss Super Speed Lenses
Newlyweds (2011)
Directed by | Edward Burns | Cinematography by | William Rexer | Editing by | Janet Gaynor
Cameras | Canon EOS-5D Mark II Camera
The Black Balloon (2008)
Directed by | Elissa Down | Cinematography by | Denson Baker | Editing by | Veronika Jenet
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Come September (1961)
Directed by | Robert Mulligan | Cinematography by | William H. Daniels | Editing by | Russell F. Schoengarth
Lenses | Panavision Lenses
Wickie auf großer Fahrt (2011)
Directed by | Christian Ditter | Cinematography by | Christian Rein | Editing by | Ueli Christen
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
South Pacific (1958)
Directed by | Joshua Logan | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson
Cameras | Todd-AO 65mm Camera
The Cell (2000)
Directed by | Tarsem Singh | Cinematography by | Paul Laufer | Editing by | Robert Duffy, Paul Rubell
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera
Jagten (2012)
Directed by | Thomas Vinterberg | Cinematography by | Charlotte Bruus Christensen | Editing by | Janus Billeskov Jansen, Anne Østerud
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Cooke Speed Panchro Lenses, Fujinon Alura Zoom 45-250 mm T2.8 Lens
The Grifters (1990)
Directed by | Stephen Frears | Cinematography by | Oliver Stapleton | Editing by | Mick Audsley
Cameras | Panavision Cameras
Best in Show (2000)
Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton
Cameras | Aaton Cameras
Children of Nagasaki (1983)
Directed by | Keisuke Kinoshita | Cinematography by | Kôzô Okazaki
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Birdcage (1996)
Directed by | Mike Nichols | Cinematography by | Emmanuel Lubezki | Editing by | Arthur Schmidt
Cameras | Panavision Cameras
Lenses | Panavision Lenses
