Color | 3927 Titles
Friends with Benefits (2011)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony CineAlta F35 Camera, Sony Other Camera
Lenses | Panavision Primo Anamorphic Lenses
Anna and the King (1999)
Directed by | Andy Tennant | Cinematography by | Caleb Deschanel | Editing by | Roger Bondelli
Cameras | Panavision Cameras
Out of Africa (1985) 
Directed by | Sydney Pollack | Cinematography by | David Watkin | Editing by | Pembroke J. Herring, Sheldon Kahn, Fredric Steinkamp, William Steinkamp
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
In the Loop (2009)
Directed by | Armando Iannucci | Cinematography by | Jamie Cairney | Editing by | Anthony Boys, Billy Sneddon
Cameras | Sony HDW-F900 Camera
Lenses | Zeiss DigiPrime Lenses
Butch Cassidy and the Sundance Kid (1969)
Directed by | George Roy Hill | Cinematography by | Conrad L. Hall | Editing by | John C. Howard, Richard C. Meyer
Cameras | Panavision Silent Reflex PSR Camera
21 Grams (2003)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Cameras | Moviecam Superlight Camera
Lenses | Zeiss Ultra Prime Lenses
Lars and the Real Girl (2007)
Directed by | Craig Gillespie | Cinematography by | Adam Kimmel | Editing by | Tatiana S. Riegel
Lenses | Cooke S4 Lenses
Meet the Parents (2000)
Directed by | Jay Roach | Cinematography by | Peter James | Editing by | Greg Hayden, Jon Poll
Cameras | Panavision Panaflex Platinum Camera
High Road to China (1983)
Directed by | Brian G. Hutton | Cinematography by | Ronnie Taylor | Editing by | John Jympson
Cameras | Technovision Cameras
Con Air (1997)
Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
River of No Return (1954)
Directed by | Otto Preminger, Jean Negulesco | Cinematography by | Joseph LaShelle | Editing by | Louis R. Loeffler
Lenses | Bausch & Lomb Lenses
Midnight in Paris (2011)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses
Bucharestless (2011)
Directed by | George Dorobantu | Cinematography by | George Dorobantu, Alexandra M. Paun | Editing by | George Dorobantu
Cameras | Sony Other Camera
Hangin’ Out (1983)
Directed by | Wolfgang Büld | Cinematography by | Heinz Hölscher | Editing by | Peter Fratzscher
Cameras | ARRIFLEX Camera
Hidalgo (2004)
Zelary (2003)
On the Road (2012)
Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | François Gédigier
Cameras | Aaton Penelope Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Hugo (2011)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Altered States (1980)
Directed by | Ken Russell | Cinematography by | Jordan Cronenweth | Editing by | Eric Jenkins, Jack Harnish
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
A Life in Suitcases (2005)
Directed by | Peter Greenaway | Cinematography by | Reinier van Brummelen | Editing by | Joppo in de Grot, Elmer Leupen, Jaap Praamstra, Job Te Veldhuis, Chris Wyatt
Cameras | Sony HDW-F900 Camera
