Color | 3927 Titles
A Little Princess (1995)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Steven Weisberg
Cameras | Panavision Panaflex Platinum Camera
Ghostbusters (1984)
Directed by | Ivan Reitman | Cinematography by | László Kovács | Editing by | David E. Blewitt, Sheldon Kahn
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Rockaway (2007)
Directed by | Jeff Crook, Josh Crook | Cinematography by | John Ashmore | Editing by | Michael D. Thomson
Cameras | Kinor 235 Camera, Kinor 35H 9KSN Camera
Deliver Us from Evil (2006)
Directed by | Amy Berg | Cinematography by | Jacob Kusk, Jens Schlosser | Editing by | Matthew Cooke
Cameras | Sony HVR-Z1E Camera
The Man Who Loved Women (1977)
Directed by | François Truffaut | Cinematography by | Néstor Almendros | Editing by | Martine Barraqué
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
13 Going on 30 (2004)
Directed by | Gary Winick | Cinematography by | Don Burgess | Editing by | Susan Littenberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
A Good Man in Africa (1994)
Directed by | Bruce Beresford | Cinematography by | Andrzej Bartkowiak | Editing by | Jim Clark
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Stand by Me (1986)
Directed by | Rob Reiner | Cinematography by | Thomas Del Ruth | Editing by | Robert Leighton
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Click (2006)
Directed by | Frank Coraci | Cinematography by | Dean Semler | Editing by | Jeff Gourson
Cameras | Panavision Genesis Camera
American Animal (2011)
Directed by | Matt D'Elia | Cinematography by | Julian King | Editing by | Matt D'Elia, Julian King
Cameras | Red One MX Camera
Lenses | Cooke Zoom Lenses, Red Pro Prime 18 mm T1.8 Lens, Red Pro Prime 25 mm T1.8 Lens, Red Pro Prime 35 mm T1.8 Lens, Red Pro Prime 50 mm T1.8 Lens, Red Pro Prime 85 mm T1.8 Lens
The American President (1995)
Directed by | Rob Reiner | Cinematography by | John Seale | Editing by | Robert Leighton
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Natural (1984)
Directed by | Barry Levinson | Cinematography by | Caleb Deschanel | Editing by | Stu Linder, Christopher Holmes
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
A Wedding (1978)
Directed by | Robert Altman | Cinematography by | Charles Rosher Jr. | Editing by | Tony Lombardo
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Green Mile (1999)
Directed by | Frank Darabont | Cinematography by | David Tattersall | Editing by | Richard Francis-Bruce
Cameras | Panavision Panaflex Platinum Camera
Transformers: Dark of the Moon (2011)
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Baraka (1992)
Directed by | Ron Fricke | Cinematography by | Ron Fricke | Editing by | David Aubrey, Ron Fricke, Mark Magidson
Cameras | Todd-AO 65mm Camera
Lenses | Schneider Lenses
Seabiscuit (2003)
Directed by | Gary Ross | Cinematography by | John Schwartzman | Editing by | William Goldenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera
From Prada to Nada (2011)
Directed by | Angel Gracia | Cinematography by | Héctor Ortega | Editing by | Brad McLaughlin
Cameras | Sony CineAlta F35 Camera
A Cinderella Story (2004)
Directed by | Mark Rosman | Cinematography by | Anthony B. Richmond | Editing by | Cara Silverman
Lenses | Panavision Lenses
Videodrome (1983)
Directed by | David Cronenberg | Cinematography by | Mark Irwin | Editing by | Ronald Sanders
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
